Mixed Technique Collection

unbelieving Thomas Christ Mary interceding God
The unbelieving Thomas and Christ and Mary interceding before God the Father (outside), The Nativity (inside), around 1445-1450, mixed technique on softwood

Annunciation c. 1460 / 70 mixed technique softwood
The Annunciation, c. 1460/70, mixed technique on softwood, (per panel) 47.5 x 40.8 cm, unmarked, Schwabischer Meister, 15. Jh. (?)

Marientod inside Stoning hl. Stephanus outside
Marientod (inside), Stoning of the hl. Stephanus (outside), c. 1435/40, mixed technique on panel-laminated softwood, 89.2 x 71.2 cm, not marked

Coronation Thorns c. 1500 mixed technique softwood
Coronation of the Thorns, c. 1500, mixed technique on softwood, 128.2 x 58 cm, unmarked, Sigmund Holbein, Augsburg um 1470-1540 Bern

Cross Carrying Christ c. 1500 Mixed technique
Cross Carrying Christ, c. 1500, Mixed technique on coniferous wood, 128.2 x 58 cm, Unrecorded, Sigmund Holbein, Augsburg um 1470-1540 Bern

Bathsheba bath front death soldier includes young woman
Bathsheba in the bath (front), The death as a soldier includes a young woman (back), 1517, mixed technique on fir wood, 38.2 x 29.2 cm

Prophet Isaiah 1st third 15th century mixed technique
The Prophet Isaiah, 1st third of the 15th century, mixed technique on hardwood laminated with canvas, 31 x 41 cm, unmarked. On the scroll: ysayas p [ro] pheta, Schweizerischer Meister, 15. Jh. (?)

Capsule portrait Katharina von Bora wife Martin Luther
Capsule portrait of Katharina von Bora, the wife of Martin Luther, 1525, mixed technique on beech wood, diameter: 10 cm, inscribed and dated: Winged Serpent, 1525 (last digit indistinct)

Portrait Johannes Amerbach 1513 mixed technique
Portrait of Johannes Amerbach (?), 1513, mixed technique on parchment, mounted on fir wood, 52.5 x 37 cm, not marked. Labeled above: [...] ÔÇó DES ÔÇó AGES ÔÇó IM 72 IOR ÔÇó

Madonna Child Strawberry c. 1505 mixed technique
Madonna and Child with Strawberry, c. 1505, mixed technique on parchment, mounted on linden wood, 31.2 x 22.8 cm, unmarked, Meister der Lautenbacher Hochaltarflugel, tatig im 16. Jh

Bust daughter image Madonna Basel Mayor Jacob Meyer zum Hasen
Bust of the daughter from the image of the Madonna of Basel Mayor Jacob Meyer zum Hasen, c. 1633-1639, mixed technique on cardboard, 29.5 x 20 cm, unmarked, Johannes Ludin

La flAšche de Notre-Dame Vue de Paris Notre-Dame
La fleche de Notre-Dame (Vue de Paris, Notre-Dame), 1909/14, mixed technique with wax colors on canvas, 58.5 x 38 cm, signed and dated lower right: r.delaunay, 1909, Robert Delaunay

St. Katharina 15th century mixed technique lime wood
St. Katharina, end of the 15th century, mixed technique on lime wood, 64 x 37.5 cm, unsigned, Basler Meister, 15. Jh

Ecce homo front Marbling year number 1499 back
Ecce homo (front), Marbling with year number 1499 (back), 1499, mixed technique on basswood, 40 x 31 cm, Not marked, but dated on the back: ÔÇó 1 ÔÇó 4 ÔÇó 9 ÔÇó 9 ÔÇó

Coronation Virgin Mary early 16th century mixed technique
Coronation of the Virgin Mary, early 16th century, mixed technique on coniferous wood, 51 x 58 cm, not marked (?). On the base plate of the throne bench in the lower left in dark red color Fantasy

St. Barbara late 15th century mixed technique
St. Barbara, late 15th century, mixed technique on basswood, 63 x 35 cm, not marked, Basler Meister, 15. Jh

St. Dorothea 15th century mixed technique basswood
St. Dorothea, end of the 15th century, mixed technique on basswood, 175 x 35 cm, unsigned, Basler Meister, 15. Jh

St. Margaretha 15th century mixed technique basswood
St. Margaretha, end of the 15th century, mixed technique on basswood, 175 x 35 cm, unmarked, Basler Meister, 15. Jh

Gregory Mass donor c. 1480-1500 mixed technique
The Gregory Mass with a donor, c. 1480-1500, mixed technique on fir wood, 129.5 x 74.5 cm, unsigned. Lower indentation: CVAL QERA Q [E] DELA [N] TE DESTA FIGVRA DICHERE LAS RODILLAS I [NF] RA

