1532 Collection (page 3)

Robert Dudley Leicester
ROBERT DUDLEY, earl of LEICESTER Statesman and courtier favoured by queen Elizabeth I: he died of malaria, much to her regret. Date: 1532? - 1588

JOHN ISLIP Churchman : abbot of Westminster Date: ? - 1532

Saint Lucy Tempera gold wood 12 3 / 8 x 7 3 / 4 31. 4 19. 7 cm
Artokoloro

Drawings Prints, Print, Initial letter garlands, Artist, Oronce Fine, French, Briancon
Drawings and Prints, Print, Initial letter A with garlands, Artist, Oronce Fine, French, Briancon 1494-1555 Paris, Fine, Oronce, 1494, 1555, mid-16th century, 1532, 1554

Drawings Prints, Print, Arithmetica, Seven Liberal Arts, Artist, Maerten de Vos, Johann Sadeler I
Drawings and Prints, Print, Arithmetica, from The Seven Liberal Arts, Artist, After, Maerten de Vos, Johann Sadeler I, Netherlandish, Antwerp 1532-1603 Antwerp, Netherlandish

Drawings Prints, Print, Initial, letter, H, dolphin, crown, mid-16th century, 1532
Drawings and Prints, Print, Initial letter H with dolphin and crown, mid-16th century, 1532, 1554, Woodcut, Sheet: 2 3/8 × 2 3/8 in. (6 cm)

Vertical Panel Tendrils Supported Seated Child
Artokoloro

Erasmus Rotterdam ca 1532 Oil linden panel 7 1 / 4 x 5 9 / 16
Artokoloro

panel ornament woman holding vase centre 1532
Artokoloro

Joseph Explaining Dreams Jacob Story Joseph 1532
Artokoloro

Bathsheba Bath 1532 Engraving second state three
Artokoloro

Drawings Prints, Print, Initial, letter, F, lion, crown, mid-16th century, 1532, 1554
Drawings and Prints, Print, Initial letter F with lion (?) and crown, mid-16th century, 1532, 1554, Woodcut, Sheet: 2 3/8 × 2 3/8 in. (6 cm)

coronation Virgin Christ holding crown head God
Artokoloro

Drawings Prints, Print, Initial, letter, Q, coat, arms, mid-16th century, 1532, 1554
Drawings and Prints, Print, Initial letter Q with coat of arms, mid-16th century, 1532, 1554, Woodcut, Sheet: 2 3/8 × 2 3/8 in. (6.1 × 6.1 cm)

panel ornament putto centre holding windmill
Artokoloro

conversion Centurion flings arms open Christ
Artokoloro

Rhea Silvia 1532 Engraving Sheet 5 13 / 16 3 15 / 16
Artokoloro

Hector Fighting Greeks 1532 Engraving Sheet 2 3 / 16
Artokoloro

Man Protected Shield Faith 1559 Pen brown ink
Artokoloro

Venus removing thorn foot 1532 Engraving sheet
Artokoloro

Frieze Tendrils Growing Plant Right Satyr Holding
Artokoloro

Horizontal Panel Tendrils Growing Outwards Vase
Artokoloro

Apollo holding pipes right hand accompanied Pegasus
Artokoloro

Horizontal Panel Tendrils Rising Center 1532
Artokoloro

Drawings Prints, Print, David Goliath, Artist, Ugo da Carpi, Raphael, Raffaello Sanzio Santi
Drawings and Prints, Print, David and Goliath, Artist, After, Ugo da Carpi, Raphael (Raffaello Sanzio or Santi), Italian, Carpi ca

Potiphar Wife Accusing Joseph Story Joseph 1532
Artokoloro

Five men fighting beasts, lower left, fallen boar, Master, Die, Italian, active Rome, ca
Five men fighting beasts, at lower left is a fallen boar, Master of the Die (Italian, active Rome, ca. 1530-60), After Giulio Romano (Italian, Rome 1499?-1546 Mantua), 1532

Drawings Prints, Print, Geometria, Seven Liberal Arts, Artist, Maerten de Vos, Johann Sadeler I
Drawings and Prints, Print, Geometria, from The Seven Liberal Arts, Artist, After, Maerten de Vos, Johann Sadeler I, Netherlandish, Antwerp 1532-1603 Antwerp, Netherlandish

Drawings Prints, Print, Labor, Artist, Maerten de Vos, Raphael Sadeler I, Netherlandish
Drawings and Prints, Print, Labor, Artist, After, Maerten de Vos, Raphael Sadeler I, Netherlandish, Antwerp 1532-1603 Antwerp, Netherlandish, Antwerp 1560-1628 Venice ()

