Black Ink Collection (page 8)

Flutist Drummer Moated Castle Master Berlin Roundels
A Flutist and Drummer Before a Moated Castle; Master of the Berlin Roundels (German, active 1515); Germany; about 1515; Pen and black ink; 6.7 cm (2 5, 8 in.)

Christ Carrying Cross Albrecht Altdorfer German
Christ Carrying the Cross; Albrecht Altdorfer (German, about 1480 - 1538); about 1513; Pen and black ink and gray wash over black chalk; 30.3 cm (11 15, 16 in.)

Job Dung Heap Daniel Lindtmayer Swiss 1552 1602
Job on the Dung Heap; Daniel Lindtmayer (Swiss, 1552 - 1602, 1607); 1581; Pen and black ink, and gray wash; 39.7 × 31.4 cm (15 5, 8 × 12 3, 8 in.)

Judgment Midas Hermann Weyer German 1596 1621
The Judgment of Midas; Hermann Weyer (German, 1596 - after 1621); 1616; Pen and black ink, black, ochre, reddish and gray washes, with white gouache heightening; 22.1 x 27 cm (8 11, 16 x 10 5, 8 in.)

Conversion Saint Paul Wolf Huber German 1480
The Conversion of Saint Paul; Wolf Huber (German, 1480, 1485 - 1553); 1531; Pen and black ink; 18.3 x 12.9 cm (7 3, 16 x 5 1, 16 in.)

Young Woman Assisted Gentleman Joachim Anthonisz
Young Woman Assisted by a Gentleman; Joachim Anthonisz. Wtewael (Dutch, 1566 - 1638); about 1609 - 1611; Pen and black ink, gray wash, and white gouache heightening; 19.4 × 24.9 cm (7 5, 8 × 9 13)

Portrait Scholar Cleric Hans Holbein Younger
Portrait of a Scholar or Cleric; Hans Holbein the Younger (German, 1497, 1498 - 1543); 1532 - 1535; Black and red chalk, pen and brush and black ink, on pink prepared paper; 21.9 x 18.4 cm (8 5)

Mountain Landscape Peasants Clearing Waterfall
Mountain Landscape, Peasants in a Clearing near a Waterfall (recto); Landscape Sketch (verso); Anthonie Waterloo (Dutch, 1609 - 1690); early 1650s; Point of the brush and black ink

Scene Italian Comedy recto Figure Study verso
Scene from the Italian Comedy (recto); Figure Study (verso); Claude Gillot (French, 1673 - 1722); France; about 1700; Pen and black ink, brush with reddish wash

Lictors Carrying Away Bodies Sons Brutus Jacques-Louis David
The Lictors Carrying Away the Bodies of the Sons of Brutus; Jacques-Louis David (French, 1748 - 1825); 1787; Pen and black ink and gray wash; 32.7 × 42.1 cm (12 7, 8 × 16 9, 16 in.)

Mary Magdalene Transported Four Angels German
Mary Magdalene Transported by Four Angels; German, 15th century; about 1485 - 1490; Pen and black ink with white gouache highlights on reddish-brown grounded paper; 17 x 16.2 cm (6 11, 16 x 6 3)

Susanne Artists Daughter Age Twenty 1782 Daniel Chodowiecki
Susanne (The Artists Daughter at the Age of Twenty-One), 1782. Daniel Chodowiecki (German, 1726-1801). Pen and black ink, watercolor and gouache over graphite; sheet: 11 x 18.4 cm (4 5/16 x 7 1/4 in.)

Sketch Armoured Male Figure 1600s Anonymous Graphite
Sketch of an Armoured Male Figure, 1600s. Anonymous. Graphite (figure); pen and black ink (cross hatching); random paint and ink stains; sheet: 30.1 x 12.5 cm (11 7/8 x 4 15/16 in.)

Allegorical Scene Couple Statue 1700s F Müller
Allegorical Scene: Couple before a Statue, 1700s. F. Muller (German). Brush and gray wash, with brush and red wash; framing lines in black ink; sheet: 17.2 x 10.5 cm (6 3/4 x 4 1/8 in.); image

Virgin Child Saint John recto Unidentifiable
Virgin and Child with Saint John (recto) Unidentifiable (verso), 1500s. Italy, 16th century. Pen and black ink and brush and brown wash and blue, green

Virgin Child Saint John 1500s Italy 16th century
Virgin and Child with Saint John, 1500s. Italy, 16th century. Pen and black ink and brush and brown wash and blue, green, red and red-purple gouache; sheet

Cow second half 1600s Johann Heinrich Roos German
Cow, second half 1600s. Johann Heinrich Roos (German, 1631-1685). Red chalk; framing lines in brush and black ink; sheet: 6.7 x 11.1 cm (2 5/8 x 4 3/8 in.); secondary support

Ascension Saint Jerome 1600s Karel Skreta
Ascension of Saint Jerome, 1600s. Karel Skreta (Czech, 1610-1674). Pen and brown ink, graphite and brush and brown wash; framing lines in black ink; sheet: 27.9 x 16.7 cm (11 x 6 9/16 in.)

