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Antique Framed Print : SPZAKOWSKI: SELF-PORTRAIT. Self-Portrait, 1912, by the Polish photographer Waclaw
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SPZAKOWSKI: SELF-PORTRAIT. Self-Portrait, 1912, by the Polish photographer Waclaw
SPZAKOWSKI: SELF-PORTRAIT.
Self-Portrait, 1912, by the Polish photographer Waclaw Szpakowski
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12406976
1912 Middle Class Poland Polish Self Portrait Table Exposure
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 37.1cm x 22.7cm (14.6" x 8.9")
Estimated Product Size is 54cm x 41.4cm (21.3" x 16.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
SPZAKOWSKI: SELF-PORTRAIT captures the essence of self-reflection and artistic expression in a single frame. Taken in 1912 by the talented Polish photographer Waclaw Szpakowski, this photograph showcases his mastery of early exposure techniques. In this self-portrait, Szpakowski presents himself as a middle-class man seated at a table. The composition is meticulously arranged, with multiple images of the artist overlaid on top of each other to create an intriguing sense of depth and movement. Each layer reveals different aspects of his persona, inviting viewers to delve into the complexities of his identity. Szpakowski's attention to detail is evident in every element within the frame. From his poised posture to the carefully placed objects on the table, every aspect contributes to conveying a narrative about both himself and Polish society during that time period. This self-portrait serves as a testament to Szpakowski's technical skill and artistic vision. It offers us a glimpse into not only his personal journey but also reflects broader themes such as identity, introspection, and cultural heritage. As we gaze upon SPZAKOWSKI: SELF-PORTRAIT today, we are transported back in time to witness an intimate moment frozen forever through photography. It reminds us that art has the power not only to capture reality but also transcend it.
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