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Glass Coaster : Well-a-day! Is this my son Tom!, 1770
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Well-a-day! Is this my son Tom!, 1770
Well-a-day! Is this my son Tom!, 1770. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917448
© The Print Collector / Heritage-Images
Amazed Amazement Dandy Emily Morse Emily Morse Symonds Exaggerated Father Fatherhood George Paston Grimm Macaroni Macarony Paston Shock Shocked Surprise Surprised Symonds
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Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 5.7cm x 7.6cm (2.2" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "Well-a-day! Is this my son Tom!, 1770" captures a moment of utter astonishment and disbelief in the 18th century. The image, part of the book "Social Caricature in the Eighteenth Century" showcases an exaggerated scene filled with surprise and shock. In the picture, a dandy-like young man stands before his father, who is dressed more conservatively. The son's elaborate hairstyle, fashionable clothes, and extravagant hat reflect the macaroni style popular at that time. His appearance leaves his father utterly amazed as he exclaims, "Well-a-day! Is this my son Tom!". The illustration serves as a satirical commentary on changing fashion trends and societal norms during that era. It highlights how younger generations often embraced new styles that were considered outrageous or unconventional by their elders. Adding to the whimsical nature of the image is a sword held by the young man. This weapon symbolizes both war and masculinity but also adds to his overall flamboyant appearance. Created by George Paston under her pseudonym Emily Morse Symonds in 1905, this print offers us a glimpse into eighteenth-century British society through its humorous depiction of family dynamics and evolving fashion choices.
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