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Fidelity Collection (page 2)

"Fidelity: A Timeless Bond Across Art and History" From the serene gaze of Venus of Urbino, painted by Titian in 1538

Background imageFidelity Collection: symbol / emblem / icon, fidelity, white dove in flower basket, Germany, 1917

symbol / emblem / icon, fidelity, white dove in flower basket, Germany, 1917, Additional-Rights-Clearences-Not Available Additional-Rights-Clearences-Not Available

Background imageFidelity Collection: kitsch / souvenir, flower wreath in hearth form, lithograph, Germany, circa 1895

kitsch / souvenir, flower wreath in hearth form, lithograph, Germany, circa 1895, Additional-Rights-Clearance-Info-Not-Available Additional-Rights-Clearance-Info-Not-Available

Background imageFidelity Collection: The Knave of Wands, facsimile of a tarot card from the Visconti deck

The Knave of Wands, facsimile of a tarot card from the Visconti deck
AGD336587 The Knave of Wands, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

Background imageFidelity Collection: Harolds oath of fealty to Duke William of Normandy

Harolds oath of fealty to Duke William of Normandy
Allegedly after being shipwrecked on the French coast in 1064 (a date highly disputed amongst historians), The Bayeux Tapestry, and other Norman sources

Background imageFidelity Collection: Peace World Peace Cranes Peace Cranes Origami

Peace World Peace Cranes Peace Cranes Origami
A white paper origami peace crane flies with more colorful companions

Background imageFidelity Collection: Allegory of the Villa of Madrid, 1810, by Francisco de Goya

Allegory of the Villa of Madrid, 1810, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Allegory of the Villa of Madrid, 1810. History Museum. Madrid. Spain

Background imageFidelity Collection: Turkey. Janissaries

Turkey. Janissaries
Ottoman Empire. Turkey. Janissaries. Engraving by Lemaitre, Lalaisse and Chaillot. Historia de Turquia by Joseph Marie Jouannin (1783-1844) and Jules Van Gaver, 1840

Background imageFidelity Collection: Turkey. Janissaries. Engraving, 19th century

Turkey. Janissaries. Engraving, 19th century
Ottoman Empire. Turkey. Janissaries. Engraving by Lemaitre, Lalaisse and Chaillot. Historia de Turquia by Joseph Marie Jouannin (1783-1844) and Jules Van Gaver, 1840. Date: 2018

Background imageFidelity Collection: The Temptation of Saint Anthony, 17th Century (Oil on canvas)

The Temptation of Saint Anthony, 17th Century (Oil on canvas)
7393535 The Temptation of Saint Anthony, 17th Century (Oil on canvas) by Heemskerk, Egbert van the Elder (1634/5-1704); 54 x 40, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageFidelity Collection: David praying, 1652 (Etching)

David praying, 1652 (Etching)
7393421 David praying, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 1 x 9, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageFidelity Collection: The Circumcision, 1630 (Etching)

The Circumcision, 1630 (Etching)
7393414 The Circumcision, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 8, 9 x 6, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageFidelity Collection: The angel disappears in front of Tobie's family, 1641 (Etching)

The angel disappears in front of Tobie's family, 1641 (Etching)
7393416 The angel disappears in front of Tobie's family, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 3 x 15, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageFidelity Collection: Supper at Emmaus, c. 1645-50 (oil on canvas)

Supper at Emmaus, c. 1645-50 (oil on canvas)
7352771 Supper at Emmaus, c.1645-50 (oil on canvas) by Assereto, Giovacchino (1600-49); 90x113 cm; Private Collection; (add.info.: Artist: Gioacchino Assereto (1600-1649)); Luisa Ricciarini

Background imageFidelity Collection: Odigitria Madonna with Saints John the Baptist, Antoninus of Florence and Nicola da Tolentino

Odigitria Madonna with Saints John the Baptist, Antoninus of Florence and Nicola da Tolentino, signed and dated
7352694 Odigitria Madonna with Saints John the Baptist, Antoninus of Florence and Nicola da Tolentino, signed and dated, 1526 (painting on board) by Sacchi

