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Glass Frame : Pinnace Sailing Down the Ganges past Monghyr Fort, c. 1791 (oil on canvas)

Pinnace Sailing Down the Ganges past Monghyr Fort, c. 1791 (oil on canvas)



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Pinnace Sailing Down the Ganges past Monghyr Fort, c. 1791 (oil on canvas)

XYC159626 Pinnace Sailing Down the Ganges past Monghyr Fort, c.1791 (oil on canvas) by Daniell, Thomas (1749-1840); 76.2x125.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12733406

© www.bridgemanart.com

British Empire Colonist Indian Landscape


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")

Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This print, titled "Pinnace Sailing Down the Ganges past Monghyr Fort" takes us back to the year 1791 and immerses us in the vibrant landscape of colonial India. Painted by Thomas Daniell, a renowned English artist, this oil on canvas masterpiece measures 76.2x125.7 cm and is currently housed at the Yale Center for British Art. The scene depicted showcases a majestic pinnace gracefully gliding along the mighty Ganges River, with its sails billowing in the wind. As it passes by Monghyr Fort, an imposing structure that stands proudly on the riverbank, one can't help but marvel at both its architectural beauty and historical significance. This artwork not only captures a moment frozen in time but also serves as a window into an era dominated by the British Empire's presence in Asia. It symbolizes their influence through trade and colonization under entities like the East India Company. Daniell's attention to detail brings every element of this Indian landscape to life – from lush greenery lining both sides of the riverbanks to distant hills shrouded in mist. The painting exudes tranquility while simultaneously evoking curiosity about what lies beyond our view. As we gaze upon this remarkable piece, we are reminded of how art has transcended time and space to preserve history for generations to come. Its inclusion within Paul Mellon Collection testifies to its enduring value as an artistic treasure that continues to captivate viewers today.

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Related Images


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INDIA: CALCUTTA, 1786. Old Fort William (left), a playhouse and obelisk memorial
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THORNTON: LOTUS FLOWER. The Sacred Egyptian Bean, or lotus flowers (Nelumbo nucifera Gaertn. and Nelumbo lutea). Engraving by Thomas Burke and Frederick Christian Lewis after a painting by Peter Henderson for The Temple of Flora, by British botanist Robert John Thornton, 1804
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