Tangere Collection

Jesus Appears to Mary
Jesus appears, after his death, to Mary Magdalen

Touch-me-not balsam, Impatiens noli tangere
5855976 Touch-me-not balsam, Impatiens noli tangere; (add.info.: Touch-me-not balsam, Impatiens noli tangere. Chromolithograph from Carl Lindman's "Bilder ur Nordens Flora")

Fresco, Eglise Saint-Jean-Baptiste, Chaource, Aube, France
Christ dressed as a gardener and Mary Magdalene, with an apple tree, representing original sin, and a speech scroll reading Noli me Tangere, wall fresco

Noli me tangere and Judas hanging himself, detail of diptych known as Latino depicting scenes of Christs Passion (ivory)
3085178 Noli me tangere and Judas hanging himself, detail of diptych known as Latino depicting scenes of Christs Passion (ivory) by Italian School, (15th century); Treasury, Museo del Duomo

Touch-me-not balsam, Impatiens noli-tangere. Balsamina noli-tangere, Balsamina impaziente, Erba impaziente. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieus Dizionario

Green algae, Chara haitensis, Cara di Haiti. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieus Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence

Giulio Romano (1499-1546). Italian painter. Noli me tangere
Giulio Romano (1499-1546). Italian painter, pupil of Raphael. Noli me tangere. Christ appears to Saint Mary Magdalen after the resurrectIon. Wood. Mannerism. Prado Museum. Spain

Initial C Noli me tangere Bute Master Franco-Flemish
Initial C: Noli me tangere; Bute Master (Franco-Flemish, active about 1260 - 1290); Paris (written), France; illumination about 1270 - 1280; written about 135 - 1375; Tempera colors, gold

Noli Me Tangere Alessandro Magnasco Italian Genoese
Noli Me Tangere; Alessandro Magnasco (Italian (Genoese), 1667 - 1749); 1705 - 1710; Oil on canvas; 144.8 × 109.2 cm (57 × 43 in.)

Noli me Tangere Norfolk perhaps written East Anglia
Noli me Tangere; Norfolk perhaps (written), East Anglia, England; about 1190-1200; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11, 16 × 6 11, 16 in.)

Christ Appearing Saint Mary Magdalen Noli Me Tangere
Artokoloro

Ludwig of Ulm (German, active 1450-1470), Noli me tangere, hand-colored woodcut (blockbook page)

Noli me tangere; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493; Ghent (written), Belgium, Europe; 1469; Tempera colors, gold leaf, gold paint, silver paint

Two Bishops and a Nimbed Priest, Two Nimbed Abbots and a Nimbed Monk, Noli me tangere, Saint Felicity with an Ointment Jar, Saint Perpetua with a Book and a Martyrs Palm; Unknown; France

Noli me Tangere c1514. Oil on canvas. Tiziano Vecellio called Titian (c1488 / 1490-1576)
Noli me Tangere c1514. Oil on canvas. Tiziano Vecellio called Titian (c1488/1490-1576) leading painter of the Venetian school in Italian Renaissance

Noli me tangere Oil on wood. Private collection. Mary Magdalene, the first to see the risen Christ in the Garden of Gethsemane

Noli me Tangere. Christ appearing to Mary Magdalene after rising from the tomb. Giovanni Dossi called Dosso (1479-1542) Italian painter. Oil on wood

CORREGGIO, Antonio Allegri, also called (1489-1534)

Impatiens Noli-Me-Tanger
TOUCH-ME-NOT

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"Noli Me Tangere: The Divine Encounter of Jesus and Mary" In this captivating fresco, located in the Eglise Saint-Jean-Baptiste in Chaource, Aube, France, we witness a profound moment between Jesus and Mary Magdalene. Painted by Giulio Romano, an esteemed Italian painter from the 16th century, this artwork depicts the scene known as "Noli me tangere, " meaning "Do not touch me" in Latin. The diptych named Latino showcases scenes from Christ's Passion, including Noli me tangere and Judas hanging himself. Crafted delicately on ivory, it portrays the intense emotions surrounding these pivotal events. Interestingly enough, there is a plant called Touch-me-not balsam or Impatiens noli-tangere. Its name alludes to the biblical story where Jesus forbids Mary Magdalene from touching him after his resurrection. Nature also offers us Chara haitensis—a species of green algae that thrives underwater. Just like its name suggests—Chara haitensis does not want to be touched or disturbed. Stained glass windows often tell stories through vibrant colors and intricate designs. One such window beautifully captures Noli me tangere—the divine encounter between Jesus and Mary Magdalene—an awe-inspiring moment frozen in time. An initial C found within Bute Master Franco-Flemish's work features Noli me tangere as well—a testament to how deeply ingrained this biblical event was within artistic expressions during that era. Alessandro Magnasco brings forth his Italian Genoese perspective with his painting titled Noli Me Tangere Norfolk—perhaps inspired by East Anglia's rich cultural heritage. Ludwig of Ulm adds another layer to our understanding with his hand-colored woodcut depicting Noli me tangere—an art form that transcends time and language barriers to convey spiritual significance across generations.