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1730s Collection

In the 1730s, Santiago de Queretaro witnessed a remarkable development as an aqueduct was constructed to bring water from nearby springs

Background image1730s Collection: April, from Twelve Months of Flowers, 1730 (colour engraving)

April, from Twelve Months of Flowers, 1730 (colour engraving)
986032 April, from Twelve Months of Flowers, 1730 (colour engraving) by Casteels, Pieter (1684-1749) (after); 46.8x29 cm; Private Collection; (add.info.: April, from Twelve Months of Flowers)

Background image1730s Collection: Aqueduct built in the 1720s and 1730s to bring water from nearby springs to Santiago de Queretaro

Aqueduct built in the 1720s and 1730s to bring water from nearby springs to Santiago de Queretaro (Queretaro), a UNESCO World Heritage Site, Queretaro, Queretaro State, Mexico, North America

Background image1730s Collection: Laurel Tree, 1731-1743 (hand-coloured etching)

Laurel Tree, 1731-1743 (hand-coloured etching)
986443 Laurel Tree, 1731-1743 (hand-coloured etching) by Catesby, Mark (1679-1749); Private Collection; (add.info.: Laurel Tree. From The Natural History of Carolina, Florida and the Bahama Islands)

Background image1730s Collection: Jack Spriggins and the Enchanted Bean

Jack Spriggins and the Enchanted Bean. English folk or fairy tale that appeared in this form in 1734, and later became Jack and the Beanstalk. Date: Late 18th Century

Background image1730s Collection: A heavenly apparition

A heavenly apparition
5672120 A heavenly apparition; (add.info.: Traditional Russian woodcut Illustration showing a heavenly apparition. 1736.); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625722 Anatomical illustration; (add.info.: Anatomical drawing of a Bear by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625713 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625710 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625709 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625706 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625724 Anatomical illustration; (add.info.: Anatomical drawing of a Monkey by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625723 Anatomical illustration; (add.info.: Anatomical drawings by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625712 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625711 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: The taking of Portobello (line engraving)

The taking of Portobello (line engraving)
1579713 The taking of Portobello (line engraving); (add.info.: Line engraving of the taking of Portobello. The Buford engaging the Iron Castle. Engraved by W. H. Toms)

Background image1730s Collection: Scottish Bookseller Alexander Cruden, 1737

Scottish Bookseller Alexander Cruden, 1737
1574487 Scottish Bookseller Alexander Cruden, 1737; (add.info.: Alexander Cruden (1700-1770) Scottish bookseller. In 1737 he published his ''Concordance of the Holy Scriptures''

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625708 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625716 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625714 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Clogg Calendar

Clogg Calendar
3480251 Clogg Calendar; (add.info.: Clogg Calendar; a perpetual calendar in use in Staffordshire; England; in the early 18th century; supposedly a survival of Danish influence)

Background image1730s Collection: Workhouse for the United Parishes of Fulham and Hammersmith

Workhouse for the United Parishes of Fulham and Hammersmith
3480134 Workhouse for the United Parishes of Fulham and Hammersmith; (add.info.: Workhouse for the United Parishes of Fulham and Hammersmith)

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625720 Anatomical illustration; (add.info.: Anatomical drawing of a crocodile by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625715 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625707 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: China - Hainan Island, 1737

China - Hainan Island, 1737
2902866 China - Hainan Island, 1737; (add.info.: China - Hainan Island, 1737.); Buyenlarge Archive/UIG.

Background image1730s Collection: Adano Putra, daughter of Dipak Raga, c.1730-50 (gouache)

Adano Putra, daughter of Dipak Raga, c.1730-50 (gouache)
1196993 Adano Putra, daughter of Dipak Raga, c.1730-50 (gouache) by Yakovlev, Vassily Nikolayevich (1893-1953); 34.3x23.6 cm; Private Collection; Photo © Christie's Images.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625721 Anatomical illustration; (add.info.: Anatomical drawing of an Ostrich by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625719 Anatomical illustration; (add.info.: Anatomical drawing of a Hog by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625718 Anatomical illustration; (add.info.: Anatomical drawing of a Chameleon by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Anatomical illustration

Anatomical illustration
2625717 Anatomical illustration; (add.info.: Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).); Universal History Archive/UIG.

Background image1730s Collection: Robe à la française (gown and petticoat), Europe, c.1725. Stomacher: c.1735. Creator: Unknown

Robe à la française (gown and petticoat), Europe, c.1725. Stomacher: c.1735. Creator: Unknown
Robe a la francaise (gown and petticoat), Europe, c.1725. Stomacher: c.1735

Background image1730s Collection: Woman's corset, France, between c.1730 and c.1740. Creator: Unknown

Woman's corset, France, between c.1730 and c.1740. Creator: Unknown
Woman's corset, France, between c.1730 and c.1740

Background image1730s Collection: Orange tree in urn, 1733. Creator: David von Coln

Orange tree in urn, 1733. Creator: David von Coln
Orange tree in urn, 1733

Background image1730s Collection: Dhanashri Ragini, First Wife of Dipak Raga, Folio from a Ragamala... between c1725 and c1750

