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Glass Coaster : SPZAKOWSKI: SELF-PORTRAIT. Self-Portrait, 1912, by the Polish photographer Waclaw

SPZAKOWSKI: SELF-PORTRAIT. Self-Portrait, 1912, by the Polish photographer Waclaw




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SPZAKOWSKI: SELF-PORTRAIT. Self-Portrait, 1912, by the Polish photographer Waclaw

SPZAKOWSKI: SELF-PORTRAIT.
Self-Portrait, 1912, by the Polish photographer Waclaw Szpakowski

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12406976

1912 Middle Class Poland Polish Self Portrait Table Exposure


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 7.6cm x 4.7cm (3" x 1.9")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
SPZAKOWSKI: SELF-PORTRAIT captures the essence of self-reflection and artistic expression in a single frame. Taken in 1912 by the talented Polish photographer Waclaw Szpakowski, this photograph showcases his mastery of early exposure techniques. In this self-portrait, Szpakowski presents himself as a middle-class man seated at a table. The composition is meticulously arranged, with multiple images of the artist overlaid on top of each other to create an intriguing sense of depth and movement. Each layer reveals different aspects of his persona, inviting viewers to delve into the complexities of his identity. Szpakowski's attention to detail is evident in every element within the frame. From his poised posture to the carefully placed objects on the table, every aspect contributes to conveying a narrative about both himself and Polish society during that time period. This self-portrait serves as a testament to Szpakowski's technical skill and artistic vision. It offers us a glimpse into not only his personal journey but also reflects broader themes such as identity, introspection, and cultural heritage. As we gaze upon SPZAKOWSKI: SELF-PORTRAIT today, we are transported back in time to witness an intimate moment frozen forever through photography. It reminds us that art has the power not only to capture reality but also transcend it.

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