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Fidelity Collection (page 3)

"Fidelity: A Timeless Bond Across Art and History" From the serene gaze of Venus of Urbino, painted by Titian in 1538

Background imageFidelity Collection: Paul, portrait of a lovesick youth with his dog (engraving)

Paul, portrait of a lovesick youth with his dog (engraving)
7153753 Paul, portrait of a lovesick youth with his dog (engraving) by German School, (19th century); Private Collection; (add.info.: Paul, portrait of a lovesick youth with his dog)

Background imageFidelity Collection: Dead dove and his faithful mate (chromolitho)

Dead dove and his faithful mate (chromolitho)
7157053 Dead dove and his faithful mate (chromolitho) by English School, (19th century); Private Collection; (add.info.: Dead dove and his faithful mate)

Background imageFidelity Collection: Mordecai and Haman at the Kings Gate, Esther iii, 2-6 (engraving)

Mordecai and Haman at the Kings Gate, Esther iii, 2-6 (engraving)
7180914 Mordecai and Haman at the Kings Gate, Esther iii, 2-6 (engraving) by English School, (19th century); Private Collection; (add.info.: Mordecai and Haman at the Kings Gate, Esther iii, 2-6)

Background imageFidelity Collection: Forgotten! (engraving)

Forgotten! (engraving)
7182202 Forgotten! (engraving) by English School, (19th century); Private Collection; (add.info.: Forgotten! Illustration for The Childs Companion and Juvenile Instructor (1872)

Background imageFidelity Collection: The Faithful Servant (engraving)

The Faithful Servant (engraving)
7182616 The Faithful Servant (engraving) by English School, (19th century); Private Collection; (add.info.: The Faithful Servant)

Background imageFidelity Collection: Penelopes faithfulness to her husband Odysseus (colour litho)

Penelopes faithfulness to her husband Odysseus (colour litho)
7201985 Penelopes faithfulness to her husband Odysseus (colour litho) by Bonamy, Armand Joseph (fl.1900-30); Private Collection; (add.info.: Penelopes faithfulness to her husband Odysseus)

Background imageFidelity Collection: Le gibbon de Bennett retrouvant son premier maitre (engraving)

Le gibbon de Bennett retrouvant son premier maitre (engraving)
7200177 Le gibbon de Bennett retrouvant son premier maitre (engraving) by French School, (19th century); Private Collection; (add.info.: Le gibbon de Bennett retrouvant son premier maitre)

Background imageFidelity Collection: Dog howling to call help for a boy collapsed in the snow (chromolitho)

Dog howling to call help for a boy collapsed in the snow (chromolitho)
7157131 Dog howling to call help for a boy collapsed in the snow (chromolitho) by English School, (20th century); Private Collection; (add.info)

Background imageFidelity Collection: 'Faithful below he did his duty'(engraving)

"Faithful below he did his duty"(engraving)
7177889 " Faithful below he did his duty" (engraving) by English School, (19th century); Private Collection; (add.info.: " Faithful below he did his duty, / But now hes gone aloft)

Background imageFidelity Collection: The faithful dog watches the hole in the ice (colour litho)

The faithful dog watches the hole in the ice (colour litho)
7193515 The faithful dog watches the hole in the ice (colour litho) by English School, (20th century); Private Collection; (add.info.: The faithful dog watches the hole in the ice)

Background imageFidelity Collection: Faithful Help! (engraving)

Faithful Help! (engraving)
7165752 Faithful Help! (engraving) by English School, (19th century); Private Collection; (add.info.: Faithful Help! Illustration for Our Darlings, The Childrens Treasury of Pictures and Stories)

Background imageFidelity Collection: The Masters Grave, 'Faithful unto death'(engraving)

The Masters Grave, "Faithful unto death"(engraving)
7188294 The Masters Grave, " Faithful unto death" (engraving) by English School, (19th century); Private Collection; (add.info.: The Masters Grave)

Background imageFidelity Collection: The blind Oedipus being led by his daughter Antigone (engraving)

The blind Oedipus being led by his daughter Antigone (engraving)
7173454 The blind Oedipus being led by his daughter Antigone (engraving) by German School, (19th century); Private Collection; (add.info.: The blind Oedipus being led by his daughter Antigone)

