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Antique Framed Print : Tenderly flirting, illustration from Pride & Prejudice by Jane Austen
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Tenderly flirting, illustration from Pride & Prejudice by Jane Austen
XJF451387 Tenderly flirting, illustration from Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Lydia Bennet imagining her time at Brighton; Jane Austen (1775-1817); ); British, out of copyright
Media ID 12883885
© www.bridgemanart.com
Barking Brighton Edition Fanning Fantasy Flirt Flirtatious Flirting Imagined Imagining Jane Austen Officers Pet Dog Pride And Prejudice Ridiculous Visiting Regency Tenderly
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 20.5cm (9.6" x 8.1")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This illustration from Jane Austen's Pride & Prejudice, beautifully captures a tender moment of flirtation. Created by Hugh Thomson and published in 1894, this engraving brings to life Lydia Bennet's vivid imagination during her time at Brighton. In this scene, we see a young and flirtatious Lydia envisioning herself amidst the bustling streets of Brighton. Surrounded by dashing officers in their regency uniforms, she playfully engages with one particular soldier who catches her eye. Her pet pug barks excitedly nearby as she fans herself coquettishly. Thomson's intricate attention to detail transports us back to the Georgian era, where societal norms allowed for such playful encounters between men and women. Through his artistry, he invites us into Lydia's whimsical fantasy world where she can indulge in her desires without restraint. The artist skillfully portrays Lydia as an enchanting young woman full of vivacity and charm. The exaggerated elements of costume add a touch of theatricality to the scene, emphasizing the ridiculousness of her imagined encounter. This delightful print serves as a reminder of Austen's timeless storytelling ability and Thomson's talent for bringing literary characters to life through visual representation. It is a testament to the enduring allure of Pride & Prejudice that continues to captivate readers and art enthusiasts alike.
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