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Glass Coaster : BOER WAR CARTOON, 1899. Britannia Consolatrix

BOER WAR CARTOON, 1899. Britannia Consolatrix




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BOER WAR CARTOON, 1899. Britannia Consolatrix

BOER WAR CARTOON, 1899.
Britannia Consolatrix. An 1899 cartoon from Punch by John Tenniel on the newly-organized Transvaal War relief Fund for the widows and orphans of British soldiers killed in the war, Queen Victoria having subscribed 1, 000 pounds

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12403406

1899 Boer War Britannia British Empire Charity Child Colonialism Dutch Helmet Orphan Personification Politics Punch Queen Relief South Africa Tenniel Transvaal Victoria Victorian Widow


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 5.9cm x 7.6cm (2.3" x 3")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
BOER WAR CARTOON, 1899. Britannia Consolatrix. This print captures a powerful political cartoon from the late 19th century, created by the renowned artist John Tenniel for Punch magazine. Titled 'Britannia Consolatrix, ' this artwork symbolizes the newly-organized Transvaal War relief Fund established to aid the widows and orphans of British soldiers who lost their lives in the Boer War. In this thought-provoking illustration, Queen Victoria herself is depicted as Britannia, wearing her royal regalia and a helmet representing her commitment to protecting her empire. With great compassion, she subscribes £1,000 towards supporting those affected by war. The cartoon also features two children - a young boy and girl - personifying the innocent victims of conflict. The boy represents Britain's colonial interests in South Africa while the girl signifies Dutch influence in Transvaal. Together they stand as poignant reminders of how war affects not only soldiers but also civilians caught in its path. Tenniel's skillful artistry highlights both charity and politics intertwined during this turbulent period of history. This image serves as a testament to Queen Victoria's dedication to providing relief for those suffering due to imperial conflicts. A true reflection of turn-of-the-century sentiments, this historical piece offers us an opportunity to reflect on themes such as colonialism, national identity, and humanitarian efforts amidst times of strife.

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