Horn Of Plenty Collection

Detail of Marble statue of Tyche, goddess of fortune, from Prusias ad Hypium, Turkey
Roman civilization, 2nd century A.D. Marble statue of Tyche, goddess of fortune. From Prusias ad Hypium, Turkey. Detail

Statue of the Roman goddess Abbondanza or Abundantia with the cornucopia (horn of plenty)
FLO4997329 Statue of the Roman goddess Abbondanza or Abundantia with the cornucopia (horn of plenty). In the Belvedere Courtyard in the Vatican. Copperplate engraving by Gio

Statue of Roman goddess Abundantia (Abbondanza) with horn of plenty (cornucopia)
FLO4997296 Statue of Roman goddess Abundantia (Abbondanza) with horn of plenty (cornucopia). Copperplate engraving by Giacomo Bossi after an illustration by A

Yellowfoot or winter mushroom, Cantharellus tubaeformis, firesite funnel, Faerberia carbonaria
FLO4689897 Yellowfoot or winter mushroom, Cantharellus tubaeformis, firesite funnel, Faerberia carbonaria (Cantharellus carbonarius) and horn of plenty, Craterellus cornucopioides

Siblings Henrietta Fredrika von Arbin (1852-1880) and Axel Otto Fredrik von Arbin, c1860. Creator: Sophie Adlersparre
Siblings Henrietta Fredrika von Arbin (1852-1880) and Axel Otto Fredrik von Arbin (1853-1906), c1860

Un Baiser de circonstance, 1867. Creator: Honore Daumier
Un Baiser de circonstance, 1867. The allegorical figures of Peace and Europe exchange a kiss. From Actualites

Isabella de Medici, between 1552 and 1553. Creator: Agnolo Bronzino
Isabella de Medici, between 1552 and 1553

The Four Seasons, between 1515 and 1573. Creators: Battista del Moro, Giulio Romano
The Four Seasons, between 1515 and 1573

Portrait of Ottavio Strada, 1567. Creator: Jacopo Tintoretto
Portrait of Ottavio Strada, 1567

La Mariée à la Grecque, 1771. Creator: Bossi
La Mariee a la Grecque, 1771. From Mascarade a la Grecque

Map of North Holland, c.1700-c.1710. Creator: Nicolaes Visscher
Map of North Holland, c.1700-c.1710. Kennemaria et Westfrisia vulgo et vernacule Noord-Holland tam in minores quam Praecipuas Ditiones...'

Menu card for the Leidsche Spaarbank, 1889 or earlier. Creator: Theo van Hoytema
Menu card for the Leiden savings bank, 1889 or earlier. People at counters. On the right the word Menu and a list of dishes. At the bottom left a window with the inscription Leidsche Spaarbank

Tomb with Inscription, 1645-1650. Creator: Jacob van Campen
Tomb with Inscription, 1645-1650

Allegory of Riches, 1675-1683. Creator: Gerard de Lairesse
Allegory of Riches, 1675-1683

Allegory of the Treaty of Friendship and Commerce between the States General of the United Netherla Creator: Anon
Allegory of the Treaty of Friendship and Commerce between the States General of the United Netherlands and the United States of America, The Hague, 7 October 1782, 1782-1785

Map of Noord-Holland and part of Friesland, 1726-1750. Creator: Anon
Map of Noord-Holland and part of Friesland, 1726-1750. At the bottom right the title cartouche with figures around it including a man with a horse, satyrs, putti

Allegory of the Happy Life, 1677-1755. Creator: Elias van Nijmegen
Allegory of the Happy Life, 1677-1755. Design for a painting

William III oversees the covenant between Wisdom and Peace, 1696. Creator: Hendrick van Beaumont
William III oversees the covenant between Wisdom and Peace, 1696

Three pieces of jewellery, c.1800-c.1810. Creator: Carl Friedrich Bärthel
Three pieces of jewellery, c.1800-c.1810. One with snake and orange, one in the shape of a cornucopia

Amsterdam as the Centre of World Trade, c.1604-c.1607. Creator: Pieter Isaacsz
Amsterdam as the Centre of World Trade, c.1604-c.1607. Other Title(s): Painting on a harpsichord lid with an Allegory of Amsterdam as the center of world trade

Virgin and Child, c.1530-c.1540. Creator: Adriaen Isenbrandt
Virgin and Child, c.1530-c.1540. Other Title(s): Madonna and Child. The marble niche in which the Virgin and the Child are seated is a veritable sample-book of the modern Renaissance style

Achelous Defeated by Hercules, The Origin of the Cornucopia. (Allegory of Fruitfulness), 1649. Creator: Jacob Jordaens
Achelous Defeated by Hercules. The Origin of the Cornucopia. (Allegory of Fruitfulness), 1649

Alliance of Venus with Bacchus and Ceres, 1588. Creator: Jacob Matham
Alliance of Venus with Bacchus and Ceres, 1588

Eleven Different Studs and Twenty-Three Ornaments, 1593. Creator: Daniel Mignot
Eleven Different Studs and Twenty-Three Ornaments, 1593

Summer, 1647. Creator: Conrad Meyer
Summer, 1647

Esquisse pour l'escalier d'honneur de la mairie de Pantin : Le Travail sous l'égide... 1886
Esquisse pour l'escalier d'honneur de la mairie de Pantin : Le Travail sous l'egide de la Republique amene l'abondance et la prosperite (plafond), 1886

Venus, Bacchus, and Ceres, probably 1588. Creator: Jacob Matham
Venus, Bacchus, and Ceres, probably 1588

