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Glass Frame : Tenderly flirting, illustration from Pride & Prejudice by Jane Austen
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Tenderly flirting, illustration from Pride & Prejudice by Jane Austen
XJF451387 Tenderly flirting, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Lydia Bennet imagining her time at Brighton; Jane Austen (1775-1817); ); British, out of copyright
Media ID 12883885
© www.bridgemanart.com
Barking Brighton Edition Fanning Fantasy Flirt Flirtatious Flirting Imagined Imagining Jane Austen Officers Pet Dog Pride And Prejudice Ridiculous Visiting Regency Tenderly
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This illustration from Jane Austen's Pride & Prejudice, beautifully captures a tender moment of flirtation. Created by Hugh Thomson and published in 1894, this engraving brings to life Lydia Bennet's vivid imagination during her time at Brighton. In this scene, we see a young and flirtatious Lydia envisioning herself amidst the bustling streets of Brighton. Surrounded by dashing officers in their regency uniforms, she playfully engages with one particular soldier who catches her eye. Her pet pug barks excitedly nearby as she fans herself coquettishly. Thomson's intricate attention to detail transports us back to the Georgian era, where societal norms allowed for such playful encounters between men and women. Through his artistry, he invites us into Lydia's whimsical fantasy world where she can indulge in her desires without restraint. The artist skillfully portrays Lydia as an enchanting young woman full of vivacity and charm. The exaggerated elements of costume add a touch of theatricality to the scene, emphasizing the ridiculousness of her imagined encounter. This delightful print serves as a reminder of Austen's timeless storytelling ability and Thomson's talent for bringing literary characters to life through visual representation. It is a testament to the enduring allure of Pride & Prejudice that continues to captivate readers and art enthusiasts alike.
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