Black Ink Collection (page 3)

The Common Vapourer, (watercolour with pen and black ink over pencil)
989783 The Common Vapourer, (watercolour with pen and black ink over pencil) by Carse, Andreas Duncan (1876-1938); 27x21.4 cm; Private Collection; (add.info.: The Common Vapourer. A)

Study of a Young Girl at the Piano; Etude pour Une Jeune Fille au Piano, (soft pencil
656762 Study of a Young Girl at the Piano; Etude pour Une Jeune Fille au Piano, (soft pencil, pen and black ink on paper) by Renoir

A Young Lady Seated by a Table with a Book, 1785 (pencil and red chalk
659237 A Young Lady Seated by a Table with a Book, 1785 (pencil and red chalk, pen and black ink and watercolour heighten) by Moreau

Differents Vases, Furniture, Altars and Tripods Discovered at Herculaneum
659225 Differents Vases, Furniture, Altars and Tripods Discovered at Herculaneum (pen & ink and w/c on paper) by Paris, Pierre-Adrien (1745-1819); 22.7x37 cm; Private Collection; (add.info)

Hercules Supporting the Sky instead of Atlas, 1922 (watercolour and pen and black ink)
659142 Hercules Supporting the Sky instead of Atlas, 1922 (watercolour and pen and black ink) by Rackham, Arthur (1867-1939); 38x27.7 cm; Private Collection; (add.info)

St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink
657906 St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink, watercolour and bodycolour) by Nevinson, Christopher Richard Wynne (1889-1946); 28x36 cm; Private Collection; (add.info)

Eastern Grey Squirrel in Full Winter Coat, c. 1840s (pen and black ink
823034 Eastern Grey Squirrel in Full Winter Coat, c.1840s (pen and black ink and watercolour on board) by Audubon, John James (1785-1851); 53.7x43.7 cm; Private Collection; (add.info)

Notre Dame, (watercolour and gouache over black chalk on pape)
652738 Notre Dame, (watercolour and gouache over black chalk on pape) by Signac, Paul (1863-1935); 31.1x26.7 cm; Private Collection; (add.info.: Notre Dame. Paul Signac (1863-1935)

The Pied Piper and the Children, (pen and black ink and watercolour, laid on card)
651962 The Pied Piper and the Children, (pen and black ink and watercolour, laid on card) by Rackham, Arthur (1867-1939); 21.5x13.8 cm; Private Collection; (add.info)

The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour)
651941 The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour) by Goodwin, Albert (1845-1932); 26.7x36.8 cm; Private Collection; (add.info.: The Sermon (Durham Cathedral)

The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d
827569 The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d Ormesson, attended by her Husband and Villagers, (black chalk, pen and black ink and watercolour) by Martin

Emperor Charles V picking up Titians Paintbrush, (black chalk
827560 Emperor Charles V picking up Titians Paintbrush, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.7x48.5

The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink
827557 The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink, brown wash) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 17.2x13.8 cm; Private Collection; (add.info)

Flowers from Shakespeares Garden: Rosemary, 1906 (watercolour and pen and black ink)
827296 Flowers from Shakespeares Garden: Rosemary, 1906 (watercolour and pen and black ink) by Crane, Walter (1845-1915); 25.2x19 cm; Private Collection; (add.info.: Flowers from Shakespeares Garden)

A Dance Round the Moon (pen and black ink and watercolour)
1766633 A Dance Round the Moon (pen and black ink and watercolour) by Doyle, Charles Altamont (1832-93); 24.7x38.7 cm; Private Collection; (add.info.: A Dance Round the Moon)

A manuscript page depicting Moses and Aaron with an imaginary townscape of Jerusalem, 1738 (pen, red and black ink)
1766604 A manuscript page depicting Moses and Aaron with an imaginary townscape of Jerusalem, 1738 (pen, red and black ink, watercolour)

A selection of designs from the House of Carl Faberge including an oval hand mirror
1765139 A selection of designs from the House of Carl Faberge including an oval hand mirror, a smaller mirror and two mounted bottles (pencil, pen)

Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying
1765036 Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying, he gave each a large piece of gingerbread (pen, black ink and watercolour) by Rackham

Chapter heading depicting two peacocks in a garden with a fountain, c
985763 Chapter heading depicting two peacocks in a garden with a fountain, c.1893/4 (black ink, graphite) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

The Bridge at St Ives 1903 (pencil, pen and black ink, and w / c on paper)
1199522 The Bridge at St Ives 1903 (pencil, pen and black ink, and w/c on paper) by Garden, William Fraser (1856-1921); 28x39.4 cm; Private Collection; (add.info)

A Fancy Dress Ball at Mrs. Casement s, Calcutta, India 1830s
1196935 A Fancy Dress Ball at Mrs. Casement s, Calcutta, India 1830s by Prinsep, William (1794-1874); 23x33.5 cm; Private Collection; (add.info.: inscribed A fancy dress ball at Mrs Casements)

Part of the Taj, c. 1815 (pencil, pen, black ink, w / c)
1196923 Part of the Taj, c. 1815 (pencil, pen, black ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Le Pont de Lezardrieux, 1922 (brush and black ink over charcoal on tan paper)
652737 Le Pont de Lezardrieux, 1922 (brush and black ink over charcoal on tan paper) by Signac, Paul (1863-1935); 72.7x91.7 cm; Private Collection; (add.info.: Le Pont de Lezardrieux)

Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c
825457 Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c.1894 (black chalk, pen and black ink on paper) by Klimt

A Leisure Park Outside Paris, 1846 (black chalk, pen and brown and black ink
989647 A Leisure Park Outside Paris, 1846 (black chalk, pen and brown and black ink, watercolour on paper) by Debret, Francois (1777-1850); 13x20 cm; Private Collection; (add.info)

Reclining Woman, c. 1925 (coloured wax crayons over brush and black ink on paper)
989005 Reclining Woman, c.1925 (coloured wax crayons over brush and black ink on paper) by Muller or Mueller, Otto (1874-1930); 35.6x50.2 cm; Private Collection; (add.info)

Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink
827559 Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.5x48.5 cm; Private Collection; (add.info)

St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour
827534 St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour, pen and black and brown ink, over challk) by Burne-Jones, Edward Coley (1833-98); 107.9x35.5

A Neapolitan Song, 1882 (watercolour and pen and black ink over traces of pencil)
827454 A Neapolitan Song, 1882 (watercolour and pen and black ink over traces of pencil) by Gatta, Saviero Xavier della (fl.1777-1820); 19.7x25.8 cm; Private Collection; (add.info)

Woman in Evening Dress, 1912 (watercolour and pen and black ink on paper laid on board)
650484 Woman in Evening Dress, 1912 (watercolour and pen and black ink on paper laid on board) by Demuth, Charles (1883-1935); 22.2x15.6 cm; Private Collection; (add.info.: Woman in Evening Dress)

The Tomb of the Itmad-ud-daula, c. 1815 (encil, pen and black ink, w / c
1196703 The Tomb of the Itmad-ud-daula, c.1815 (encil, pen and black ink, w/c, heightened with touches o) by Agra School, (19th century)

Part of the Temple of Jambukeshvara, Srirangam, Tamil Nadu, c
1196919 Part of the Temple of Jambukeshvara, Srirangam, Tamil Nadu, c. 1800 (pencil, pen, black ink, w/c on laid paper) by Indian School

A Colonnaded Thermal Building, the Roof Partly Open to the Sky
659229 A Colonnaded Thermal Building, the Roof Partly Open to the Sky, with Girls Washing Clothes at a Fountain Below a Statue, (pencil, pen and black ink and watercolour)

The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil
652002 The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil, pen and black ink and watercolour with touches of white) by Mackenzie

Chips Off The Old Block; The York Stage Coach, (watercolour and black ink)
658074 Chips Off The Old Block; The York Stage Coach, (watercolour and black ink) by Aldin, Cecil Charles Windsor (1870-1935); 38x52 cm; Private Collection; (add.info)

An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit
652067 An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit, 1904 (pen and black ink and watercolour on card) by Rackham

