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Veuve Collection

"Veuve: A Journey Through Life's Transitions" Step into the elegant Veuve Clicquot Champagne Bar

Background imageVeuve Collection: Veuve Clicquot Champagne Bar

Veuve Clicquot Champagne Bar York Racecourse Dante Festival, York Racecourse York Racecourse, York, England 13 May 2011 Date: 13 May 2011

Background imageVeuve Collection: La Paimpolaise, french song, c.1900 (engraving)

La Paimpolaise, french song, c.1900 (engraving)
5675102 La Paimpolaise, french song, c.1900 (engraving); (add.info.: Fishermans' woman mourning his husband dead at the sea in Paimpol, Bretagne, France)

Background imageVeuve Collection: The queen Catherine de' Medici, wife of Henry II of France, 1581 (watercolour)

The queen Catherine de' Medici, wife of Henry II of France, 1581 (watercolour)
3434357 The queen Catherine de' Medici, wife of Henry II of France, 1581 (watercolour); Bibliotheque Nationale, Paris, France; Photo © CCI.

Background imageVeuve Collection: World War II: Italian poster depicting a widow (son killed in action): Don't betray my son Italy

World War II: Italian poster depicting a widow (son killed in action): Don't betray my son Italy, 1944
GIA4753262 World War II: Italian poster depicting a widow (son killed in action): Don't betray my son.. Italy, 1944 by Boccasile

Background imageVeuve Collection: Fishermen at Work, ca. 1763-1800. Creator: J Daulle & Veuve

Fishermen at Work, ca. 1763-1800. Creator: J Daulle & Veuve
Fishermen at Work, ca. 1763-1800

Background imageVeuve Collection: Widowed and Fatherless, 1888

Widowed and Fatherless, 1888
CH27430 Widowed and Fatherless, 1888 by Kennington, Thomas Benjamin (1856-1916); Private Collection; Photo eChristies Images; English, out of copyright

Background imageVeuve Collection: Portrait of a Widow, c. 1585 (oil on canvas)

Portrait of a Widow, c. 1585 (oil on canvas)
DAY235420 Portrait of a Widow, c.1585 (oil on canvas) by Carracci, Ludovico (1555-1619); 99.7x77.5 cm; The Dayton Art Institute, Dayton, Ohio

Background imageVeuve Collection: Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins

Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines
FLO4690572 Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J

Background imageVeuve Collection: The skeleton of Death surprises Ned Freeman as he visits the insurance office

The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum
FLO4690118 The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum

Background imageVeuve Collection: Young girl at the cemetery Painting by Octave Tassaert (1800-1874) 1840 Sun

Young girl at the cemetery Painting by Octave Tassaert (1800-1874) 1840 Sun
JLJ4685577 Young girl at the cemetery Painting by Octave Tassaert (1800-1874) 1840 Sun. 0, 45x0, 53 m Bayonne, Musee Bonnat by Tassaert, Octave (1800-74); Musee Bonnat, Bayonne

Background imageVeuve Collection: Delphine Marquet as the Marquis in La Veuve

Delphine Marquet as the Marquis in La Veuve
French actress Delphine Marquet as the Marquis in La Veuve de Quinze Ans by Theaulon and Adolphe, Theatre des Varieties, 1847

Background imageVeuve Collection: Elijah and the Widow of Zarephath (pen and brown wash on paper)

Elijah and the Widow of Zarephath (pen and brown wash on paper)
BI156646 Elijah and the Widow of Zarephath (pen and brown wash on paper) by Maes, Nicolaes (1634-93) (attr.); 20.5x32.5 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Background imageVeuve Collection: Reouverture du nouveau theatre de la Comedie-Italienne, restaure apres la mort de Dominique

Reouverture du nouveau theatre de la Comedie-Italienne, restaure apres la mort de Dominique, le fameux Arlequin
6005497 Reouverture du nouveau theatre de la Comedie-Italienne, restaure apres la mort de Dominique, le fameux Arlequin, en 1688 (engraving) by French School

Background imageVeuve Collection: Elie demande l hospitalite a la veuve de Sarepta (engraving)

Elie demande l hospitalite a la veuve de Sarepta (engraving)
3625879 Elie demande l hospitalite a la veuve de Sarepta (engraving) by French School, (19th century); Private Collection; (add.info.: Elie demande l hospitalite a la veuve de Sarepta)

Background imageVeuve Collection: Grande Duchesse Elisabeth, Veuve du grand duc Serge (coloured photo)

