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Glass Coaster : "Pine-Apples, "a Penny a Slice, 1845 (engraving)
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"Pine-Apples, "a Penny a Slice, 1845 (engraving)
2920755 " Pine-Apples, " a Penny a Slice, 1845 (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration for The Illustrated London News, 6 September 1845.); English, out of copyright
Media ID 22821224
© Bridgeman Images
Caribbean Costermonger Fruit Sellers Import Penny Pineapple Pineapples Slice Stall Street Cries Street Life Street Traders Trader West Indies Vendor West India
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 7.6cm x 6.7cm (3" x 2.6")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled ""Pine-Apples, "a Penny a Slice, 1845" takes us back to the vibrant streets of Victorian London. The engraving, created by an anonymous English School artist in the 19th century, showcases a bustling scene filled with street traders and eager children. In this snapshot of street life, we witness a fruit vendor proudly displaying his delectable wares - juicy pineapples neatly sliced and ready for consumption. With a cart brimming with these tropical delights from the West Indies, he entices passersby with his cry of "Pine-Apples, a Penny a Slice!". The image not only captures the energy and diversity of London's marketplaces but also highlights the significance of imported goods during that era. Pineapples were considered exotic delicacies at the time due to their origins in distant lands like the Caribbean. As we delve into this historical moment frozen in time, it becomes evident that this engraving is more than just an illustration for The Illustrated London News. It serves as a fascinating window into botany and natural history as well as an exploration of science and food culture. With its rich details and lively characters, this print transports us to another era while reminding us of how trade has shaped our world throughout history.
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