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Glass Frame : Imambara In Lucknow
Mounted Prints from Fine Art Storehouse
Imambara In Lucknow
The imambara (Shia congregation hall) and the tomb of Asaph-ud-Daula in Lucknow, India, 1858. The imambara was stormed during the second relief attempt by British forces under Sir Colin Campbell on the besieged city, during the Indian Rebellion (also known as the First War of Indian Independence or the Indian Mutiny). (Photo by Felice Beato/Hulton Archive/Getty Images)
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Felice Beato
Media ID 11797034
© 2007 Getty Images
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This vintage print takes us back to the year 1858, amidst the chaos of the Indian Rebellion in Lucknow, India. The image showcases the grandeur of Imambara, a significant Shia congregation hall, and the tomb of Asaph-ud-Daula. Standing tall against a sepia-toned backdrop, this architectural marvel exudes an air of mystery and resilience. The photograph captures a pivotal moment in history when British forces led by Sir Colin Campbell attempted to relieve the besieged city during the Indian Mutiny. It is said that it was within these very walls that intense battles were fought as both sides fiercely clashed for control. Felice Beato's lens skillfully freezes this poignant scene devoid of any human presence. The absence of people allows us to focus on the sheer magnitude and intricate details of Imambara's design. Its domes and minarets reach towards the sky while its ornate archways beckon exploration. As we gaze upon this black-and-white masterpiece, we are transported back in time to witness firsthand how architecture can serve as a silent witness to tumultuous events. This print serves as a reminder not only of Lucknow's rich cultural heritage but also highlights humanity's indomitable spirit even in times of strife. A true testament to Felice Beato's artistic prowess and historical significance, this print from Fine Art Storehouse invites us into an immersive journey through time – one where past meets present through visual storytelling at its finest.
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