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Glass Coaster : The Roman Station at Pancras, Caesars Camp, called the Brill (engraving)
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The Roman Station at Pancras, Caesars Camp, called the Brill (engraving)
2807978 The Roman Station at Pancras, Caesars Camp, called the Brill (engraving) by English School, (19th century); Private Collection; (add.info.: The Roman Station at Pancras, Caesars Camp, called the Brill. Illustration for The Every-Day Book and Table Book or Everlasting Calendar of Popular Amusements by William Hone (Thomas Tegg, 1838).); © Look and Learn
Media ID 23107162
© Look and Learn / Bridgeman Images
Brill Caesars Camp Pancras Romans St Pancras
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 4.6cm x 7.6cm (1.8" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This engraving titled "The Roman Station at Pancras, Caesars Camp, called the Brill" takes us back in time to ancient London. Created by an English School artist in the 19th century, this print showcases a historical site of great significance. The image is part of a private collection and was featured in William Hone's publication, The Every-Day Book and Table Book or Everlasting Calendar of Popular Amusements. Intriguingly, this artwork transports us to St Pancras where we witness the remnants of a Roman station. Known as Caesars Camp or the Brill, this archaeological site offers glimpses into London's rich history during Roman times. The meticulous details captured by the artist allow us to imagine what life might have been like for those who once occupied these grounds. As we explore this engraving further, it becomes evident that it serves as more than just a visual representation. It acts as a portal connecting past and present; reminding us that beneath our modern cityscape lies layers upon layers of stories waiting to be discovered. With its historical significance and artistic charm, "The Roman Station at Pancras" invites viewers on an immersive journey through time. It stands as a testament to the enduring power of art in preserving and celebrating our collective heritage.
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