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Glass Frame : CHINESE CARTOON, c1895. A cartoon showing a kneeling Chinese man speaking to a crying woman sitting on a sofa with a pool of tears at her feet. Woodcut, by Kiyochika Kobayashi, 1895
Mounted Prints from Granger
CHINESE CARTOON, c1895. A cartoon showing a kneeling Chinese man speaking to a crying woman sitting on a sofa with a pool of tears at her feet. Woodcut, by Kiyochika Kobayashi, 1895
CHINESE CARTOON, c1895.
A cartoon showing a kneeling Chinese man speaking to a crying woman sitting on a sofa with a pool of tears at her feet. Woodcut, by Kiyochika Kobayashi, 1895
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7959891
1895 China Chinese Crying Japanese Kiyochika Kneeling Romance Satire Sofa Tear Wood Cut
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This woodcut print, titled "CHINESE CARTOON, c1895" by Kiyochika Kobayashi, offers a glimpse into the late 19th-century Japanese perception of China. The artwork portrays a poignant scene where a Chinese man kneels before a weeping woman seated on a sofa. A pool of tears gathers at her feet, symbolizing her profound sadness. The artist's use of satire is evident in this cartoon-like depiction. Through exaggerated facial expressions and body language, he highlights the emotional turmoil experienced by both characters. The kneeling Chinese man appears to be speaking earnestly to the distraught woman, perhaps attempting to console or apologize for his actions. This woodcut print serves as an intriguing commentary on romance and cultural dynamics during that era. It reflects the complexities and tensions between Japan and China at the time while also exploring themes of love, heartbreak, and empathy. Kobayashi's skillful execution of this artwork showcases his mastery of woodcut techniques prevalent in traditional Japanese art forms. Each line etched into the woodblock contributes to the overall composition's depth and emotion. As we examine this historical piece today, it prompts us to reflect on how perceptions have evolved over time while reminding us that art has always been a powerful medium for expressing societal attitudes and narratives from different perspectives.
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