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Glass Coaster : Entrance to Aspatria Church, Cumberland, 1814. Artist: John Greig

Entrance to Aspatria Church, Cumberland, 1814. Artist: John Greig




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Entrance to Aspatria Church, Cumberland, 1814. Artist: John Greig

Entrance to Aspatria Church, Cumberland, 1814. 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

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Media ID 14974313

© The Print Collector

Allerdale Bench Border Border Antiquities Borderland Ceiling Cumbria Grade Ii Greig Holding Hands John Greig Listed Building Longman Co Scott Seat Sir Walter Sir Walter Scott Visitor Walter Walter Scott Archway Workington


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 4.9cm x 7.6cm (1.9" x 3")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > England

> Architecture > Country > Scotland

> Architecture > Religious

> Arts > Artists > S > John Scott

> Arts > Artists > W > John White

> Arts > Artists > W > John Wood

> Europe > United Kingdom > England > Cumberland

> Europe > United Kingdom > England > Cumbria > Related Images

> Europe > United Kingdom > England > Cumbria > Workington


EDITORS COMMENTS
This photo print, titled "Entrance to Aspatria Church, Cumberland, 1814" takes us back in time to the early 19th century. The artist behind this masterpiece is John Greig, who skillfully captures the architectural beauty of St. Kentigerns Church in Aspatria, Cumbria. The image showcases a picturesque archway leading into the church, with its intricate wooden design and religious symbolism. A mother and her young son stand at the entrance, their hands lovingly intertwined as they prepare to enter this sacred space together. The boy's curiosity is evident as he gazes up at his mother with admiration. Surrounded by other visitors and background figures, we get a glimpse of the bustling atmosphere that once filled this place of worship. The monochrome effect adds a timeless quality to the scene while emphasizing the details of both people and architecture. Published in Walter Scott's renowned work "The Border Antiquities of England and Scotland" this print serves as a valuable historical document showcasing not only Greig's talent but also capturing an important moment in time for Aspatria Church. As we admire this enchanting piece from our heritage collection, let us appreciate not just its artistic value but also reflect on the enduring significance of religion, family bonds, and community ties that have transcended centuries within these hallowed walls.

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