Crucifixion Christ thieves saints benefactresses
Crucifixion of Christ with thieves, saints and benefactresses, 1512, mixed technique on lime wood covered with canvas, 138 x 140.5 cm, Signed and dated on the scroll on the cross trunk: ÔÇó BALDVNG

Pyramus Thisbe 1513 / 14 mixed technique canvas
Pyramus and Thisbe, around 1513/14, mixed technique on canvas (small linen painting), 151.5 x 161 cm, monogrammed on a tree trunk: NM ÔÇó D ÔÇó with lying dagger

hl. Anna diesdritt c. 1510 / 15 mixed technique
The hl. Anna diesdritt, c. 1510/15, mixed technique on basswood, 71.1 x 49.3 cm, not marked, Hans Baldung gen. Grien, Schwabisch Gmund (?) 1484/85-1545 Strassburg

Passover Number inside Rapport stars monogram IM
The Passover Number (inside), Rapport of stars and monogram IM [Jesus, Maria] in gold on a red background (outside), mixed technique on oak wood, 32 x 30.5 cm, unmarked, Niederlandischer Meister, 15

Madonna Child c. 1437 / 40 mixed technique paneled spruce wood
Madonna and Child, c. 1437/40, mixed technique on paneled spruce wood, 64.5 x 51.5 cm, unspecified. In the Nimben: maria [heavily damaged] and :, iesus, Konrad Witz, Rottweil um 1400 - um 1445/47

Annunciation Angel c. 1435 mixed technique oak paneled
Annunciation Angel, c. 1435, mixed technique on oak paneled with canvas, 86.5 x 69 cm, unmarked. Banner with the beginning of the English greeting: Ave maria gra [until here from behind translucent

Mannalese inside Rapport stars monogram IM Jesus
The Mannalese (inside), Rapport of stars and monogram IM [Jesus, Maria] in gold on a red background (outside), mixed technique on oak wood, 32 x 30.5 cm, unmarked

Marian Death c. 1480 mixed technique fir wood
The Marian Death, c. 1480, mixed technique on fir wood, 78.5 x 69.5 cm, unmarked. In the lower left corner a black blazon with a silver schraglinks put wolf tooth divided, Suddeutscher Meister ()

Coronation Mary Circle Angels Saints c. 1470
The Coronation of Mary in the Circle of Angels and Saints, c. 1470, mixed technique on spruce, covered with canvas, 127 x 111.3 cm, not marked, Augsburger Meister, 15. Jh

Esther Ahasver c. 1435 mixed technique canvas laminated oak
Esther before Ahasver, c. 1435, mixed technique on canvas laminated oak, 85.5 x 79.5 cm, unsigned, Konrad Witz, Rottweil um 1400 - um 1445/47

Dragon Battle St. Georg inside Lamentation Christ under
The Dragon Battle of St. Georg (inside), The Lamentation of Christ under the cross (outside), c. 1445-1450, mixed technique on fir wood, 144 x 110.5 cm, unmarked, Meister von Sierentz

mantle donation hl. Martin inside Remains Passion Scene
The mantle donation of the hl. Martin (inside), Remains of a Passion Scene (cross bearing?) (Outside), c. 1445-1450, mixed technique on fir wood, 144 x 111.5 cm, unmarked, Meister von Sierentz

Portrait Johannes Oekolampad c. 1531 / 50 mixed technique
Portrait of Johannes Oekolampad, c. 1531/50, mixed technique on basswood, 62 x 51.5 cm, monogrammed lower left: HA [ligated]

Portrait JAorg Schweiger front Parchment sheet stuck
Portrait of Jorg Schweiger (front), Parchment sheet stuck with his full emblem (back), c. 1518, mixed technique on basswood, 29.5 x 21.5 cm, unsigned, Ambrosius Holbein

Portrait Older Man Pius Joachim c. 1475 mixed technique
Portrait of an Older Man (Pius Joachim), c. 1475, mixed technique on basswood, 44 x 38.7 cm, unsigned, Bayerischer Meister, 15. Jh

Diptych Hieronymus TscheckenbAOErlin Death 1487
Diptych: Hieronymus Tscheckenburlin and Death, 1487, mixed technique on lime wood, left panel: 40 x 28 cm (with frame: 48.5 x 38 cm) |, right panel: 40.5 x 29 cm (with frame: 48.5 x 37.5 cm)

Crucifixion Christ c. 1515 Mixed technique basswood
The Crucifixion of Christ, c. 1515 (?), Mixed technique on basswood, 74.9 x 54.4 cm, unsigned. Crosstitulus ÔÇó I ÔÇó N ÔÇó R ÔÇó I ÔÇó and inscription on the head of the centurion VERE FILLIVS [SIC

Portrait boy brown hair c. 1516 mixed technique
Portrait of a boy with brown hair, c. 1516, mixed technique on fir wood, 33.5 x 28 cm, unsigned, Ambrosius Holbein, Augsburg um 1494 - um 1519 Basel (?)

