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Plate 10 Ruins Temple Jupiter Stator Jupiter




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Liszt Collection

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Plate 10 Ruins Temple Jupiter Stator Jupiter

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14030433

© Copyrighted

10 9 16 1720 1778 1720–1778 1748 269 Cm 5 3 16 Antoninus Faustina Giovanni Battista Piranesi Jupiter Mogliano Veneto Peace Plate 10 Temple Supporter


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Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 7.6cm x 3.8cm (3" x 1.5")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print showcases Plate 10 of the Ruins Temple Jupiter Stator Jupiter collection by Artokoloro. The image depicts the majestic ruins of a temple dedicated to Jupiter, with its grandeur and historical significance beautifully captured in this etching by Giovanni Battista Piranesi. The plate portrays the remnants of the ancient Temple of Jupiter Stator, an iconic symbol of Roman architecture and power. Standing tall amidst the passage of time, these ruins evoke a sense of awe and wonder as they transport us back to a bygone era. The print also features Antoninus and Faustina, supporters of peace, who are depicted alongside the temple's remains. Their presence adds depth to this artwork, reminding us that even in times long past, individuals sought harmony and tranquility. Measuring 5 3/16 inches by 10 9/16 inches (132 x 269 cm), this exquisite print captures every intricate detail meticulously engraved by Piranesi himself. His masterful craftsmanship brings life to these ancient ruins while preserving their historical essence. With its origins in Mogliano Veneto, Italy, Piranesi's work has become synonymous with Rome itself. This particular piece is part of his renowned series on Roman architecture and serves as a testament to his artistic prowess.

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