Allegory Christian Belief 1622 Johann Liss German
Allegory of Christian Belief, c. 1622. Johann Liss (German, c. 1597-1631). Pen and brown ink and brush and brown wash; framing lines in pen and black ink; sheet: 15.3 x 9.4 cm (6 x 3 11/16 in.)

Maternal Solicitude 1777 Jean Baptiste Le Prince
Maternal Solicitude, 1777. Jean Baptiste Le Prince (French, 1734-1781). Pen and black ink and brush and brown wash over graphite

Hunting Party Franz Albert Venus German 1842
A Hunting Party; Franz Albert Venus (German, 1842 - 1871); Germany; about 1860 - 1866; Black ink and graphite (recto); graphite (verso); 27.5 x 19 cm (10 13, 16 x 7 1, 2 in.)

Elijah Revives Son Widow Zarephath Julius Schnorr
Elijah Revives the Son of the Widow of Zarephath; Julius Schnorr von Carolsfeld (German, 1794 - 1872); Germany; 1842; Black ink; 21.7 x 26.1 cm (8 9, 16 x 10 1, 4 in.)

Mercenary Soldier Landscape Circle Wolf Huber
Mercenary Soldier in a Landscape; Circle of Wolf Huber (German, 1480, 1485 - 1553); Germany; about 1515; Pen and black ink; 14.5 × 10.8 cm (5 11, 16 × 4 1, 4 in.)

Landscape Cattle Sheep Herders Jacob van Strij
Landscape with Cattle, Sheep, and Herders; Jacob van Strij (Dutch, 1756 - 1815); Netherlands; about 1800 - 1810; Pencil, pen and black ink, and wash; 35 x 47 cm (13 3, 4 x 18 1, 2 in.)

Street Jisp Winter Day Abraham Rutgers Dutch
A Street in Jisp on a Winters Day; Abraham Rutgers (Dutch, 1632 - 1699); Netherlands; before 1664; Pen and brown and black ink and brown and gray wash; 19.3 x 30.6 cm (7 5, 8 x 12 1, 16 in.)

Four Beetles Flying Stink Bug Nicols Struyck
Four Beetles and a Flying Stink Bug; Nicols Struyck (Dutch, 1686 - 1769); Netherlands; 1715; Pen and black ink, watercolor, gouache, gold paint with white gouache heightening

View Farm Courtyard recto Study Tree verso Abraham Bloemaert
View of a Farm Courtyard (recto), Study of a Tree (verso); Abraham Bloemaert (Dutch, 1564 - 1651); Netherlands; about 1600; Black chalk, pen and brown ink, brown wash

Decorated Text Page Circle Stefan Lochner German
Decorated Text Page; Circle of Stefan Lochner (German, died 1451); Cologne, Germany; about 1450; Gold leaf, tempera, and black ink on parchment; Leaf: 36.7 x 26 cm (14 7, 16 x 10 1, 4 in.)

Angel Presents Christ Burial Garment Virgin Garment
An Angel Presents Christs Burial Garment to the Virgin; The Virgin Shows the Garment to Saint John; Bavaria, Germany; about 1330 - 1350; Pen and black ink, tempera colors

Nail Makers Jean-Michel Moreau le jeune French
The Nail Makers; Jean-Michel Moreau le jeune (French, 1741 - 1814); about 1763; Pen and black ink and brush with gray wash over traces of black chalk; 11.7 x 24.1 cm (4 5, 8 x 9 1, 2 in.)

Winter Scene Hendrik Meyer Dutch 1744 1793 1787
A Winter Scene; Hendrik Meyer (Dutch, 1744 - 1793); 1787; Black chalk, pen and brown ink, gouache, pen and black ink framing lines; 37.1 x 48.3 cm (14 5, 8 x 19 in.)

Summer Scene Hendrik Meyer Dutch 1744 1793 1787
A Summer Scene; Hendrik Meyer (Dutch, 1744 - 1793); 1787; Black chalk, pen and brown ink, gouache, pen and black ink framing lines; 37.1 x 48.3 cm (14 5, 8 x 19 in.)

Caricature Man Wearing Overcoat Giovanni Battista
Caricature of a Man Wearing an Overcoat; Giovanni Battista Tiepolo (Italian, 1696 - 1770); about 1753 - 1762; Pen and black ink and brush with gray wash; 21 × 14 cm (8 1, 4 × 5 1, 2 in.)

Ship Port Ruined Obelisk Pierre Puget French
A Ship in a Port with a Ruined Obelisk; Pierre Puget (French, 1620 - 1694); 1675 - 1680; Pen and black ink and black chalk on vellum; 25.2 x 35.2 cm (9 15, 16 x 13 7, 8 in.)

