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Black Ink Collection (page 5)

"Exploring the Timeless Beauty of Black Ink: From Ancient Goddesses to Captivating Artworks" Delve into the captivating world of black ink

Background imageBlack Ink Collection: The Grandmother; Une Grand Maman, (grey wash and pen and black ink on paper)

The Grandmother; Une Grand Maman, (grey wash and pen and black ink on paper)
652626 The Grandmother; Une Grand Maman, (grey wash and pen and black ink on paper) by Daumier, Honore (1808-79); 24.4x30.5 cm; Private Collection; (add.info.: The Grandmother; Une Grand Maman)

Background imageBlack Ink Collection: An Oval Portrait of a Woman in Profile with a Decorative Border of Grotesques and Swags

An Oval Portrait of a Woman in Profile with a Decorative Border of Grotesques and Swags
659220 An Oval Portrait of a Woman in Profile with a Decorative Border of Grotesques and Swags, with Flanking Allegorical Figures of Fame and Victory Holding a Coronet, (red and black chalk)

Background imageBlack Ink Collection: Head of a Young Women; Tete de Jeune Femme, 1914 (watercolour

Head of a Young Women; Tete de Jeune Femme, 1914 (watercolour
656603 Head of a Young Women; Tete de Jeune Femme, 1914 (watercolour, pen and brush and black ink on paper) by Modigliani

Background imageBlack Ink Collection: Portrait of a Bearded Man, Half Length, Seated at a Table, (pen and black and brown ink)

Portrait of a Bearded Man, Half Length, Seated at a Table, (pen and black and brown ink)
659205 Portrait of a Bearded Man, Half Length, Seated at a Table, (pen and black and brown ink) by Stimmer, Tobias (1539-84); 29.4x20.8 cm; Private Collection; (add.info.: Portrait of a Bearded Man)

Background imageBlack Ink Collection: A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour)

A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour)
657169 A Falls a Hawful Thing, (pen, black ink, watercolour and bodycolour) by Aldin, Cecil Charles Windsor (1870-1935); 44x28 cm; Private Collection; (add.info.: A Falls a Hawful Thing)

Background imageBlack Ink Collection: The Tomb of Humayun, c. 1820 (pen and black ink, w / c)

The Tomb of Humayun, c. 1820 (pen and black ink, w / c)
1196701 The Tomb of Humayun, c.1820 (pen and black ink, w/c) by Agra School, (19th century); 31.4x43.2 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageBlack Ink Collection: Portrait of the Poet Aleksandr Sergeevich Pushkin, c. 1830 (pencil, pen and black ink

Portrait of the Poet Aleksandr Sergeevich Pushkin, c. 1830 (pencil, pen and black ink
1195536 Portrait of the Poet Aleksandr Sergeevich Pushkin, c. 1830 (pencil, pen and black ink, w/c on paper) by Sokolov, Pyotr Fyodorovich (c.1787-1848)

Background imageBlack Ink Collection: Zoological Garden II; Zoologischer Garten II, 1912 (watercolour

Zoological Garden II; Zoologischer Garten II, 1912 (watercolour
824419 Zoological Garden II; Zoologischer Garten II, 1912 (watercolour, pen and black ink and pencil on paper) by Macke, August (1887-1914); 43.6x49.7 cm; Private Collection; (add.info)

Background imageBlack Ink Collection: A Great Tree on a Riverbank, 1892 (pencil, pen and black ink and w / c on paper)

A Great Tree on a Riverbank, 1892 (pencil, pen and black ink and w / c on paper)
1199521 A Great Tree on a Riverbank, 1892 (pencil, pen and black ink and w/c on paper) by Garden, William Fraser (1856-1921); 28.3x38.8 cm; Private Collection; Photo eChristies Images; English

Background imageBlack Ink Collection: Five Nude Soldiers Holding Poles, Two Wearing a Helmet, and Three Nude Women

Five Nude Soldiers Holding Poles, Two Wearing a Helmet, and Three Nude Women
990030 Five Nude Soldiers Holding Poles, Two Wearing a Helmet, and Three Nude Women, 1522 (brush and pen, grey and black ink) by Netherlandish School (16th century)