Drawings Prints, Print, Five, men, fighting, beasts, lower, left, fallen, boar, Artist
Drawings and Prints, Print, Five men fighting beasts, at lower left is a fallen boar, Artist, After, Master of the Die, Giulio Romano, Italian, active Rome, ca

Joseph Potiphar Wife Story 1532 Engraving second state
Artokoloro

Hermann von Wedigh III died 1560 1532 Oil gold
Artokoloro

GERMANY: TROOPS, 1532. German forces marching against the Turks in 1532. Contemporary German colored woodcut

PERU: ATAHUALPA & PIZZARO. The first meeting, in 1532, of Francisco Pizarro and Atahualpa, the last Inca king of Peru. Drawing from El primer nueva cronica y buen gobierno

Girolamo Muziano, Italian (1528 or 1532-1592), A Standing Man in Classical Drapery, 1544-1549, brown wash with white heightening over black chalk on green-blue paper laid on brown washed paper

Francesco Petrarch (author) and Hans Weiditz, II (artist), German (1500 or before-c. 1536), Von der Artzney bayder GlaOEck (De Remediis Utriusque Fortuna) (On the Remedies of Good and Evil Fortune)

Ugo da Carpi after Raphael (Italian, c. 1480 - 1532), David Slaying Goliath, chiaroscuro woodcut (3 blocks)

Master of the Die after Follower of Raphael (Italian, active c. 1532), Saint Roch, engraving

Francesco Denanto (Italian, active c. 1532), The Last Supper, woodcut

Ugo da Carpi after Parmigianino (Italian, c. 1480 - 1532), Diogenes, c. 1527, chiaroscuro woodcut printed from 4 blocks: brown line block and 3 tone blocks in brown and green on laid paper

Ludwig Krug (German, c. 1488 - 1532), The Adoration of the Magi, engraving

Pierre Woeiriot (French, 1532 - 1599), Heraclius Sentencing the Tyrant Phocas, engraving

Pierre Woeiriot (French, 1532 - 1599), Noahs Ark, engraving

Maarten de Vos (Flemish, 1532 - 1603), A Roman Triumph, pen and brown ink with brown and gray wash

Maarten de Vos (Flemish, 1532 - 1603), Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, c. 1561, pen and brown ink with gray wash over traces of graphite

Workshop of Valentijn van Orley (Netherlandish, 1466 - 1532), The Four Latin Fathers of the Church, 1510-1515, pen and brown ink over black chalk on vellum

Andrea Briosco, called Riccio, The Entombment, Italian, 1470 - 1532, bronze

Jan Gossaert (Netherlandish, c. 1478 - 1532), Two Kings and a Woman Leaving an Elaborate Palace, 1503-1508, pen and black ink on laid paper

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In the year 1532, amidst a backdrop of political intrigue and cultural milestones, Thomas Cromwell, Earl of Essex, stood as a prominent figure. Painted by Holbein himself, Cromwell's portrait captured his commanding presence and influence in the court of King Henry VIII. Known for his intelligence and shrewdness, he played a pivotal role in shaping England's history. During this time, literary works like Rabelais' "Pantagruel" and satires by Juvenal were gaining popularity among intellectuals. St. Machars Cathedral stood tall as a testament to architectural brilliance while "Songes De Pantagruel" enchanted readers with its whimsical tales. Across the Atlantic Ocean in Peru, Francisco Pizarro met Inca Atahualpa in an encounter that would forever change the course of South American history. This meeting marked the clash between two civilizations and set off a chain reaction that shaped future conquests. Meanwhile, King Henry VIII gifted Anne Boleyn with an exquisite clock—a symbol of their passionate yet tumultuous relationship. The love story intertwined with politics would eventually lead to significant shifts within English society. Dorothy Wadham emerged as another notable figure during this era—an influential philanthropist who left behind a lasting legacy through her charitable endeavors. Amy Robsart Dudley also made her mark as Robert Earl's wife before her untimely death in 1560. Hans Holbein the Younger showcased his artistic prowess through masterful portraits such as "Portrait of the Mer, " capturing not only physical likeness but also inner essence on canvas. Artistic expression extended beyond paintings; polychrome sculpture like the "Sacrifice of Isaac" depicted biblical narratives with vivid colors and intricate details that evoked deep emotions from viewers. Within this rich tapestry of events was St. John of Patmos' depiction from Francois I's Book of Hours—a testament to the enduring power of religious devotion and artistic craftsmanship.