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Glass Coaster : unbelieving Thomas Christ Mary interceding God
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unbelieving Thomas Christ Mary interceding God
The unbelieving Thomas and Christ and Mary interceding before God the Father (outside), The Nativity (inside), around 1445-1450, mixed technique on softwood, on the gold-ground side covered with canvas, 135 x 165 cm (outside) |, 136 x 165 cm (inside), Not marked, Konrad Witz, (Werkstatt / workshop), Rottweil um 1400 - um 1445/47
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19589099
© Artokoloro
Father Inside Konrad Witz Marked Mixed Technique Nativity Outside Rottweil Um 1400 – Um 1445 47 Werkstatt Workshop Softwood
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 7.6cm x 3.1cm (3" x 1.2")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print showcases the masterpiece "Unbelieving Thomas Christ Mary Interceding God" by Konrad Witz, created around 1445-1450. The artwork is a mixed technique on softwood and features an exquisite gold-ground side covered with canvas. With dimensions of 135 x 165 cm (outside) and 136 x 165 cm (inside), this piece commands attention. The outer panel depicts the profound encounter between Unbelieving Thomas, Christ, and Mary as they intercede before God the Father. The artist skillfully captures the emotions of doubt, faith, and divine intervention in this powerful scene. Each figure's expression tells a story that resonates with viewers across time. On the inside panel lies another significant moment - The Nativity. This sacred event is portrayed with meticulous detail and reverence for its spiritual significance. Witz's expertise shines through in his ability to bring forth both human emotion and divine presence within one composition. Though not marked by any specific attribution or signature, it is believed to have originated from Konrad Witz's workshop in Rottweil around 1400-1445/47. This exceptional print allows art enthusiasts to appreciate every intricate brushstroke and color choice made by Witz centuries ago. It serves as a testament to his artistic genius while inviting us into a world where faith meets doubt, miracles happen, and divinity intertwines with humanity.
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