Astronomical Table Vovelle Worcester England
Astronomical Table with Vovelle; Worcester, England; late 14th century, shortly after 1386; Pen and black ink and tempera on parchment bound between pasteboard covered with black morocco; Leaf

Constellation Oxford England late 14th century
Constellation; Oxford (probably), England; late 14th century, shortly after 1386; Pen and black ink and tempera on parchment bound between pasteboard covered with black morocco; Leaf

Eagle Magpie Jean-Baptiste Oudry French 1686
The Eagle and the Magpie; Jean-Baptiste Oudry (French, 1686 - 1755); 1733; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 30.6 × 25.6 cm (12 1, 16 × 10 1, 16 in.)

Astronomical Table Worcester England late 14th
Astronomical Table; Worcester, England; late 14th century, shortly after 1386; Pen and black ink and tempera on parchment bound between pasteboard covered with black morocco; Leaf

Wolf Fox Jean-Baptiste Oudry French 1686 1755
The Wolf and the Fox; Jean-Baptiste Oudry (French, 1686 - 1755); 1733; Brush and black ink and brush and gray wash, heightened with white gouache, on blue paper; 31.1 × 26 cm (12 1, 4 × 10 1)

Constellation Worcester England late 14th century
Constellation; Worcester, England; late 14th century, shortly after 1386; Pen and black ink and tempera on parchment bound between pasteboard covered with black morocco; Leaf: 21.3 x 15.2 cm (8 3)

Belphagore Jean-Baptiste Oudry French 1686 1755
Belphagore; Jean-Baptiste Oudry (French, 1686 - 1755); 1734; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 31.1 x 26 cm (12 1, 4 x 10 1, 4 in.)

Horseman Following Stag Captured Net Trier Germany
A Horseman Following a Stag Which has Been Captured in a Net; Trier (probably), Germany; third quarter of 15th century; Pen and black ink and colored washes on paper; Leaf: 28.7 x 20.6 cm (11 5)

Decorated Initial P Pontigny France 1170 Pen
Decorated Initial P; Pontigny (probably), France; about 1170; Pen and black ink, tempera, and gold leaf on parchment; Leaf: 43.5 x 31.4 cm (17 1, 8 x 12 3, 8 in.)

Initial I Saint Jude Pontigny France 1170 Pen
Initial I: Saint Jude; Pontigny (probably), France; about 1170; Pen and black ink, tempera, and gold leaf on parchment; Leaf: 43.5 x 31.4 cm (17 1, 8 x 12 3, 8 in.)

Head Horse Samuel H Owen England 1843 1845 Drawing
Head of a Horse; Samuel H. Owen; England; 1843 - 1845; Drawing in black ink; 7.5 x 7.1 cm (2 15, 16 x 2 13, 16 in.)

Decorated Initial A Pontigny France 1170 Pen
Decorated Initial A; Pontigny (probably), France; about 1170; Pen and black ink, tempera, and gold leaf on parchment; Leaf: 43.5 x 31.4 cm (17 1, 8 x 12 3, 8 in.)

Decorated Initials Pontigny France 1170 Pen
Decorated Initial S; Pontigny (probably), France; about 1170; Pen and black ink, tempera, and gold leaf on parchment; Leaf: 43.5 x 31.4 cm (17 1, 8 x 12 3, 8 in.)

Initial I Saint John Eagle Pontigny France 1170
Initial I: Saint John as the Eagle; probably Pontigny, France; about 1170; Pen and black ink, tempera, and gold leaf on parchment; Leaf: 43.5 × 31.4 cm (17 1, 8 × 12 3, 8 in.)

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"Exploring the Timeless Beauty of Black Ink: From Ancient Goddesses to Captivating Artworks" Delve into the captivating world of black ink, where its deep hues and intricate strokes have mesmerized artists and art enthusiasts for centuries. In the 1800s, an unknown creator skillfully depicted The Goddess Kali, exuding power and mystique through every stroke. Similarly, Gajalakshmi emerged as a symbol of prosperity with elephants adorning her presence in another enigmatic artwork from that era. Travel back further to the 17th century when Abraham Hondius captured the intensity of a Boar Hunt using black ink as his medium. The dynamic lines bring forth the adrenaline-filled chase on paper, showcasing both artistic talent and storytelling prowess. Meanwhile, Johann Baptist Enderle's Saint Ignatius Leaving Antioch transports us to a different time altogether with its masterful use to depict historical narratives. Beyond paintings, it has found its place in practicality. Chippendale Drawings Vol II showcases exquisite designs for Library Bookcases and Tables crafted with precision and elegance. These drawings serve as a testament to how even functional objects can be transformed into works of art through meticulous detailing. Intriguingly diverse forms emerge within this realm; NIPA UNITED presents contemporary calligraphy that merges tradition with modernity while Anuman peony line art captures delicate beauty through minimalistic yet striking lines. The versatility extends beyond pen alone - Marstrand Castle comes alive in charcoal sketches combined with pen strokes by an artist who effortlessly captures architectural grandeur. Furthermore, Kartikeya stands tall among other divine figures portrayed in rich blacks during the 1800s. Lastly, Lakshmi and Sarasvati grace us with their presence on canvas – two goddesses brought to life by unknown creators who harnessed the power to convey their divine essence.