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Framed Print : Un-named schoolboy sits through the rehearsals of the play

Un-named schoolboy sits through the rehearsals of the play



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Un-named schoolboy sits through the rehearsals of the play

Un-named schoolboy sits through the rehearsals of the play Cry the Beloved Country which is being presented in the church of St Martin-in-the-Fields, London. The play deals with the need for colour reform in South Africa. 5th February 1954

Bela Zola
Daily Mirror
Mirrorpix
London
Greater London
England
E819

Media ID 21802197

© Mirrorpix

1954 City Of London Concentration Fifties One Boy Only School Uniform Serious Pews


30"x26" (78x68cm) Modern Frame

Step into the world of timeless storytelling with Media Storehouse's Framed Prints featuring Bela Zola's captivating image, "Un-named schoolboy sits through the rehearsals of the play." Witness the intensity and focus of a young boy as he absorbs the powerful words of Cry the Beloved Country, being brought to life in the hallowed halls of St Martin-in-the-Fields, London. This beautifully crafted framed print, from our Memory Lane Prints collection, is a stunning addition to any home or office space, evoking the essence of classic literature and the magic of live performance. Let this inspiring image transport you to another time and place, and ignite your imagination.

Wood effect frame, card mounted, 24x20 archival quality photo print. Overall outside dimensions 30x26 inches (76x68cm). Environmentally and ozone friendly, 43mm wide x 32mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 58.9cm x 59.9cm (23.2" x 23.6")

Estimated Product Size is 68.2cm x 78.2cm (26.9" x 30.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > South Africa > Related Images

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Art > Venues > St Martins Theatre

> Europe > United Kingdom > England > London > Boroughs > City of London

> Memory Lane Prints > Mirror > 1100to1199 > 01113


EDITORS COMMENTS
In this photo print, an un-named schoolboy is captured sitting attentively through the rehearsals of the play "Cry the Beloved Country" at St Martin-in-the-Fields church in London. The year is 1954, a time when South Africa was grappling with the urgent need for racial equality. Dressed in his school uniform, this young boy symbolizes innocence amidst a world filled with injustice. The image portrays a sense of concentration as he sits quietly on one of the pews, completely absorbed in the powerful message unfolding before him. His serious expression reflects his understanding of the gravity of the situation and perhaps even hints at his own personal connection to these issues. As we delve into this snapshot from history, it becomes clear that entertainment can be more than just amusement; it can serve as a catalyst for change. This theatrical production serves as both an educational tool and a call to action for those who witness it. Bela Zola's skillful composition captures not only the physical presence of this lone schoolboy but also evokes emotions that transcend time. It reminds us that even within our childhood years, we have the capacity to comprehend complex social issues and become agents of transformation. This poignant photograph transports us back to an era where children were witnesses to historical events and encourages us to reflect on how their experiences shape our collective future.

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