Three floating angels c. 1490 mixed technique
Three floating angels, c. 1490, mixed technique on fir wood, 29.1 x 37.9 cm, not marked, Meister des Monis-Altars (Umkreis Meister des Hausbuchs), tatig um 1480-1500 am Mittelrhein und in Frankfurt

Portrait architect c. 1480 mixed technique basswood
Portrait of an architect, c. 1480, mixed technique on basswood, 42.9-43.2 x 30.5-30.8 cm, unmarked, Bayerischer Meister, 15. Jh

Nativity c. 1480 / 90 mixed technique softwood
The Nativity, c. 1480/90, mixed technique on softwood, 76 x 48.5 cm, unmarked. On the ribbon of the angels: gloria in exelsis deo, Schwabischer Meister, 15. Jh. (?)

Portrait Basler Junkers Bernhard Meyer zum Pfeil
Portrait of the Basler Junkers Bernhard Meyer zum Pfeil, 1513, mixed technique on basswood, 40.5 x 34.5 cm (with attachment: 43.7x 37 cm), not marked

Christ interposing God Father c. 1515 mixed technique
Christ interposing with God the Father, c. 1515, mixed technique on basswood, 36.5 x 30.5 cm, unsigned, Ambrosius Holbein, Augsburg um 1494 - um 1519 Basel (?)

Portrait boy blond hair c. 1516 mixed technique
Portrait of a boy with blond hair, c. 1516, mixed technique on fir wood, 33.5 x 27 cm, unsigned, Ambrosius Holbein, Augsburg um 1494 - um 1519 Basel (?)

Portrait Young Man c. 1490 mixed technique parchment
Portrait of a Young Man, c. 1490, mixed technique on parchment, mounted on basswood, 26.3 x 18.5 cm (wooden plate), unmarked, Meister des Hausbuchs, (Umkreis / circle)

Adoration Magi c. 1492 / 94 mixed technique fir wood
The Adoration of the Magi, c. 1492/94, mixed technique on fir wood, 75.5 x 169.5 cm |, 85.5 x 179 x 7.5 cm, Not specified, Albrecht Durer, (?), Nurnberg 1471-1528 Nurnberg

Death Maiden 1517 mixed technique linden wood
Death and the Maiden, 1517, mixed technique on linden wood, 30.3 x 14.7 cm, unsigned. Labeled and dated above: HIE ÔÇó MV ST ÔÇó DU ÔÇó YN ÔÇó 1517, Hans Baldung gen

Marian Death 1501 mixed technique fir wood 167. 5 x 151. 5 cm
The Marian Death, 1501, mixed technique on fir wood, 167.5 x 151.5 cm, unmarked. In the upper right corner under the paint layer lying lettering in red

Lucretia 1517 mixed technique fir spruce Wood
Lucretia, 1517, mixed technique on fir or spruce (?) Wood, 32.4 x 26.6 cm (above 26.9), dated upper left in the painted frame: 1517

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"Exploring the Marvels of Mixed Technique in Art: From Unbelieving Thomas to Notre-Dame" Discover the captivating world art, where creativity knows no bounds. In this diverse collection, we encounter a range of masterpieces that showcase the skillful fusion of different artistic methods and materials. One such masterpiece is "Annunciation, " created around 1460/70 using softwood and mixed technique. This artwork depicts the momentous event when Mary receives news from God through an angel, leaving us in awe of her faith. Moving forward, we encounter "Marientod inside Stoning hl. Stephanus outside, " another striking piece crafted with mixed technique on softwood. It portrays both the sorrowful death of Mary and the stoning of Saint Stephen, reminding us of their unwavering devotion. Next, we are captivated by "Coronation Thorns, " dating back to around 1500 and also executed with mixed technique on softwood. This artwork invites contemplation as it portrays Christ's coronation with thorny branches – a poignant symbolization of his sacrifice for humanity. Continuing our journey through time, we come across "Cross Carrying Christ" from approximately 1500 - a powerful depiction showcasing Christ's burden as he carries his cross towards Calvary using various techniques combined harmoniously. Intriguingly contrasting these religious themes is "Bathsheba bath front death soldier includes young woman. " This piece presents an enigmatic scene featuring Bathsheba amidst tragedy and vulnerability alongside a young woman caught in turmoil – inviting interpretation and reflection. Delving further into history, we discover the mesmerizing portrait titled "Prophet Isaiah" from the first third of the 15th century - an exemplary representation created using mixed techniques that bring this biblical figure to life before our eyes.