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Glass Frame : Triumph of Death, 1779 (engraving)

Triumph of Death, 1779 (engraving)



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Triumph of Death, 1779 (engraving)

XJF2920826 Triumph of Death, 1779 (engraving) by Gamelin, Jacques (1738-1803); Private Collection; (add.info.: Titlepage of the 18th century anatomy manual for artists Nouveau recueil daosteologie et de myologie (New collection of osteology and mycologya) dedicated by Gamelin to his patron Baron de Puymartin); French, out of copyright

Media ID 12794171

© www.bridgemanimages.com

Anatomical Manual Trumpets Winged Dying


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")

Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
The captivating engraving "Triumph of Death, 1779" by Jacques Gamelin takes us back to the 18th century, where art and science intertwined in a mesmerizing display. This print, part of the anatomy manual for artists titled Nouveau recueil daosteologie et de myologie (New collection of osteology and mycologya), showcases Gamelin's mastery in capturing both beauty and morbidity. In this intricate composition, death triumphs over life as skeletal figures dominate the battlefield. The scene is filled with war-torn bodies and fallen horses, symbolizing the fragility of existence amidst conflict. Trumpets blare victory while winged creatures hover above, adding an ethereal touch to this macabre spectacle. Gamelin dedicated his work to his patron Baron de Puymartin, whose support allowed him to delve into anatomical studies with artistic flair. Through this collaboration between art and science, Gamelin aimed to provide fellow artists with a comprehensive understanding of human anatomy. As we gaze upon this print from a private collection today, it serves as a testament to the enduring power of art in unraveling the mysteries of our own mortality. It reminds us that even in death's triumph lies an undeniable beauty waiting to be explored through artistic expression.

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