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Glass Coaster : The western part of New France or Canada, engraving by G. Zuliani taken from Tome I of the "Newest Atlas"published in Venice in 1778 by Antonio Zatta, Private Collection
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The western part of New France or Canada, engraving by G. Zuliani taken from Tome I of the "Newest Atlas"published in Venice in 1778 by Antonio Zatta, Private Collection
3572552 The western part of New France or Canada, engraving by G. Zuliani taken from Tome I of the " Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection by Zuliani, G. (18th century); (add.info.: Artist: Zuliani G.
Date of Artwork: 1778
Location: Florence
Photographer: Alinari); Alinari Archives, Florence
Media ID 22735650
© Alinari Archives, Florence / Bridgeman Images
Abstract Concept And Symbol Communication And Publicity Concept Or Subject Expressed Drawing And Graphics Geographical Or Topographical Map Graphics Instrument And Document Movable Modern Work Renaissance Baroque Styles And Periods Scene Means Of Communication Territory
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 7.6cm x 5.9cm (3" x 2.3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork depicts the western part of New France or Canada during the eighteenth century, offering a glimpse into the historical cartography and topography of this vast territory. The engraving beautifully combines elements of Renaissance and Baroque styles, showcasing intricate details and precise craftsmanship. It serves as both an instrument for geographical understanding and a work of art that captures the essence of this era. The scene depicted in this print is rich with symbolism and allegory, representing communication and publicity through its graphics and abstract concepts. It transports us back to a time when maps were not just tools for navigation but also works that conveyed important messages about territories. Through this image, we can appreciate the significance of writing, engraving, and other means of communication during the early 18th century. It offers valuable insights into Europe's exploration and colonization efforts during this period. Overall, this print from Bridgeman Images provides a fascinating window into history while highlighting the beauty found within cartographic artworks like Zuliani's engraving.
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