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Fidelity (Shin), from the series Five Cardinal Virtues, Edo period (1615-1868), 1767

Fidelity (Shin), from the series Five Cardinal Virtues, Edo period (1615-1868), 1767


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Fidelity (Shin), from the series Five Cardinal Virtues, Edo period (1615-1868), 1767

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Media ID 24371201

© Heritage Art/Heritage Images

Balconies Balcony Chuban Desk Fidelity Harunobu Harunobu Suzuki Maple Maple Tree Portraitarts Of Asia Suzuki Harunobu Thinking Virtue Woodcutcolour Woodblock Print Block Printing Estuary Kimono Tokugawa Period Traditional Dress Woodblock Woodblock Printing Young Woman


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> Animals > Birds > Passerines > Cardinals And Grosbeaks > Yellow Cardinal

> Arts > Artists > H > Suzuki Harunobu

> Arts > Artists > J > Japanese School Japanese School

> Arts > Landscape paintings > Waterfall and river artworks > Nature-inspired paintings

> Asia > Japan > Related Images


EDITORS COMMENTS
This print, titled "Fidelity (Shin), from the series Five Cardinal Virtues" takes us back to the Edo period in Japan. Created by Suzuki Harunobu in 1767, this artwork showcases his mastery of block printing and his ability to capture the essence of Japanese culture. The image depicts a female figure sitting on a balcony overlooking a serene river estuary. Dressed in traditional kimono attire, her vibrant red clothing stands out against the backdrop of maple trees and boats floating peacefully along the water. The attention to detail is remarkable, with every fold of fabric and delicate brushstroke adding depth and texture. Harunobu's portrayal of Fidelity (Shin) evokes a sense of contemplation as she gazes into the distance, lost in thought. The artist skillfully captures not only her physical appearance but also her inner emotions through subtle facial expressions. As we admire this piece at the Art Institute Chicago or any other art gallery fortunate enough to house it, we are transported back in time to an era filled with rich cultural heritage and artistic brilliance. Suzuki Harunobu's work serves as a reminder that art has no boundaries; it transcends time and connects us with different continents and centuries gone by. This print is not just an architectural feature or decorative item; it is an embodiment of Japanese tradition, showcasing one person's interpretation of fidelity within their society during the Tokugawa period.

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