Background imageFidelity Collection: Dog guarding chickens from a fox (colour litho)

Dog guarding chickens from a fox (colour litho)
7157229 Dog guarding chickens from a fox (colour litho) by European School, (19th century); Private Collection; (add.info.: Dog guarding chickens from a fox)

Background imageFidelity Collection: The Captive Hebrew Maid that waited on Naamans Wife (coloured engraving)

The Captive Hebrew Maid that waited on Naamans Wife (coloured engraving)
7153855 The Captive Hebrew Maid that waited on Naamans Wife (coloured engraving) by Bendixen, Siegfried Detler (1786-1864); Private Collection; (add.info)

Background imageFidelity Collection: My family (oil on canvas)

My family (oil on canvas)
PCT4256033 My family (oil on canvas) by Jalabert, Jean (1815-1900); © Patrice Cartier

Background imageFidelity Collection: Fidelity (Shin), from the series Five Cardinal Virtues, Edo period (1615-1868), 1767

Fidelity (Shin), from the series Five Cardinal Virtues, Edo period (1615-1868), 1767

Background imageFidelity Collection: Fidelity (Shin), from the series 'A Fashionable Parody of the Five Virtues (Furyu

Fidelity (Shin), from the series "A Fashionable Parody of the Five Virtues (Furyu
Fidelity (Shin), from the series " A Fashionable Parody of the Five Virtues (Furyu yatsushi gojo)", c. 1776/81

Background imageFidelity Collection: L: Fifties

L: Fifties
6523564 L: Fifties. by French School, (19th century); Private Collection; (add.info.: in " Moral Alphabet in Action. In Paris at all novelty merchants)

Background imageFidelity Collection: The citizens of Worms assure Henry IV of their fidelity (engraving)

The citizens of Worms assure Henry IV of their fidelity (engraving)
970791 The citizens of Worms assure Henry IV of their fidelity (engraving) by German School, (19th century); Private Collection; (add.info.: The citizens of Worms assure Henry IV of their fidelity)

Background imageFidelity Collection: Harold II swears fidelity to Duke William of Normandy, 1066

Harold II swears fidelity to Duke William of Normandy, 1066
984728 Harold II swears fidelity to Duke William of Normandy, 1066, from A Chronicle of England BC 55 to AD 1485, pub. London, 1863 (colour litho) by Doyle

Background imageFidelity Collection: Harolds Oath of Fidelity to William, Sworn over the Concealed Relics of the Saints

Harolds Oath of Fidelity to William, Sworn over the Concealed Relics of the Saints
LLM456964 Harolds Oath of Fidelity to William, Sworn over the Concealed Relics of the Saints by Maclise, Daniel (1806-70) (after); Private Collection; (add.info.: Harolds Oath of Fidelity to William)

Background imageFidelity Collection: Sorrowful Maiden, from The Three Ravens, song illustration from

Sorrowful Maiden, from The Three Ravens, song illustration from
DGC452030 Sorrowful Maiden, from The Three Ravens, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageFidelity Collection: Medor, the faithful dog of the Louvre, c. 1831 (colour litho)

Medor, the faithful dog of the Louvre, c. 1831 (colour litho)
CHT259994 Medor, the faithful dog of the Louvre, c.1831 (colour litho) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageFidelity Collection: Enid talks with the Earl, illustration from The Story of the Grail

Enid talks with the Earl, illustration from The Story of the Grail
STC328784 Enid talks with the Earl, illustration from The Story of the Grail and the Passing of Arthur, c.1910 (litho) by Pyle

Background imageFidelity Collection: Enid and Geraint ride past the Town Bridge, illustration from

Enid and Geraint ride past the Town Bridge, illustration from
STC328785 Enid and Geraint ride past the Town Bridge, illustration from The Story of the Grail and the Passing of Arthur, c.1910 (litho) by Pyle

Background imageFidelity Collection: Enid and Geraint in the Garden, illustration from The Story of the Grail

Enid and Geraint in the Garden, illustration from The Story of the Grail
STC328781 Enid and Geraint in the Garden, illustration from The Story of the Grail and the Passing of Arthur, c.1910 (litho) by Pyle