Background imageFidelity Collection: Christ's ascent to Calvary, First half of the 18th century (oil on canvas)

Christ's ascent to Calvary, First half of the 18th century (oil on canvas)
7352720 Christ's ascent to Calvary, First half of the 18th century (oil on canvas) by Ferrari, Lorenzo de (1680-1744); 280x300 cm; Oratorio di San Pietro, Imperia

Background imageFidelity Collection: Cycle of the Seven Works of Corporal Mercy: Visiting the Sick, (The Visit to the Sick in Pammatone)

Cycle of the Seven Works of Corporal Mercy: Visiting the Sick, (The Visit to the Sick in Pammatone)
7352701 Cycle of the Seven Works of Corporal Mercy: Visiting the Sick, (The Visit to the Sick in Pammatone), 1640-47 (oil on canvas) by Wael

Background imageFidelity Collection: Christ's Mystical Embrace to Saint Catherine of Siena, Mystical Vision (oil on canvas)

Christ's Mystical Embrace to Saint Catherine of Siena, Mystical Vision (oil on canvas)
7352712 Christ's Mystical Embrace to Saint Catherine of Siena, Mystical Vision (oil on canvas) by Borzone, Luciano (1610-45); 78x102 cm; Museo Diocesano, Albenga

Background imageFidelity Collection: Sacrifice of Isaac, 1603-04 circa (oil on canvas)

Sacrifice of Isaac, 1603-04 circa (oil on canvas)
7146889 Sacrifice of Isaac, 1603-04 circa (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Sacrifice of Isaac)

Background imageFidelity Collection: Detail of Portrait of the Villers family, 1790 (oil on canvas)

Detail of Portrait of the Villers family, 1790 (oil on canvas)
490068 Detail of Portrait of the Villers family, 1790 (oil on canvas) by Duvivier, Bernard (1762-1837); Groeningemuseum, Bruges, Belgium; (add.info.: See also 490066)

Background imageFidelity Collection: A woman praying between two Ionic columns, 2nd century (sculpture)

A woman praying between two Ionic columns, 2nd century (sculpture)
7322936 A woman praying between two Ionic columns, 2nd century (sculpture) by Roman, (2nd century AD); Louvre, Paris, France; (add.info.: Sculpture depicting a woman prying between two Ionic columns)

Background imageFidelity Collection: A woman praying between two Ionic columns, 2nd century (sculpture)

A woman praying between two Ionic columns, 2nd century (sculpture)
7322926 A woman praying between two Ionic columns, 2nd century (sculpture) by Roman, (2nd century AD); Louvre, Paris, France; (add.info)

Background imageFidelity Collection: A woman praying between two Ionic columns, 2nd century (sculpture)

A woman praying between two Ionic columns, 2nd century (sculpture)
7322925 A woman praying between two Ionic columns, 2nd century (sculpture) by Roman, (2nd century AD); Louvre, Paris, France; (add.info)

Background imageFidelity Collection: Portrait of the Villers family, 1790 (oil on canvas)

Portrait of the Villers family, 1790 (oil on canvas)
490066 Portrait of the Villers family, 1790 (oil on canvas) by Duvivier, Bernard (1762-1837); 112x145 cm; Groeningemuseum, Bruges, Belgium; (add.info.: The central theme of the painting is fidelity)

Background imageFidelity Collection: Portrait of Jacquemyne Buuck, 1551 (oil on panel)

Portrait of Jacquemyne Buuck, 1551 (oil on panel)
489976 Portrait of Jacquemyne Buuck, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info)

Background imageFidelity Collection: Temptation of St Anthony, 1688 (brush drawing with black ink and wash on paper)

Temptation of St Anthony, 1688 (brush drawing with black ink and wash on paper)
7308229 Temptation of St Anthony, 1688 (brush drawing with black ink and wash on paper) by Gluckher, Johann Georg (1653-1731); 39.8x26.3 cm; Ashmolean Museum, University of Oxford

Background imageFidelity Collection: The Fool Hardened In His Mind, 1660-86 (brush and Indian ink on paper)

