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Glass Frame : At the Sculpture Exhibition, 1895 (oil on canvas)
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At the Sculpture Exhibition, 1895 (oil on canvas)
3247951 At the Sculpture Exhibition, 1895 (oil on canvas) by Curran, Charles Courtney (1861-1942); 45.7x55.9 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: National Sculpture Societys second exhibition in New York City in 1895. Herbert Adams relief (designed by August Saint-Gaudens, carved by Adams) for the Judson Memorial Church is mounted on the Ionic columns in the background); American, out of copyright
Media ID 22529038
© Bridgeman Images
Belle Epoque Courtyard Cultured Display Exhibit Gilded Age Henry James Statuary Visitors
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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At the Sculpture Exhibition, 1895
EDITORS COMMENTS
captures a moment in time during the Gilded Age in America. The painting by Charles Courtney Curran showcases the National Sculpture Society's second exhibition held in New York City. In this bustling courtyard, visitors are seen admiring the exquisite sculptures and enjoying the cultured atmosphere. The focal point of the painting is Herbert Adams' relief for Judson Memorial Church, mounted on Ionic columns in the background. This intricate piece designed by August Saint-Gaudens and carved by Adams adds grandeur to the scene. The women depicted exude elegance and femininity, dressed in fashionable attire of the Belle Époque era. Their hats add a touch of sophistication as they engage with each other and appreciate art. This snapshot from early 20th century America reflects both society's fascination with public sculpture and its growing interest in cultural pursuits. It offers a glimpse into an era when art exhibitions were highly anticipated social events. Charles Courtney Curran's masterful brushwork brings to life this vibrant moment filled with beauty, refinement, and intellectual curiosity. "At the Sculpture Exhibition, 1895" serves as a visual testament to an important period in American history where art played a significant role in shaping society's identity.
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