Background imageBlack Ink Collection: Buffalo Hunt, c. 1822-1824 (pen and black ink and watercolour on paper)

Buffalo Hunt, c. 1822-1824 (pen and black ink and watercolour on paper)
985353 Buffalo Hunt, c.1822-1824 (pen and black ink and watercolour on paper) by Rindisbacher, Peter (1806-34); 21.2x41.6 cm; Private Collection; (add.info.: Buffalo Hunt)

Background imageBlack Ink Collection: La Coiffure, 1924 (oil and black ink on canvas)

La Coiffure, 1924 (oil and black ink on canvas)
826538 La Coiffure, 1924 (oil and black ink on canvas) by Pascin, Jules (1885-1930); 80.6x64.8 cm; Private Collection; (add.info.: La Coiffure. Jules Pascin (1885-1930). Oil and black ink on canvas

Background imageBlack Ink Collection: The House That Jack Built, (pen and brush and black and brown ink and watercolour)

The House That Jack Built, (pen and brush and black and brown ink and watercolour)
827410 The House That Jack Built, (pen and brush and black and brown ink and watercolour) by Caldecott, Randolph (1846-86); 21.9x18.5 cm; Private Collection; (add.info.: The House That Jack Built)

Background imageBlack Ink Collection: A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour)

A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour)
827572 A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour) by Desprez, Louis Jean (1743-1804); 21.3x34.8 cm; Private Collection; (add.info)

Background imageBlack Ink Collection: A Map of the World, 1511 (woodcut, red and black ink)

A Map of the World, 1511 (woodcut, red and black ink)
985939 A Map of the World, 1511 (woodcut, red and black ink) by Italian School, (16th century); 42.5x28.5 cm; Private Collection; (add.info.: A Map of the World)

Background imageBlack Ink Collection: She was going to let down her hair (page 158), c. 1910 (pen, black ink and watercolour)

She was going to let down her hair (page 158), c. 1910 (pen, black ink and watercolour)
986135 She was going to let down her hair (page 158), c.1910 (pen, black ink and watercolour) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info)

Background imageBlack Ink Collection: The Shop and Warehouse of Duncan Phyfe, 168-172 Fulton Street, New York City, ca. 1816

The Shop and Warehouse of Duncan Phyfe, 168-172 Fulton Street, New York City, ca. 1816

Background imageBlack Ink Collection: Woman Playing Music, 1800s. Creator: Unknown

Woman Playing Music, 1800s. Creator: Unknown
Woman Playing Music, 1800s

Background imageBlack Ink Collection: Verona Sketchbook: Inscription (page 1), 1760. Creator: Francesco Lorenzi (Italian, 1723-1787)

Verona Sketchbook: Inscription (page 1), 1760. Creator: Francesco Lorenzi (Italian, 1723-1787)
Verona Sketchbook: Inscription (page 1), 1760

Background imageBlack Ink Collection: Yasoda Taking the Infant Krishna for a Walk, 1800s. Creator: Unknown

Yasoda Taking the Infant Krishna for a Walk, 1800s. Creator: Unknown
Yasoda Taking the Infant Krishna for a Walk, 1800s

Background imageBlack Ink Collection: Yasoda Holding Krishna and Radha, 1800s. Creator: Unknown

Yasoda Holding Krishna and Radha, 1800s. Creator: Unknown
Yasoda Holding Krishna and Radha, 1800s

Background imageBlack Ink Collection: Yasoda Churning Butter, 1800s. Creator: Unknown

Yasoda Churning Butter, 1800s. Creator: Unknown
Yasoda Churning Butter, 1800s

Background imageBlack Ink Collection: Yasoda and Krishna, 1800s. Creator: Unknown

Yasoda and Krishna, 1800s. Creator: Unknown
Yasoda and Krishna, 1800s

Background imageBlack Ink Collection: Vasudeva (Krishnas Father) Fleeing with the Infant Krishna Encounters a Cobra, 1800s

Vasudeva (Krishnas Father) Fleeing with the Infant Krishna Encounters a Cobra, 1800s

Background imageBlack Ink Collection: Trivikramapada (Three Steps of Vishnu), 1800s. Creator: Unknown

