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Ugo da Carpi after Raphael (Italian, c. 1480 - 1532), David Slaying Goliath, chiaroscuro

Ugo da Carpi after Raphael (Italian, c. 1480 - 1532), David Slaying Goliath, chiaroscuro


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Liszt Collection

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Ugo da Carpi after Raphael (Italian, c. 1480 - 1532), David Slaying Goliath, chiaroscuro

Ugo da Carpi after Raphael (Italian, c. 1480 - 1532), David Slaying Goliath, chiaroscuro woodcut (3 blocks)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12917361

© Quint Lox Limited

1480 1532 Blocks Carpi Chiaroscuro David Goliath Raphael Slaying Ugo Da Carpi


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Raphael

> Arts > Artists > Raphael

> Europe > Italy > Emilia-Romagna > Carpi

> Historic > Renaissance art > Famous works of Raphael > Famous works by Raphael

> Historic > Renaissance art > Famous works of Raphael > Raphael paintings


EDITORS COMMENTS
In this photo print, Quint Lox beautifully captures the essence of Ugo da Carpi's chiaroscuro woodcut after Raphael's iconic masterpiece, "David Slaying Goliath". The image depicts the dramatic biblical scene with exquisite detail and a striking play of light and shadow. Ugo da Carpi, an Italian artist from the late 15th to early 16th century, skillfully translates Raphael's original painting into a woodcut medium. Through his masterful use of chiaroscuro technique - contrasting areas of light and dark - he brings depth and intensity to the composition. The central focus is on David, a young shepherd armed with a slingshot, fearlessly confronting the towering figure of Goliath. The tension in their encounter is palpable as David prepares to strike down his formidable opponent. Every muscle in his body tenses with determination while Goliath looms menacingly over him. Lox's expert photography highlights the intricate details carved into each block of Ugo da Carpi's woodcut. From the delicate folds in David's robe to the veins pulsating on Goliath's forehead, every element comes alive under Lox’s lens. This print serves as a testament to both historical artistry and contemporary visual storytelling. It invites viewers to appreciate not only Ugo da Carpi’s craftsmanship but also Quint Lox’s ability to capture its essence through photography.

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