Grande Duchesse Elisabeth, Veuve du grand duc Serge (coloured photo)
975438 Grande Duchesse Elisabeth, Veuve du grand duc Serge (coloured photo) by French School, (19th century); Private Collection; (add.info.: Grande Duchesse Elisabeth, Veuve du grand duc Serge)

Background imageVeuve Collection: Le cure et la jeune widow Painting by Jean Baptiste Greuze (1725-1805) 18th century

Le cure et la jeune widow Painting by Jean Baptiste Greuze (1725-1805) 18th century
JLJ4643648 Le cure et la jeune widow Painting by Jean Baptiste Greuze (1725-1805) 18th century by Greuze, Jean Baptiste (1725-1805); Louvre, Paris

Background imageVeuve Collection: Le cte Edmond de Bourke Notice sur les ruines

Le cte Edmond de Bourke Notice sur les ruines
Le cte. Edmond de Bourke, Notice sur les ruines les plus remarquables de Naples et de ses environs, redigee par le comte Edmond de Bourke, et, publee par sa veuve, Bourke, Edmund, Engraving, 1823

Background imageVeuve Collection: Poster design, La Veuve Joyeuse

Poster design, La Veuve Joyeuse (The Merry Widow), an operetta by Franz Lehar, in a production by Albert Chartier

Background imageVeuve Collection: Catherine LA Voisin

Catherine LA Voisin
CATHERINE DESHAYES, veuve Monvoisin, known as LA VOISIN French adventuress who was burnt at the stake for her part in the Chambre Ardente affair involvig dubious magic

Background imageVeuve Collection: COSTUME / MAN, 1634

COSTUME / MAN, 1634
Philiste, a character in Corneilles comedy La Veuve Date: 1634

Background imageVeuve Collection: Honora Daumier (French, 1808 - 1879), La veuve, c. 1846, lithograph

Honora Daumier (French, 1808 - 1879), La veuve, c. 1846, lithograph
Honora© Daumier (French, 1808 - 1879), La veuve, c. 1846, lithograph

Background imageVeuve Collection: Elijah restoring the Widows Son, 1868

Elijah restoring the Widows Son, 1868
XZL17025 Elijah restoring the Widows Son, 1868 by Brown, Ford Madox (1821-93); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageVeuve Collection: The Woman with the Glove, 1869 (oil on canvas)

The Woman with the Glove, 1869 (oil on canvas)
XIR197253 The Woman with the Glove, 1869 (oil on canvas) by Carolus-Duran, Charles Emile Auguste (1837-1917); 228x164 cm; Musee d Orsay, Paris, France; (add.info.: Madame Carolus-Duran)

Background imageVeuve Collection: Corneille / LA Veuve

Corneille / LA Veuve
LA VEUVE The character of Philiste


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"Veuve: A Journey Through Life's Transitions" Step into the elegant Veuve Clicquot Champagne Bar, where bubbles of celebration fill the air and glasses clink in joyful toasts. This is a place where life's milestones are honored with exquisite taste. But not all veuves bring joyous occasions. An invitation to a funeral reminds us of the fragility of life, as we gather to bid farewell to loved ones who have departed this world. Intricate poster designs capture the essence of La Veuve Joyeuse, a tale that explores love, loss, and resilience. It serves as a reminder that even in times of sorrow, there can be moments of hope and happiness. World War II left countless widows behind; their sons sacrificed on the battlefield. An Italian poster begs for loyalty and compassion towards these grieving mothers – "Don't betray my son. " The pain etched on their faces speaks volumes about the profound impact war has on families. Travel back in time to witness fishermen at work during an era long gone by. J Daulle & Veuve immortalize their laborious efforts through artistry, capturing both their strength and vulnerability amidst nature's vastness. "Widowed and Fatherless, " an evocative phrase that encapsulates heartbreak from generations past. In 1888, it was a reality faced by many women left alone to navigate life without their partners' support. A portrait painted in c. 1585 showcases the solemn beauty of widowhood captured on canvas – her gaze filled with wisdom gained through hardship endured alone. The sea becomes a sanctuary for Widow Ducker and her nymphs as they find solace amidst dolphins and bathing machines. Their laughter echoes against crashing waves - proof that healing can emerge from unexpected places. Thomas Rowlandson's satirical depiction reveals Death lurking around every corner - his skeleton surprising Ned Freeman at an insurance office.