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Glass Frame : Coming from Evening Church, 1830, (1947). Creator: Samuel Palmer
Mounted Prints from Heritage Images
Coming from Evening Church, 1830, (1947). Creator: Samuel Palmer
Coming from Evening Church, 1830, (1947). Congregation leaving an Evensong service in Shoreham, Kent, with full moon above the church. Painting in the Tate Gallery, London. From " English Hymns and Hymn Writers", by Adam Fox. [Collins, London, 1947]
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Media ID 19777540
© The Print Collector/Heritage Images
Adam Adam Fox Britain In Pictures Church Service Collins Congregation Evening Full Moon Kent Lunar Moon Palmer Samuel Samuel Palmer Social History Spire Steeple William Collins William Collins And Sons William Collins Sons Evensong Shoreham Tempera
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Coming from Evening Church, 1830
EDITORS COMMENTS
is a captivating print that captures the essence of a bygone era. Created by Samuel Palmer in 1947, this image depicts a congregation leaving an Evensong service in Shoreham, Kent. The scene is illuminated by the enchanting glow of a full moon hanging above the church, casting its ethereal light upon the people and architecture below. The painting, now housed in London's prestigious Tate Gallery, offers a glimpse into the religious and social history of England during the 19th century. The steeple of the church stands tall against the night sky, symbolizing faith and spirituality. As individuals make their way out of the church doors into the crisp evening air, one can almost feel their sense of tranquility and contemplation. This artwork not only showcases Palmer's mastery with tempera but also serves as a window to British life in the 1940s. It reminds us of simpler times when communities gathered for worship and found solace under moonlit skies. With its rich colors and attention to architectural detail, "Coming from Evening Church" transports viewers back in time while evoking feelings of reverence and nostalgia. It invites us to reflect on our own connection to religion, history, and nature's wonders within our ever-changing world.
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