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Framed Print : Voyons...Ai-je l'air assez homme comme ça?, 1856. Creator: Honore Daumier
Framed Photos From Heritage Images
Voyons...Ai-je l'air assez homme comme ça?, 1856. Creator: Honore Daumier
Voyons...Ai-je l'air assez homme comme ca?, 1856. Woman cross-dressing in order to be able to enter the stock exchange. Let's see...Do I look manly enough like this? From Les Boursicotieres
Heritage Images features heritage image collections
Media ID 36352050
© Heritage Art/Heritage Images
Bonnet Crinoline Cross Dressing Daumier Honore Daumier Honore Victorin Family Life Funny Gender H Daumier Honore Daumier Honore Victorin Daumier Hoop Skirt Hooped Hoopskirt Lithographic Mustache Petticoat Stock Market Transvestite Trousers Lithotint Parody Satirical
14"x12" (38x32cm) Modern Frame
Introducing the captivating Framed Print from Media Storehouse, featuring the iconic work 'Voyons...Ai-je l'air assez homme comme ça?' by Honore Daumier. This masterpiece, hailing from Heritage Images, showcases a woman in the act of cross-dressing, pondering her appearance in order to gain entry into the stock exchange. Honore Daumier's satirical commentary on societal norms and gender roles in the 19th century is brought to life in this beautiful, high-quality Framed Print. Add a touch of history, art, and intrigue to your space with this thought-provoking addition to your collection.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 18.8cm (9.6" x 7.4")
Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Voyons...Ai-je l'air assez homme comme ça?
EDITORS COMMENTS
, or "Let's see...Do I look manly enough like this?" is a thought-provoking and humorous lithograph by the renowned French artist Honore Daumier, created in 1856. This image is a part of Daumier's series "Les Boursicotieres" (The Stock Exchange Women), showcasing a woman in the act of cross-dressing in order to gain entry into the male-dominated world of finance. Daumier masterfully captures the woman's determination and anxiety as she adjusts her hat, facial hair, and crinoline petticoat to blend in with the men in the stock exchange. Her furrowed brow and intense gaze convey her focus and resolve, while her hoop skirt and hoopskirt peeking out from under her trousers add a touch of irony and humor to the scene. The black and white lithograph, with its intricate details and bold lines, is a testament to Daumier's exceptional artistic skill and his ability to capture the nuances of human emotion and social commentary. The image invites viewers to reflect on the societal norms and expectations of gender roles during the 19th century, as well as the barriers women faced in pursuing careers and opportunities outside of traditional domestic roles. This powerful and thought-provoking work of art is a must-see for anyone interested in the history of apparel, art, and the social commentary of the 19th century. It is currently housed in the Los Angeles County Museum of Art (LACMA), where it continues to inspire and captivate audiences. Honore Daumier (1808-1879) was a prolific French artist, caricaturist, and printmaker, known for his satirical and humorous works that often criticized the social and political issues of his time. His work continues to be celebrated for its wit, insight, and enduring relevance.
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