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Glass Coaster : Paedagogi habitus, qui Christianam prolem in disceplinam acceperit

Paedagogi habitus, qui Christianam prolem in disceplinam acceperit




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Paedagogi habitus, qui Christianam prolem in disceplinam acceperit

Paedagogi habitus, qui Christianam prolem in disceplinam acceperit; Proles Christiana Turcorum Imperatori tributa; Assamoglani habitus, qui ad militiam se instituit; Asmoglam vestituis qui ad agriculturam exercetur, 1580

Heritage Images features heritage image collections

Media ID 20287413

© Heritage Art/Heritage Images

Abraham De Abraham De Bruyn Bruyn Bruyn Abraham De Lute Mandolin Stringed Instrument Turkey Turkish Typical


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 7.6cm x 4.6cm (3" x 1.8")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Asia > Turkey > Related Images

> Popular Themes > Religious Images


EDITORS COMMENTS
This 16th-century print by Abraham de Bruyn showcases the diverse cultural and religious heritage of Turkey. Titled "Paedagogi habitus, qui Christianam prolem in disceplinam acceperit" it depicts various individuals dressed in traditional costumes, each representing a different aspect of Turkish society. In the foreground, we see a Christian child being educated by his tutor, symbolizing the importance of education within Christianity. The boy's attire reflects his religious affiliation while highlighting the fusion of Eastern and Western influences in Turkish clothing during this period. Moving towards the center, we encounter a group presenting tribute to the Turkish Emperor. Clad in richly embroidered garments and ornate headpieces, they exemplify the opulence associated with imperial ceremonies. To their right stands an aspiring soldier donning an Assamoglani habitus – a military uniform distinct to that time. This figure embodies bravery and dedication as he prepares himself for service to his country. On the left side of the composition is another individual wearing Asmoglam vestituis – attire specific to agricultural work. This representation emphasizes Turkey's agrarian roots and highlights its reliance on farming as an essential part of its economy. Amidst these vibrant characters are musical instruments such as lutes and mandolins, signifying Turkey's rich musical tradition which has been deeply intertwined with its cultural fabric for centuries. Abraham de Bruyn skillfully captures not only the visual diversity but also celebrates Turkey's multifaceted

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