The Cult of Ceres, 1596. Creator: Jan Saenredam
The Cult of Ceres, 1596

Allegorical Figure of Summer Flanked by Pomona and Ceres, c. 1630

Apollo giving his chariot to Phaeton, after Poussin, between 1600 and 1699. Creator: Unknown
Apollo giving his chariot to Phaeton, after Poussin, between 1600 and 1699. (Apollon accordant son char a Phaeton, d'apres Poussin)

Sketch for the town hall of the 10th arrondissement of Paris: Taste, 1906. Creator: Lionel Noel Royer
Sketch for the town hall of the 10th arrondissement of Paris: Taste, 1906. Cornucopia, winged geniuses, doe drinking in a river. (Esquisse pour la mairie du 10eme arrondissement de Paris : Le gout)

Esquisse pour la salle à manger de l'Hôtel de Ville de Paris : La Terre bienfaitrice et... 1892
Esquisse pour la salle a manger de l'Hotel de Ville de Paris : La Terre bienfaitrice et nourriciere - Le Boire. La Richesse. La Vigne. Le Gouter. Le Bain. Les Fruits. Les Parures. Le Repos. 1892

Façon moderne d'une Porte de Jardin (A Garden Door in the Modern Style), c. 1755/1760
Facon moderne d'une Porte de Jardin (A Garden Door in the Modern Style), c. 1755/1760

Needlework (Depicting the Five Senses), England, 1601/25. Creator: Unknown
Needlework (Depicting the Five Senses), England, 1601/25. Detail from a larger artwork

Allegorical Female Figure with Lion, Lamb, Two Putti, n.d. Creator: Frederic Leighton
Allegorical Female Figure with Lion, Lamb, Two Putti, n.d

Plate Three, from A New Book of Ornaments, 1704. Creator: Simon Gribelin
Plate Three, from A New Book of Ornaments, 1704

The Horn of Plenty, from Puck, published May 29, 1889. Creator: Charles Jay Taylor
The Horn of Plenty, from Puck, published May 29, 1889

Picture Depicting Peace, Justice, and Plenty (Needlework), England, 17th century. Creator: Unknown
Picture Depicting Peace, Justice, and Plenty (Needlework), England, 17th century. Allegorical figures of Justice with sword and scales, Peace with palm frond and dove holding an olive branch

Roundel with Justice and Prudence, n.d. Creator: Jan Baptist Weenix
Roundel with Justice and Prudence, n.d

Allegory of the city of Arezzo, Italy. Painting by Giorgio Vasari and his studio (1511-1574), 1565
BEN5476809 Allegory of the city of Arezzo, Italy. Painting by Giorgio Vasari and his studio (1511-1574), 1565. 16th century Italian mannerism. Ceiling in the Salle dei Cinquecento

Abundance or Autumn, 1480-1485, (1943). Creator: Sandro Botticelli
Abundance or Autumn, 1480-1485, (1943). Allegorical female figure in classical dress, with putti and cornucopia. Drawing in the British Museum, London

Horn of Plenty / Black Chanterelle (Craterellus cornucopioides) mushroom. Ebernoe Common, West Sussex, England, UK, October

Statue of the Tiber river with Romulus and Remus, Roman marble, 1st-2nd century. Allegory of the Tiber River that waters the city of Rome. Louvre, Paris

The Venus of Laussel, which may be interpreted as an earth-mother
The Venus of Laussel, from Bordeaux Musuems collection. The figure holds a curved horn or cornucopia in one hand which has thirteen notches

Pomona and Pan, 1550s. Creator: Giulio Bonasone
Pomona and Pan, 1550s

Horn of Plenty (Craterellus cornucopioides), New Forest National Park, Hampshire, England

France providing civilisation, wealth and peace to Morocco, illustrated title page of Le Petit Journal
CHT163132 France providing civilisation, wealth and peace to Morocco, illustrated title page of Le Petit Journal, 19th November 1911 (colour litho) by French School

French colony: France will be able to carry civilization, wealth and peace freely to Morocco in Le Petit Journal
5674867 French colony: France will be able to carry civilization, wealth and peace freely to Morocco in Le Petit Journal on 19/11/1911 (lithograph) by French School, (20th century); Photo © CCI

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"Horn of Plenty: A Symbol of Fortune, Abundance, and Civilization" The Horn of Plenty has long been a powerful symbol representing fortune, abundance, and civilization. From ancient statues to modern illustrations, this emblematic motif transcends time and cultures. One remarkable depiction is the marble statue of Tyche, the goddess of fortune from Prusias ad Hypium in Turkey. Adorned with intricate details, her horn-shaped vessel overflows with bountiful fruits and vegetables - a visual representation of prosperity. In another interpretation, the Black Chanterelle mushroom found on Ebernoe Common resembles the mythical Horn of Plenty. Its dark hue and unique shape evoke thoughts of nature's generosity as it emerges from the forest floor. The Roman marble statue showcasing Romulus and Remus alongside the Tiber River also incorporates this symbolic element. The river deity holds a cornucopia overflowing with blessings for Rome's founders - an embodiment of wealth bestowed upon civilizations. Le Petit Journal's illustrated title page further emphasizes how France aimed to bring civilization, wealth, and peace to Morocco during colonial times. This lithograph depicts France extending its metaphorical Horn of Plenty towards Morocco as a gesture of benevolence. Artistic masterpieces like Janssens' painting "Ceres, Bacchus and Venus" continue to celebrate abundance through their portrayal of mythological figures surrounded by opulent harvests. These works remind us that prosperity is not only material but also spiritual in nature. Even fossils have preserved evidence related to this concept; an extinct cerith known as Cerithium cornucopia serves as a testament to nature's ability to create forms resembling our symbolic vessel brimming with plenty. Beyond artistry lies political symbolism too; Charles IV appointing Manuel Godoy Admiral showcases Spain bestowing power upon individuals who can navigate their nation towards prosperity on vast oceans using their figurative Horns-of-Plenty-like wisdom.