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Glass Coaster : Drunken Silenus, 1747. Artist: Carle Vanloo
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Drunken Silenus, 1747. Artist: Carle Vanloo
Drunken Silenus, 1747. In classical myth, Silenus is the teacher and friend of Bacchus, god of wine. In Renaissance art he is depicted as fat, drunk and naked, a bloated lord of the revels, often needing to be helped by his followers
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Media ID 14867776
© Art Media / Heritage-Images
Alcohol Animal Hide Animal Skin Bacchus Carle Carle Vanloo Cornucopia Dionysius Dionysus Drunk Drunkenness Follower Fruit Bowl Goat Goats Horn Of Plenty Revelry Silenus Supporting Teach Teacher Teaching Vanloo Wine Greek Mythology Roman Mythology
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 7.6cm x 6.2cm (3" x 2.4")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The print captures the essence of Carle Vanloo's "Drunken Silenus" from 1747, a masterpiece that delves into classical mythology and Renaissance art. Silenus, known as the teacher and friend of Bacchus, the god of wine, is depicted in all his glory - fat, drunk, and naked. This bloated lord of revels is often seen relying on his followers for support. In this vibrant artwork, we witness a scene filled with symbolism and decadence. Silenus sits amidst an array of fruits in a fruit bowl while holding a jug overflowing with wine. His body is adorned with animal skins, particularly that of a goat which emphasizes his connection to nature and wild abandon. Surrounding him are both men and women who serve as his loyal followers or students. They assist him in maintaining balance while engaging in their own revelry. The presence of animals further enhances the atmosphere; goats roam freely around them symbolizing fertility and untamed desires. Vanloo's mastery lies not only in capturing the physicality but also conveying deeper meanings through color choices and composition. The painting exudes an air of indulgence mixed with chaos—a true reflection of drunkenness itself. This remarkable print transports us back to eighteenth-century France where art flourished under royal patronage. It serves as a testament to Vanloo's talent as he skillfully brings together elements from Roman mythology within a French context. As we gaze upon this image today, it reminds us that even
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