Dhanashri Ragini, First Wife of Dipak Raga, Folio from a Ragamala... between c1725 and c1750. Creator: Unknown
Dhanashri Ragini, First Wife of Dipak Raga, Folio from a Ragamala (Garland of Melodies), between c1725 and c1750

Background image1730s Collection: Tree Worship, between c1730 and c1750. Creator: Unknown

Tree Worship, between c1730 and c1750. Creator: Unknown
Tree Worship, between c1730 and c1750

Background image1730s Collection: Princess with a Hawk, between c1730 and c1740. Creator: Unknown

Princess with a Hawk, between c1730 and c1740. Creator: Unknown
Princess with a Hawk, between c1730 and c1740

Background image1730s Collection: Krishna Serenading Radha, between c1730 and c1750. Creator: Unknown

Krishna Serenading Radha, between c1730 and c1750. Creator: Unknown
Krishna Serenading Radha, between c1730 and c1750

Background image1730s Collection: Woman Reading in front of a Fireplace, 1735. Creator: Pierre Parrocel

Woman Reading in front of a Fireplace, 1735. Creator: Pierre Parrocel
Woman Reading in front of a Fireplace, 1735

Background image1730s Collection: Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies), between c1725 and c1750

Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies), between c1725 and c1750. Creator: Unknown
Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies), between c1725 and c1750

Background image1730s Collection: View of Ulriksdal with the Orangery Seen from the South, 1732. Creator: David von Coln

View of Ulriksdal with the Orangery Seen from the South, 1732. Creator: David von Coln
View of Ulriksdal with the Orangery Seen from the South, 1732

Background image1730s Collection: Stadhouder William IV, Prince of Orange, after 1734. Creator: Philip Van Dijk

Stadhouder William IV, Prince of Orange, after 1734. Creator: Philip Van Dijk
Stadhouder William IV, Prince of Orange, after 1734. Half-length portrait of Willem Karel Henrik, Prince of Orange, later Statholder Willem IV (1711-51)

Background image1730s Collection: Still life with fruits, 1714-1760. Creator: Michiel van Huysum

Still life with fruits, 1714-1760. Creator: Michiel van Huysum
Still life with fruits, 1714-1760

Background image1730s Collection: Krishna and Balarama Being Driven by Akrura to Mathura, Folio from a Bhagavata... c1730

Krishna and Balarama Being Driven by Akrura to Mathura, Folio from a Bhagavata... c1730. Creator: Unknown
Krishna and Balarama Being Driven by Akrura to Mathura, Folio from a Bhagavata Purana (Ancient Stories of the Lord), c1730

Background image1730s Collection: Still life with fruits, 1700-1800. Creator: Jan de Bruyn

Still life with fruits, 1700-1800. Creator: Jan de Bruyn
Still life with fruits, 1700-1800

Background image1730s Collection: Portrait of Dirck Helmbreeker, 1700-1750. Creator: Cornelis van Noorde

Portrait of Dirck Helmbreeker, 1700-1750. Creator: Cornelis van Noorde
Portrait of Dirck Helmbreeker, 1700-1750

Background image1730s Collection: Portrait of Romeyn de Hooghe, 1730-1750. Creator: Anon

Portrait of Romeyn de Hooghe, 1730-1750. Creator: Anon
Portrait of Romeyn de Hooghe, 1730-1750

Background image1730s Collection: Portrait of the painter Abraham de Ridder, 1678-c.1788. Creator: Anon

Portrait of the painter Abraham de Ridder, 1678-c.1788. Creator: Anon
Portrait of the painter Abraham de Ridder, 1678-c.1788

Background image1730s Collection: An Ascetic Receiving an Offering from a Woman, between c1725 and c1750. Creator: Unknown

An Ascetic Receiving an Offering from a Woman, between c1725 and c1750. Creator: Unknown
An Ascetic Receiving an Offering from a Woman, between c1725 and c1750



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In the 1730s, Santiago de Queretaro witnessed a remarkable development as an aqueduct was constructed to bring water from nearby springs. This engineering marvel not only quenched the city's thirst but also stood as a testament to human ingenuity. Meanwhile, in the realm of art, April bloomed with vibrant colors in Twelve Months of Flowers, a captivating colour engraving from 1730. The Laurel Tree, hand-coloured etching created between 1731 and 1743, showcased nature's beauty through intricate details. Amidst these artistic endeavors, tales like Jack Spriggins and the Enchanted Bean captivated imaginations with their enchanting narratives. Social gatherings became a common sight both in Amsterdam and Holland as people celebrated engagements and reveled in each other's company. The Man of Taste by William Hogarth depicted society's discerning eye for refinement while A Baptism according to the Greek Church in Russia shed light on cultural practices from distant lands. Nadir (Nader) Shah of Iran took center stage as he crowned himself during this eventful decade. Laughter echoed through theaters as The Laughing Audience by William Hogarth captured moments of pure joy shared among spectators. Mademoiselle de Beaujolais immortalized her elegance through Jean-Marc Nattier's brush strokes. Notably, Edward Hawke emerged as a prominent figure during this era; his accomplishments earned him the title of Baron Hawke. As history unfolded its pages throughout the 1730s, it brought forth diverse stories that shaped societies across continents.