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Glass Frame : Elijah restoring the Widows Son, 1868
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Elijah restoring the Widows Son, 1868
XZL17025 Elijah restoring the Widows Son, 1868 by Brown, Ford Madox (1821-93); Victoria & Albert Museum, London, UK; English, out of copyright
Media ID 12738136
© www.bridgemanart.com
Elie Fils Garlic Plead Prophet Prophete Resurrection Veuve Widow Zarephath Sarepta
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print titled "Elijah restoring the Widows Son, 1868". Ford Madox Brown transports us back to biblical times. The scene depicts a powerful moment from the Old Testament where Elijah, the revered prophet, pleads with all his might for divine intervention. With his flowing beard and commanding presence, Elijah stands before the grieving widow and her deceased son. The atmosphere is thick with anticipation as onlookers, including kings and common folk alike, witness this extraordinary event unfold. The artist's attention to detail is evident in every brushstroke - from the intricate garments worn by each figure to the expressions of hope mingled with doubt etched upon their faces. Amidst this solemn setting lies a subtle symbol of faith - garlic bulbs hanging nearby. In ancient times, garlic was believed to possess healing properties and ward off evil spirits. Its inclusion here serves as a reminder that miracles can manifest even in the most unlikely circumstances. Through skillful composition and masterful storytelling, Brown captures both the vulnerability of human existence and our unwavering desire for resurrection. This timeless artwork invites viewers to reflect on themes of loss, redemption, and ultimately hope. Displayed proudly at London's Victoria & Albert Museum since its creation in 1868, this print continues to inspire awe among visitors who bear witness to its profound message.
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