Trivikramapada (Three Steps of Vishnu), 1800s. Creator: Unknown
Trivikramapada (Three Steps of Vishnu), 1800s

Background imageBlack Ink Collection: Vasudeva (Krishnas Father) Fleeing with Krishna Encounters a Cobra and a Jackal, 1800s

Vasudeva (Krishnas Father) Fleeing with Krishna Encounters a Cobra and a Jackal, 1800s

Background imageBlack Ink Collection: Vaishnava Devotee with Two Women, 1800s. Creator: Unknown

Vaishnava Devotee with Two Women, 1800s. Creator: Unknown
Vaishnava Devotee with Two Women, 1800s. Here a devotee of Vishnu is wearing shoes and is depicted with some irony as being a fashionable devotee, or perhaps merely posing as orthodox

Background imageBlack Ink Collection: Vishnu and Lakshmi, 1800s. Creator: Unknown

Vishnu and Lakshmi, 1800s. Creator: Unknown
Vishnu and Lakshmi, 1800s. Vishnu in his four-armed form is depicted seated with his consort Lakshmi (Goddess of Wealth) while his vehicle, the eagle, kneels in front of him

Background imageBlack Ink Collection: The Goddess Ganga, 1800s. Creator: Unknown

The Goddess Ganga, 1800s. Creator: Unknown
The Goddess Ganga, 1800s

Background imageBlack Ink Collection: Pravira Kneeling at the Feet of Jana, 1800s. Creator: Unknown

Pravira Kneeling at the Feet of Jana, 1800s. Creator: Unknown
Pravira Kneeling at the Feet of Jana, 1800s

Background imageBlack Ink Collection: Shiva Bearing Aloft the Body of His Sati, 1800s. Creator: Unknown

Shiva Bearing Aloft the Body of His Sati, 1800s. Creator: Unknown
Shiva Bearing Aloft the Body of His Sati, 1800s. This unusual image portrays Shiva holding aloft the corpse of his wife Sati with his trident

Background imageBlack Ink Collection: Study for the Magician in Conte de Fee (Story of a Fairy), 1800s

Study for the Magician in Conte de Fee (Story of a Fairy), 1800s
Study for the Magician in " Conte de Fee" (Story of a Fairy), 1800s

Background imageBlack Ink Collection: Parvati Placing a Wedding Garland on Shiva, 1800s. Creator: Unknown

Parvati Placing a Wedding Garland on Shiva, 1800s. Creator: Unknown
Parvati Placing a Wedding Garland on Shiva, 1800s

Background imageBlack Ink Collection: Parivati Placing a Wedding Garland on Shiva, 1800s. Creator: Unknown

Parivati Placing a Wedding Garland on Shiva, 1800s. Creator: Unknown
Parivati Placing a Wedding Garland on Shiva, 1800s

Background imageBlack Ink Collection: Radha and Krishna, 1800s. Creator: Unknown

Radha and Krishna, 1800s. Creator: Unknown
Radha and Krishna, 1800s

Background imageBlack Ink Collection: Raja Riding a Horse, 1800s. Creator: Unknown

Raja Riding a Horse, 1800s. Creator: Unknown
Raja Riding a Horse, 1800s

Background imageBlack Ink Collection: Rama and Sita, 1800s. Creator: Unknown

Rama and Sita, 1800s. Creator: Unknown
Rama and Sita, 1800s

Background imageBlack Ink Collection: Ravana, 1800s. Creator: Unknown

Ravana, 1800s. Creator: Unknown
Ravana, 1800s

Background imageBlack Ink Collection: Rama and Sita Enthroned with Lakshmana and Hanuman Attending, 1800s. Creator: Unknown

Rama and Sita Enthroned with Lakshmana and Hanuman Attending, 1800s. Creator: Unknown
Rama and Sita Enthroned with Lakshmana and Hanuman Attending, 1800s. Rama is shown enthroned next to his wife, Sita. Ramas brother Lakshmana holds an umbrella above the couple while Hanuman

Background imageBlack Ink Collection: Sheetaladevi: The Smallpox Goddess, 1800s. Creator: Unknown

