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Glass Frame : We found our landlord with the two ladies of fashion
Mounted Prints from Fine Art Finder
We found our landlord with the two ladies of fashion
617061 We found our landlord with the two ladies of fashion, illustration from The Vicar of Wakefield by Oliver Goldsmith, c.1910 (colour litho) by Jameson, Margaret (20th Century); Private Collection; (add.info.: The Vicar of Wakefield is a novel by Irish author Oliver Goldsmith (1730-74)); British, out of copyright
Media ID 23158484
© Bridgeman Images
Ball Gown Chivalrous Elaborate Gallant Gown Gowns Kitchen Landlord Lrish Modest Parlour Squire Vicar Wakefield Thornhill
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this illustration from The Vicar of Wakefield by Oliver Goldsmith, we are transported to a scene filled with intrigue and elegance. Entitled "We found our landlord with the two ladies of fashion" the image beautifully captures the essence of Georgian society. The setting is a modest kitchen, yet it is transformed into a stage for high society drama. Two impeccably dressed ladies in exquisite ball gowns steal the spotlight, their elaborate dresses exuding femininity and grace. Their fashionable hats add an air of mystery as they engage in conversation with our gallant landlord. The characters come alive through their costumes, each outfit reflecting their unique personalities. The women's attire showcases both sophistication and duplicity, hinting at hidden motives beneath their elegant exteriors. Meanwhile, our chivalrous landlord stands tall in his distinguished attire, caught between duty and desire. This scene not only captures the spirit of 18th-century fashion but also hints at deeper themes within Goldsmith's novel. It invites us to explore the complex relationships between class, gender roles, and societal expectations during this era. Through Margaret Jameson's skillful use of color lithography, we are transported back in time to witness this moment unfold before us. This print serves as a reminder that art has the power to bring literature to life and ignite our imagination centuries later.
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