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Giulio Romano (1499-1546). Italian painter. Noli me tangere

Giulio Romano (1499-1546). Italian painter. Noli me tangere


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Giulio Romano (1499-1546). Italian painter. Noli me tangere

Giulio Romano (1499-1546). Italian painter, pupil of Raphael. Noli me tangere. Christ appears to Saint Mary Magdalen after the resurrectIon. Wood. Mannerism. Prado Museum. Spain

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Media ID 14324262

© Thaliastock / Mary Evans

Appearance Escene Giulio Jesus Magdalena Magdalene Mannerism Museo Noli Painter Prado Renaissance Romano Touch Virgen 15th Tangere


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> Historic > Renaissance art > Famous works of Raphael > Famous works by Raphael

> Historic > Renaissance art > Famous works of Raphael


EDITORS COMMENTS
This exquisite wood print depicts the poignant moment between Christ and Saint Mary Magdalene, as recorded in the biblical account of the Noli me tangere (Do not touch me) scene. The painting, created by the renowned Italian artist Giulio Romano (1499-1546), is a prime example of the Mannerist style that emerged during the European Renaissance. Giulio Romano was a pupil of the great Raphael, and his mastery of the arts is evident in this stunning work. The scene unfolds in a quiet, intimate setting, with Christ appearing to Mary Magdalene as she weeps at the empty tomb. The artist masterfully captures the emotional intensity of the moment, with the contrasting expressions of wonder and sorrow etched upon their faces. The composition is rich in symbolism, with the use of light and shadow to create depth and texture. The intricate details of the table, the folds of the robes, and the delicate features of the figures all serve to bring the scene to life. This print, now housed in the Prado Museum in Madrid, Spain, is a testament to the enduring power of art to transport us to another time and place. The Noli me tangere scene holds a special place in Christian tradition, as it marks the first encounter between Jesus and Mary Magdalene after his resurrection. This moment of recognition and reconciliation is a powerful reminder of the redemptive power of faith and the transformative effect of grace. As we gaze upon this beautiful work of art, we are transported back to the 15th century, and we are reminded of the timeless beauty and power of the human spirit.

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