1532 Collection (page 4)

GERMANY: TROOPS, 1532. German forces marching against the Turks in 1532. Contemporary German colored woodcut

PERU: ATAHUALPA & PIZZARO. The first meeting, in 1532, of Francisco Pizarro and Atahualpa, the last Inca king of Peru. Drawing from El primer nueva cronica y buen gobierno

Girolamo Muziano, Italian (1528 or 1532-1592), A Standing Man in Classical Drapery, 1544-1549, brown wash with white heightening over black chalk on green-blue paper laid on brown washed paper

Francesco Petrarch (author) and Hans Weiditz, II (artist), German (1500 or before-c. 1536), Von der Artzney bayder GlaOEck (De Remediis Utriusque Fortuna) (On the Remedies of Good and Evil Fortune)

Ugo da Carpi after Raphael (Italian, c. 1480 - 1532), David Slaying Goliath, chiaroscuro woodcut (3 blocks)

Master of the Die after Follower of Raphael (Italian, active c. 1532), Saint Roch, engraving

Francesco Denanto (Italian, active c. 1532), The Last Supper, woodcut

Ugo da Carpi after Parmigianino (Italian, c. 1480 - 1532), Diogenes, c. 1527, chiaroscuro woodcut printed from 4 blocks: brown line block and 3 tone blocks in brown and green on laid paper

Ludwig Krug (German, c. 1488 - 1532), The Adoration of the Magi, engraving

Pierre Woeiriot (French, 1532 - 1599), Heraclius Sentencing the Tyrant Phocas, engraving

Pierre Woeiriot (French, 1532 - 1599), Noahs Ark, engraving

Maarten de Vos (Flemish, 1532 - 1603), A Roman Triumph, pen and brown ink with brown and gray wash

Maarten de Vos (Flemish, 1532 - 1603), Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561, pen and brown ink with gray wash over traces of graphite

Workshop of Valentijn van Orley (Netherlandish, 1466 - 1532), The Four Latin Fathers of the Church, 1510-1515, pen and brown ink over black chalk on vellum

Andrea Briosco, called Riccio, The Entombment, Italian, 1470 - 1532, bronze

Jan Gossaert (Netherlandish, c. 1478 - 1532), Two Kings and a Woman Leaving an Elaborate Palace, 1503-1508, pen and black ink on laid paper

Bernardino Luini, Portrait of a Lady, Italian, c. 1480 - 1532, 1520-1525, oil on panel

Raphael and his beloved, Carpi, Ugo da, 1480 approximately 1532, Date Created between 1500 and 1530, chiaroscuro woodcut, color, 3 x 8 cm, showing Raphael standing before Margherita Luti, seated

The cardinal and the doctor, between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532

The Virgin, St. Sebastian and a holy bishop, Carpi, Ugo da, 1480 approximately 1532, Date Created between 1500 and 1535, chiaroscuro woodcut, color, 8 cm x 2 cm

St. Peter preaching the gospel, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

The resurrection, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Apollo and Marsyas, between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532

Pan, between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532

Saints Peter and John, between 1500 and 1610, Carpi, Ugo da, 1480-approximately 1532

Faith, between 1500 and 1610, Carpi, Ugo da, 1480-approximately 1532

Prudence, between 1500 and 1610, Carpi, Ugo da, 1480-approximately 1532

Fortitude, between 1500 and 1610, Carpi, Ugo da, 1480-approximately 1532

Christ at the table of Simon the Pharisee, Carpi, Ugo da, 1480-approximately 1532

The miraculous draught of fishes, between 1500 and 1530, printed 1609, Carpi, Ugo da, 1480-approximately 1532

Jason returning with the golden fleece / a [monogram of Andrea Andreani, approximately 1560-1623] in Mantoua 160, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

Ceiling with three angels, between ca. 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

The death of Ananias, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Venus and cupids, between 1515 and 1535, Carpi, Ugo da, 1480-approximately 1532

Diogenes with the featherless cock, between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532

Sibyl reading a book, Carpi, Ugo da, 1480 approximately 1532, Date Created between 1500 and 1530, chiaroscuro woodcut, color, 9 x 5 cm, the Cumaean Sibyl, full-length, seated, facing right

Surprise, between 1500 and 1530, printed later, Carpi, Ugo da, 1480-approximately 1532

Circe, dating from between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Nymphs bathing / a [monogram of Andrea Andreani], between 1500 and 1530, printed 1605. Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

Louise of Savoy, Louise van Savoye, 1467-1531, 1532, Duchess of Angouleme, hertogin van Angouleme, mother of Francis I, Frans I, Anonymous, 1700 - 1799

Judgment of Paris, circle of Master of the Female Half Figures, 1532

Portrait of a Scholar or Cleric; Hans Holbein the Younger, German, 1497/1498 - 1543; 1532 - 1535; Black and red chalk, pen and brush and black ink

A Turkish Procession; Erhard Schon, German, about 1491 - 1542; Germany, Europe; 1532; Pen and brown ink; 23.7 x 37 cm (9 5/16 x 14 9/16 in.)

An Allegory of Passion; Hans Holbein the Younger, German, 1497/1498 - 1543; about 1532 - 1536; Oil on panel; Unframed: 45.4 x 45.4 cm (17 7/8 x 17 7/8 in.)

Portrait of Francisco de los Cobos y Molina; Jan Gossaert (called Mabuse), Netherlandish, about 1478 - 1532; about 1530 - 1532; Oil on panel; Unframed: 43.8 x 33.7 cm (17 1/4 x 13 1/4 in.)

Bernardino Luini, Cephalus and the Nymphs, Italian, c. 1480-1532, c. 1520-1522, fresco

Bernardino Luini, Procris and the Unicorn, Italian, c. 1480-1532, c. 1520-1522, fresco

Bernardino Luini, The Misfortunes of Cephalus, Italian, c. 1480-1532, c. 1520-1522, fresco

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In the year 1532, amidst a backdrop of political intrigue and cultural milestones, Thomas Cromwell, Earl of Essex, stood as a prominent figure. Painted by Holbein himself, Cromwell's portrait captured his commanding presence and influence in the court of King Henry VIII. Known for his intelligence and shrewdness, he played a pivotal role in shaping England's history. During this time, literary works like Rabelais' "Pantagruel" and satires by Juvenal were gaining popularity among intellectuals. St. Machars Cathedral stood tall as a testament to architectural brilliance while "Songes De Pantagruel" enchanted readers with its whimsical tales. Across the Atlantic Ocean in Peru, Francisco Pizarro met Inca Atahualpa in an encounter that would forever change the course of South American history. This meeting marked the clash between two civilizations and set off a chain reaction that shaped future conquests. Meanwhile, King Henry VIII gifted Anne Boleyn with an exquisite clock—a symbol of their passionate yet tumultuous relationship. The love story intertwined with politics would eventually lead to significant shifts within English society. Dorothy Wadham emerged as another notable figure during this era—an influential philanthropist who left behind a lasting legacy through her charitable endeavors. Amy Robsart Dudley also made her mark as Robert Earl's wife before her untimely death in 1560. Hans Holbein the Younger showcased his artistic prowess through masterful portraits such as "Portrait of the Mer, " capturing not only physical likeness but also inner essence on canvas. Artistic expression extended beyond paintings; polychrome sculpture like the "Sacrifice of Isaac" depicted biblical narratives with vivid colors and intricate details that evoked deep emotions from viewers. Within this rich tapestry of events was St. John of Patmos' depiction from Francois I's Book of Hours—a testament to the enduring power of religious devotion and artistic craftsmanship.