The Fool Hardened In His Mind, 1660-86 (brush and Indian ink on paper)
7308535 The Fool Hardened In His Mind, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageFidelity Collection: Pilgrimage procession on the Muerzsteg to the dead woman, 1888, Muerztal, Styria, Austria, History

Pilgrimage procession on the Muerzsteg to the dead woman, 1888, Muerztal, Styria, Austria, History
7279891 Pilgrimage procession on the Muerzsteg to the dead woman, 1888, Muerztal, Styria, Austria, History by Unknown Artist

Background imageFidelity Collection: Kan'u (Guan Yu), 1845-48 (nishiki-e woodblock print, with bokashi)

Kan'u (Guan Yu), 1845-48 (nishiki-e woodblock print, with bokashi)
7299856 Kan u (Guan Yu), 1845-48 (nishiki-e woodblock print, with bokashi) by Kuniyoshi, Utagawa (1798-1861); 55.5x40.3 cm; Ashmolean Museum, University of Oxford

Background imageFidelity Collection: Glorification of the Podesta Girolamo Priuli, 1649 (oil on canvas)

Glorification of the Podesta Girolamo Priuli, 1649 (oil on canvas)
7292787 Glorification of the Podesta Girolamo Priuli, 1649 (oil on canvas) by Maffei, Francesco (1605-60); Museo Civico Palazzo Chiericati, Vicenza

Background imageFidelity Collection: Series of pictures Tannhaeuser, Return of the Pilgrims from Rome, Liebig picture

Series of pictures Tannhaeuser, Return of the Pilgrims from Rome, Liebig picture
7277907 Series of pictures Tannhaeuser, Return of the Pilgrims from Rome, Liebig picture by Unknown Artist, (19th century); Private Collection; (add.info.: Series of pictures Tannhaeuser)

Background imageFidelity Collection: The pious women, detail (illustrated manuscript, 1330)

The pious women, detail (illustrated manuscript, 1330)
LRI4670655 The pious women, detail (illustrated manuscript, 1330) by Armenian School, (12th century); Armenian Museum, Isfahan

Background imageFidelity Collection: Ulrich von Hutten, German knight of the Holy Roman Empire, fighting five French noblemen who had

Ulrich von Hutten, German knight of the Holy Roman Empire, fighting five French noblemen who had insulted the Emperor
7148080 Ulrich von Hutten, German knight of the Holy Roman Empire, fighting five French noblemen who had insulted the Emperor Maximilian I, Viterbo, Italy, 1516 (engraving) by Lindenschmidt

Background imageFidelity Collection: The Student, 1862 (oil on canvas) (Faust and Gretchen?)

The Student, 1862 (oil on canvas) (Faust and Gretchen?)
BUR17320 The Student, 1862 (oil on canvas) (Faust and Gretchen?) by Maclise, Daniel (Croquis, Alfred) (1806-70); 91.1x70.4 cm; Bury Art Museum & Sculpture Centre

Background imageFidelity Collection: Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98)

Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c
FIT82957 Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c.1865 (painted earthenware) by Morris & Company; diameter

Background imageFidelity Collection: Illustration for Cranford by Mrs Gaskell (coloured engraving)

Illustration for Cranford by Mrs Gaskell (coloured engraving)
7164526 Illustration for Cranford by Mrs Gaskell (coloured engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Father of the Faithful)

Background imageFidelity Collection: Swearing an oath of loyalty to the League of Venice, 1494 (engraving)

Swearing an oath of loyalty to the League of Venice, 1494 (engraving)
7173358 Swearing an oath of loyalty to the League of Venice, 1494 (engraving) by German School, (19th century); Private Collection; (add.info.: Swearing an oath of loyalty to the League of Venice)

Background imageFidelity Collection: 'The Dog was still pawing the Snow'(engraving)

"The Dog was still pawing the Snow"(engraving)
7188320 " The Dog was still pawing the Snow" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageFidelity Collection: Paul, portrait of a lovesick youth with his dog (engraving)

Paul, portrait of a lovesick youth with his dog (engraving)
7153753 Paul, portrait of a lovesick youth with his dog (engraving) by German School, (19th century); Private Collection; (add.info.: Paul, portrait of a lovesick youth with his dog)