Sheetaladevi: The Smallpox Goddess, 1800s. Creator: Unknown
Sheetaladevi: The Smallpox Goddess, 1800s. Sheetala, the smallpox goddess, is simultaneously benevolent and dangerous: she can both protect and infect

Background imageBlack Ink Collection: Seven Heroes or Warriors Killing Abhimanya, Son of Arjuna, 1800s. Creator: Unknown

Seven Heroes or Warriors Killing Abhimanya, Son of Arjuna, 1800s. Creator: Unknown
Seven Heroes or Warriors Killing Abhimanya, Son of Arjuna, 1800s. Abhimanyu (son of Arjuna and Subhadra, nephew of Krishna)

Background imageBlack Ink Collection: Nitai and Gaur, 1800s. Creator: Unknown

Nitai and Gaur, 1800s. Creator: Unknown
Nitai and Gaur, 1800s. Pictured are Gaur (the Golden One) and Nitai (he who embodies eternal bliss), Gaurs disciple par excellence

Background imageBlack Ink Collection: Manasa, The Snake Goddess, 1800s. Creator: Unknown

Manasa, The Snake Goddess, 1800s. Creator: Unknown
Manasa, The Snake Goddess, 1800s

Background imageBlack Ink Collection: Matsya, Fish Avatara of Vishnu, 1800s. Creator: Unknown

Matsya, Fish Avatara of Vishnu, 1800s. Creator: Unknown
Matsya, Fish Avatara of Vishnu, 1800s

Background imageBlack Ink Collection: Hari-Hara, 1800s. Creator: Unknown

Hari-Hara, 1800s. Creator: Unknown
Hari-Hara, 1800s

Background imageBlack Ink Collection: Joseph Prudhomme Standing, 1868. Creator: Henry Bonaventure Monnier (French, 1805-1877)

Joseph Prudhomme Standing, 1868. Creator: Henry Bonaventure Monnier (French, 1805-1877)
Joseph Prudhomme Standing, 1868

Background imageBlack Ink Collection: Krishna Ferrying Radha Across the Yamuna River, 1800s. Creator: Unknown

Krishna Ferrying Radha Across the Yamuna River, 1800s. Creator: Unknown
Krishna Ferrying Radha Across the Yamuna River, 1800s. These two images are taken from popular dramas where Krishna, lover of the cowgirls (gopis)

Background imageBlack Ink Collection: Krishna as Kali Worshipped by Radha, 1800s. Creator: Unknown

Krishna as Kali Worshipped by Radha, 1800s. Creator: Unknown
Krishna as Kali Worshipped by Radha, 1800s



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"Exploring the Timeless Beauty of Black Ink: From Ancient Goddesses to Captivating Artworks" Delve into the captivating world of black ink, where its deep hues and intricate strokes have mesmerized artists and art enthusiasts for centuries. In the 1800s, an unknown creator skillfully depicted The Goddess Kali, exuding power and mystique through every stroke. Similarly, Gajalakshmi emerged as a symbol of prosperity with elephants adorning her presence in another enigmatic artwork from that era. Travel back further to the 17th century when Abraham Hondius captured the intensity of a Boar Hunt using black ink as his medium. The dynamic lines bring forth the adrenaline-filled chase on paper, showcasing both artistic talent and storytelling prowess. Meanwhile, Johann Baptist Enderle's Saint Ignatius Leaving Antioch transports us to a different time altogether with its masterful use to depict historical narratives. Beyond paintings, it has found its place in practicality. Chippendale Drawings Vol II showcases exquisite designs for Library Bookcases and Tables crafted with precision and elegance. These drawings serve as a testament to how even functional objects can be transformed into works of art through meticulous detailing. Intriguingly diverse forms emerge within this realm; NIPA UNITED presents contemporary calligraphy that merges tradition with modernity while Anuman peony line art captures delicate beauty through minimalistic yet striking lines. The versatility extends beyond pen alone - Marstrand Castle comes alive in charcoal sketches combined with pen strokes by an artist who effortlessly captures architectural grandeur. Furthermore, Kartikeya stands tall among other divine figures portrayed in rich blacks during the 1800s. Lastly, Lakshmi and Sarasvati grace us with their presence on canvas – two goddesses brought to life by unknown creators who harnessed the power to convey their divine essence.