Background imageFidelity Collection: Tomb of Jean-Baptiste Colbert de Torcy (1619-83) c. 1685-87 (marble & gilt bronze

Tomb of Jean-Baptiste Colbert de Torcy (1619-83) c. 1685-87 (marble & gilt bronze
CLG248118 Tomb of Jean-Baptiste Colbert de Torcy (1619-83) c.1685-87 (marble & gilt bronze) (see also 248119 and 248120) by Coysevox, Antoine (1640-1720); Church of St

Background imageFidelity Collection: Ms Lat. Q. v. I. 126 Saint Lazarus, from the Hours of Louis d Orleans

Ms Lat. Q. v. I. 126 Saint Lazarus, from the Hours of Louis d Orleans
XJL213684 Ms Lat. Q.v.I.126 Saint Lazarus, from the Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); total:225x155 cm; National Library, St

Background imageFidelity Collection: The loyalty of Algerian Arab chiefs to France, cover of le Petit Journal

The loyalty of Algerian Arab chiefs to France, cover of le Petit Journal
CHT206375 The loyalty of Algerian Arab chiefs to France, cover of le Petit Journal, 15th December 1907 (colour litho) by French School

Background imageFidelity Collection: F. 39r Conjugal Law, an adulterous wife appearing in court

F. 39r Conjugal Law, an adulterous wife appearing in court
XIR175904 F.39r Conjugal Law, an adulterous wife appearing in court, from Justiniani in Fortiatum (vellum) by French School, (14th century); Biblioteca Monasterio del Escorial, Madrid

Background imageFidelity Collection: St. Valentines Morning, 1863

St. Valentines Morning, 1863
WAG13312 St. Valentines Morning, 1863 by Horsley, John Callcott (1817-1903); Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Background imageFidelity Collection: Alcestis sacrifices herself to save her husband Admetus, King of Pherae, 1785

Alcestis sacrifices herself to save her husband Admetus, King of Pherae, 1785
PWI82348 Alcestis sacrifices herself to save her husband Admetus, King of Pherae, 1785 by Peyron, Jean Francois Pierre (1744-1814); 327x325 cm; Louvre, Paris, France; ePeter Willi; French

Background imageFidelity Collection: Put away from you that sword, illustration from Stories of King Arthur

Put away from you that sword, illustration from Stories of King Arthur
STC323614 Put away from you that sword, illustration from Stories of King Arthur and the Round Table by Beatrice Clay, 1st Edition, 1905 (litho) by Curtis

Background imageFidelity Collection: The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (

The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (
XCF259751 The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (?) (The Arnolfini Marriage) 1434 (oil on panel) (detail of 1765) by Eyck

Background imageFidelity Collection: Title page to The Unreasonableness of Infidelity by Richard Baxter

Title page to The Unreasonableness of Infidelity by Richard Baxter
XJF451360 Title page to The Unreasonableness of Infidelity by Richard Baxter, published in 1655 (engraving) by English School

Background imageFidelity Collection: The Helen Geranium, Preference; The Garden

The Helen Geranium, Preference; The Garden Wallflower, Fidelity in misfortune. Handcoloured lithograph by Dean and Munday after an illustration by Eliza Eve Gleadall from The Beauties of Flora

Background imageFidelity Collection: Pope Pius X receives and blesses French gymnasts in the courtyard ofs Damaso (colour litho)

Pope Pius X receives and blesses French gymnasts in the courtyard ofs Damaso (colour litho)
2814937 Pope Pius X receives and blesses French gymnasts in the courtyard ofs Damaso (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageFidelity Collection: Assorted flowers on an ornate Valentine card

Assorted flowers on an ornate Valentine card with white and silver decoration. Date: circa 1890s

Background imageFidelity Collection: The Ceremony Of The Oath Of Loyalty Of The New Tsarevich, The Crown Grand Duke Michael

The Ceremony Of The Oath Of Loyalty Of The New Tsarevich, The Crown Grand Duke Michael Alexandrovitch (Colour Litho)
2798200 The Ceremony Of The Oath Of Loyalty Of The New Tsarevich, The Crown Grand Duke Michael Alexandrovitch (Colour Litho) by Beltrame