I ve heard theres no holding of these Methodisses (page 18), c
986137 I ve heard theres no holding of these Methodisses (page 18), c.1910 (pen, black ink and watercolour) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info)

They were not aware of her presence (page 129), c. 1910 (pen, black ink and watercolour)
986136 They were not aware of her presence (page 129), c.1910 (pen, black ink and watercolour) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info)

Portrait of Auguste Vacquerie (salt and albumen print and other media)
989914 Portrait of Auguste Vacquerie (salt and albumen print and other media) by Hugo, Victor (1802-85); 14.3x21.5 and smaller cm; Private Collection; (add.info)

In the Orchard, (pen and black ink and watercolour on paper)
823446 In the Orchard, (pen and black ink and watercolour on paper) by Wegener, Gerda Marie Frederike (1885-1940); 27.2x24 cm; Private Collection; (add.info.: In the Orchard)

Landscape with Woman and Child; Landschap met Vrouw en Kind, 1883 (pen and black ink
825863 Landscape with Woman and Child; Landschap met Vrouw en Kind, 1883 (pen and black ink, pencil and wash heightened with white on laid) by Gogh

In the Drawing Room, 1897 (pencil, pen and black ink, watercolour and bodycolour on card)
658383 In the Drawing Room, 1897 (pencil, pen and black ink, watercolour and bodycolour on card) by Marold, Ludek or Ludwig (1865-98) (after); 65x51 cm; Private Collection; (add.info)

The Water Carriers, 1888 (watercolour, gouache, pen and black ink on paper)
651129 The Water Carriers, 1888 (watercolour, gouache, pen and black ink on paper) by Farny, Henry Francois (1847-1916); 21.2x40.8 cm; Private Collection; (add.info.: The Water Carriers)

Portrait of the Composer Jean Sibelius, small half-length, (pencil
659682 Portrait of the Composer Jean Sibelius, small half-length, (pencil, black ink and watercolour heightened with white) by Edelfelt

The Tomb of the Emperor, c. 1815 (Pencil, pen, black ink, w / c)
1196924 The Tomb of the Emperor, c. 1815 (Pencil, pen, black ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Peasant with a Staff, 1941 (pen and black ink, grey wash and pencil on paper)
1196006 Peasant with a Staff, 1941 (pen and black ink, grey wash and pencil on paper) by Gonzalez, Julio (1876-1942); 30.9x19.7 cm; Private Collection; Photo eChristies Images; Spanish

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"Exploring the Timeless Beauty of Black Ink: From Ancient Goddesses to Captivating Artworks" Delve into the captivating world of black ink, where its deep hues and intricate strokes have mesmerized artists and art enthusiasts for centuries. In the 1800s, an unknown creator skillfully depicted The Goddess Kali, exuding power and mystique through every stroke. Similarly, Gajalakshmi emerged as a symbol of prosperity with elephants adorning her presence in another enigmatic artwork from that era. Travel back further to the 17th century when Abraham Hondius captured the intensity of a Boar Hunt using black ink as his medium. The dynamic lines bring forth the adrenaline-filled chase on paper, showcasing both artistic talent and storytelling prowess. Meanwhile, Johann Baptist Enderle's Saint Ignatius Leaving Antioch transports us to a different time altogether with its masterful use to depict historical narratives. Beyond paintings, it has found its place in practicality. Chippendale Drawings Vol II showcases exquisite designs for Library Bookcases and Tables crafted with precision and elegance. These drawings serve as a testament to how even functional objects can be transformed into works of art through meticulous detailing. Intriguingly diverse forms emerge within this realm; NIPA UNITED presents contemporary calligraphy that merges tradition with modernity while Anuman peony line art captures delicate beauty through minimalistic yet striking lines. The versatility extends beyond pen alone - Marstrand Castle comes alive in charcoal sketches combined with pen strokes by an artist who effortlessly captures architectural grandeur. Furthermore, Kartikeya stands tall among other divine figures portrayed in rich blacks during the 1800s. Lastly, Lakshmi and Sarasvati grace us with their presence on canvas – two goddesses brought to life by unknown creators who harnessed the power to convey their divine essence.