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Acrylic Blox : At the Sculpture Exhibition, 1895 (oil on canvas)
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At the Sculpture Exhibition, 1895 (oil on canvas)
3247951 At the Sculpture Exhibition, 1895 (oil on canvas) by Curran, Charles Courtney (1861-1942); 45.7x55.9 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: National Sculpture Societys second exhibition in New York City in 1895. Herbert Adams relief (designed by August Saint-Gaudens, carved by Adams) for the Judson Memorial Church is mounted on the Ionic columns in the background); American, out of copyright
Media ID 22529038
© Bridgeman Images
Belle Epoque Courtyard Cultured Display Exhibit Gilded Age Henry James Statuary Visitors
8"x6" (20x15cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 20.3cm x 15.2cm (8" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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At the Sculpture Exhibition, 1895
EDITORS COMMENTS
captures a moment in time during the Gilded Age in America. The painting by Charles Courtney Curran showcases the National Sculpture Society's second exhibition held in New York City. In this bustling courtyard, visitors are seen admiring the exquisite sculptures and enjoying the cultured atmosphere. The focal point of the painting is Herbert Adams' relief for Judson Memorial Church, mounted on Ionic columns in the background. This intricate piece designed by August Saint-Gaudens and carved by Adams adds grandeur to the scene. The women depicted exude elegance and femininity, dressed in fashionable attire of the Belle Époque era. Their hats add a touch of sophistication as they engage with each other and appreciate art. This snapshot from early 20th century America reflects both society's fascination with public sculpture and its growing interest in cultural pursuits. It offers a glimpse into an era when art exhibitions were highly anticipated social events. Charles Courtney Curran's masterful brushwork brings to life this vibrant moment filled with beauty, refinement, and intellectual curiosity. "At the Sculpture Exhibition, 1895" serves as a visual testament to an important period in American history where art played a significant role in shaping society's identity.
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