Background imageFidelity Collection: The legend of Hiram (engraving)

The legend of Hiram (engraving)
3100733 The legend of Hiram (engraving) by French School, (19th century); Private Collection; (add.info.: The legend of Hiram)

Background imageFidelity Collection: Sir Geraint lies asleep, illustration from The Story of the Grail

Sir Geraint lies asleep, illustration from The Story of the Grail
STC328783 Sir Geraint lies asleep, illustration from The Story of the Grail and the Passing of Arthur, c.1910 (litho) by Pyle

Background imageFidelity Collection: Gift for the Grangers, 1867 (colour litho)

Gift for the Grangers, 1867 (colour litho)
PNP246253 Gift for the Grangers, 1867 (colour litho) by American School, (19th century); Private Collection; (add.info.: promotion of the American Farmers Organisation established in 1867;)

Background imageFidelity Collection: Meeting of the Gunpowder Plot conspirators, Guy Fawkes, Catesby, etc (engraving)

Meeting of the Gunpowder Plot conspirators, Guy Fawkes, Catesby, etc (engraving)
609093 Meeting of the Gunpowder Plot conspirators, Guy Fawkes, Catesby, etc (engraving) by English School, (18th century); Private Collection; (add.info.: Meeting of the Gunpowder Plot conspirators)

Background imageFidelity Collection: Philemon and Baucis, from an edition of the Metamorphoses of Ovid

Philemon and Baucis, from an edition of the Metamorphoses of Ovid
CHT449010 Philemon and Baucis, from an edition of the Metamorphoses of Ovid, published in Paris in 1619, (engraving) by Matheus (Mathieu), Jean (c.1592-1672); Bibliotheque des Arts Decoratifs, Paris

Background imageFidelity Collection: Tribal chiefs swearing their loyalty to the Sultan of Morocco (colour litho)

Tribal chiefs swearing their loyalty to the Sultan of Morocco (colour litho)
2818319 Tribal chiefs swearing their loyalty to the Sultan of Morocco (colour litho) by French School, (19th century); Private Collection; (add.info)

Background imageFidelity Collection: Mother and Son, 1840 (oil on canvas)

Mother and Son, 1840 (oil on canvas)
5043034 Mother and Son, 1840 (oil on canvas) by Sully, Thomas (1783-1872); 144.8x115.3 cm; Metropolitan Museum of Art, New York



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"Fidelity: A Timeless Bond Across Art and History" From the serene gaze of Venus of Urbino, painted by Titian in 1538, to the enchanting melodies preserved on a phonograph recording, it has been an enduring theme throughout human existence, and is a concept that transcends time and mediums, weaving its way into various forms of art and life. In Benjamin Britten's musical masterpiece "Fidelity Countess of Cranbrook, " we witness the harmonious marriage between sound and emotion. Just as Odysseus returns to his faithful wife Penelope after years of trials and tribulations, this composition captures the essence of loyalty in every note played. "The Parable of the Talents" depicted on canvas in 1884 reminds us that fidelity extends beyond personal relationships. It urges us to nurture our talents with unwavering commitment, for they are gifts entrusted to us by a higher power. The Portrait of Giovanni Arnolfini and his Wife Giovanna Cenami serves as a testament to marital devotion. In their intertwined hands lies not only love but also trust—a bond unbreakable even amidst uncertainty. Tobias and Sara embark on their wedding night journey in a painting from circa 1520, symbolizing fidelity's role in new beginnings. Their union represents not just physical intimacy but also emotional connection—an unyielding promise made under moonlit skies. In Tsuru from Momoyo-gusa (The World of Things), published in 1909 through vibrant woodcut colors, we find fidelity personified through nature itself. The graceful crane stands tall as an emblematic figure representing loyalty—its elegant form mirroring steadfastness against all odds. Francisco de Goya's Allegory of the Villa Madrid transports us back to 1810 when Spain faced turmoil. Fidelity emerges as both shield and sword during times of adversity—a guiding light leading individuals towards unity despite chaos surrounding them.