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Framed Print : CHINESE CARTOON, c1895. A cartoon showing a kneeling Chinese man speaking to a crying woman sitting on a sofa with a pool of tears at her feet. Woodcut, by Kiyochika Kobayashi, 1895

CHINESE CARTOON, c1895. A cartoon showing a kneeling Chinese man speaking to a crying woman sitting on a sofa with a pool of tears at her feet. Woodcut, by Kiyochika Kobayashi, 1895



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CHINESE CARTOON, c1895. A cartoon showing a kneeling Chinese man speaking to a crying woman sitting on a sofa with a pool of tears at her feet. Woodcut, by Kiyochika Kobayashi, 1895

CHINESE CARTOON, c1895.
A cartoon showing a kneeling Chinese man speaking to a crying woman sitting on a sofa with a pool of tears at her feet. Woodcut, by Kiyochika Kobayashi, 1895

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7959891

1895 China Chinese Crying Japanese Kiyochika Kneeling Romance Satire Sofa Tear Wood Cut


22"x18" (58x48cm) Modern Frame

Introducing the Media Storehouse Framed Print of a captivating 1895 woodcut, "CHINESE CARTOON" by Kiyochika Kobayashi. This powerful image features a distressed Chinese man in a humble kneeling position before a weeping woman, who sits despairingly on a sofa with a pool of tears at her feet. This poignant work of art, created over a century ago, offers a glimpse into the rich cultural history of Japan during the late Meiji period. Our high-quality framed print preserves the intricate details and textures of the original woodcut, making it a stunning addition to any home or office decor. Experience the emotional depth and historical significance of this rare and beautiful piece of art.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 26.5cm x 39.6cm (10.4" x 15.6")

Estimated Product Size is 47.8cm x 57.9cm (18.8" x 22.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Granger Art on Demand > Japanese Art

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EDITORS COMMENTS
This woodcut print, titled "CHINESE CARTOON, c1895" by Kiyochika Kobayashi, offers a glimpse into the late 19th-century Japanese perception of China. The artwork portrays a poignant scene where a Chinese man kneels before a weeping woman seated on a sofa. A pool of tears gathers at her feet, symbolizing her profound sadness. The artist's use of satire is evident in this cartoon-like depiction. Through exaggerated facial expressions and body language, he highlights the emotional turmoil experienced by both characters. The kneeling Chinese man appears to be speaking earnestly to the distraught woman, perhaps attempting to console or apologize for his actions. This woodcut print serves as an intriguing commentary on romance and cultural dynamics during that era. It reflects the complexities and tensions between Japan and China at the time while also exploring themes of love, heartbreak, and empathy. Kobayashi's skillful execution of this artwork showcases his mastery of woodcut techniques prevalent in traditional Japanese art forms. Each line etched into the woodblock contributes to the overall composition's depth and emotion. As we examine this historical piece today, it prompts us to reflect on how perceptions have evolved over time while reminding us that art has always been a powerful medium for expressing societal attitudes and narratives from different perspectives.

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