Background imageFidelity Collection: Dead dove and his faithful mate (chromolitho)

Dead dove and his faithful mate (chromolitho)
7157053 Dead dove and his faithful mate (chromolitho) by English School, (19th century); Private Collection; (add.info.: Dead dove and his faithful mate)

Background imageFidelity Collection: Mordecai and Haman at the Kings Gate, Esther iii, 2-6 (engraving)

Mordecai and Haman at the Kings Gate, Esther iii, 2-6 (engraving)
7180914 Mordecai and Haman at the Kings Gate, Esther iii, 2-6 (engraving) by English School, (19th century); Private Collection; (add.info.: Mordecai and Haman at the Kings Gate, Esther iii, 2-6)

Background imageFidelity Collection: Forgotten! (engraving)

Forgotten! (engraving)
7182202 Forgotten! (engraving) by English School, (19th century); Private Collection; (add.info.: Forgotten! Illustration for The Childs Companion and Juvenile Instructor (1872)

Background imageFidelity Collection: The Faithful Servant (engraving)

The Faithful Servant (engraving)
7182616 The Faithful Servant (engraving) by English School, (19th century); Private Collection; (add.info.: The Faithful Servant)

Background imageFidelity Collection: Penelopes faithfulness to her husband Odysseus (colour litho)

Penelopes faithfulness to her husband Odysseus (colour litho)
7201985 Penelopes faithfulness to her husband Odysseus (colour litho) by Bonamy, Armand Joseph (fl.1900-30); Private Collection; (add.info.: Penelopes faithfulness to her husband Odysseus)

Background imageFidelity Collection: Le gibbon de Bennett retrouvant son premier maitre (engraving)

Le gibbon de Bennett retrouvant son premier maitre (engraving)
7200177 Le gibbon de Bennett retrouvant son premier maitre (engraving) by French School, (19th century); Private Collection; (add.info.: Le gibbon de Bennett retrouvant son premier maitre)

Background imageFidelity Collection: Dog howling to call help for a boy collapsed in the snow (chromolitho)

Dog howling to call help for a boy collapsed in the snow (chromolitho)
7157131 Dog howling to call help for a boy collapsed in the snow (chromolitho) by English School, (20th century); Private Collection; (add.info)

Background imageFidelity Collection: 'Faithful below he did his duty'(engraving)

"Faithful below he did his duty"(engraving)
7177889 " Faithful below he did his duty" (engraving) by English School, (19th century); Private Collection; (add.info.: " Faithful below he did his duty, / But now hes gone aloft)



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"Fidelity: A Timeless Bond Across Art and History" From the serene gaze of Venus of Urbino, painted by Titian in 1538, to the enchanting melodies preserved on a phonograph recording, it has been an enduring theme throughout human existence, and is a concept that transcends time and mediums, weaving its way into various forms of art and life. In Benjamin Britten's musical masterpiece "Fidelity Countess of Cranbrook, " we witness the harmonious marriage between sound and emotion. Just as Odysseus returns to his faithful wife Penelope after years of trials and tribulations, this composition captures the essence of loyalty in every note played. "The Parable of the Talents" depicted on canvas in 1884 reminds us that fidelity extends beyond personal relationships. It urges us to nurture our talents with unwavering commitment, for they are gifts entrusted to us by a higher power. The Portrait of Giovanni Arnolfini and his Wife Giovanna Cenami serves as a testament to marital devotion. In their intertwined hands lies not only love but also trust—a bond unbreakable even amidst uncertainty. Tobias and Sara embark on their wedding night journey in a painting from circa 1520, symbolizing fidelity's role in new beginnings. Their union represents not just physical intimacy but also emotional connection—an unyielding promise made under moonlit skies. In Tsuru from Momoyo-gusa (The World of Things), published in 1909 through vibrant woodcut colors, we find fidelity personified through nature itself. The graceful crane stands tall as an emblematic figure representing loyalty—its elegant form mirroring steadfastness against all odds. Francisco de Goya's Allegory of the Villa Madrid transports us back to 1810 when Spain faced turmoil. Fidelity emerges as both shield and sword during times of adversity—a guiding light leading individuals towards unity despite chaos surrounding them.