Glass Coaster : Christ on the donkey, the Pope on a horse, print maker: Anonymous, Jan van der Heyden II
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Christ on the donkey, the Pope on a horse, print maker: Anonymous, Jan van der Heyden II
Christ on the donkey, the Pope on a horse, print maker: Anonymous, Jan van der Heyden II, 1753
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12722625
© Quint Lox Limited
1753 Comparison Donkey Horseback Humility Pope Pride Reformation Roman Catholic Church Text Times Anonymous Protestantism
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 4.7cm x 7.6cm (1.9" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this thought-provoking print titled "Christ on the donkey, the Pope on a horse" we are presented with a striking visual comparison between two iconic figures - Christ and the Pope. Created by an anonymous printmaker in collaboration with Jan van der Heyden II in 1753, this artwork delves into themes of reformation, Roman Catholic Church, Protestantism, and pride. The image depicts Christ riding humbly on a donkey while juxtaposed against the Pope who is seen proudly mounted on a majestic horse. This stark contrast highlights the differences between these religious leaders and their approaches to humility and power. The Dutch cartoonist utilizes an original sixteenth-century pictorial motif to convey his message effectively. Through this powerful imagery, we are invited to reflect upon our own times and consider the fifty differences that exist between Christ's teachings of simplicity and compassion compared to the grandeur often associated with papal authority. The text accompanying this artwork further enhances its impact by providing additional context for viewers. This piece from Quint Lox's Liszt Collection serves as a reminder of how art can provoke meaningful discussions about religion, society, and human nature itself. It encourages us to question our beliefs and values while appreciating both historical significance and contemporary relevance.
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