Framed Print : Male costume at the time of the Commonwealth
Framed Photos from Mary Evans Picture Library
Male costume at the time of the Commonwealth
Male costume at the time of the Commonwealth 1659-1660, from a print of the time.. Handcolored engraving from Civil Costume of England from the Conquest to the Present Period drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854)
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14216032
© Florilegius / Mary Evans
Boots Breeches Commonwealth Conquest Etched Lace Leopold Martin Present Slashed Sleeves Stockings
14"x12" (38x32cm) Modern Frame
Introducing the captivating addition to our Media Storehouse Framed Prints collection: "Male Costume at the Time of the Commonwealth." This exquisite handcolored engraving, sourced from the renowned Mary Evans Prints Online, offers a fascinating glimpse into English history. Dating back to 1659-1660, this meticulously detailed print depicts the distinctive male attire of the Commonwealth period. The intricate design and vibrant colors bring the history to life, making it a stunning conversation starter and a beautiful addition to any home or office. Our Framed Prints are not just a pretty picture; they are a piece of history, carefully preserved and presented in a high-quality frame. The rich, museum-quality paper and the elegant frame elevate the print, ensuring it remains a cherished piece for generations. Bring a touch of history into your space with the "Male Costume at the Time of the Commonwealth" Framed Print. Order yours today and embark on a journey through time.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 18cm x 24.4cm (7.1" x 9.6")
Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This handcolored engraving, titled "Civil Costume of England from the Conquest to the Present Period," depicts a male figure in the fashion of the Commonwealth period in England, specifically around 1659-1660. The intricately detailed print, drawn by Charles Martin and etched by Leopold Martin, offers a glimpse into the sartorial trends of the time. The male figure is dressed in a high-collared jacket, adorned with lace and slashed to reveal the lining. The jacket is worn over a white, long-sleeved shirt, and is paired with breeches that are held up by a belt. The breeches are covered by stockings, which are in turn covered by boots. The collar of the jacket is a notable feature of the Commonwealth style, which saw the abandonment of the extravagant ruffs and lace collars that were popular during the Elizabethan and Jacobean eras. Instead, the collar is simple and high, often worn with a plain white shirt. The jacket itself is also relatively simple, with no extraneous decoration, reflecting the more austere fashion sensibilities of the Commonwealth period. The print was created using a combination of tapestries, monumental effigies, illuminated manuscripts, and portraits as sources, providing an accurate and authentic representation of the male costume of the time. The Martin brothers, who were the sons of the romantic artist and mezzotint engraver John Martin, were known for their meticulous attention to detail and their ability to capture the essence of historical fashion. This print is a valuable historical document, offering a window into the past and shedding light on the fashion trends of the Commonwealth period in England.
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