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Framed Print : Portrait of Helen Carr, Sammy Herman, Joe Bianco, and Donn Trenner, Nola's, N.Y. ca. Feb. 1947. Creator: William Paul Gottlieb

Portrait of Helen Carr, Sammy Herman, Joe Bianco, and Donn Trenner, Nola's, N.Y. ca. Feb. 1947. Creator: William Paul Gottlieb



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Portrait of Helen Carr, Sammy Herman, Joe Bianco, and Donn Trenner, Nola's, N.Y. ca. Feb. 1947. Creator: William Paul Gottlieb

Portrait of Helen Carr, Sammy Herman, Joe Bianco, and Donn Trenner, Nola's, New York, N.Y. ca. Feb. 1947

Heritage Images features heritage image collections

Media ID 36276437

© Heritage Art/Heritage Images

Bass Player Bill Gottlieb Double Bass Double Bass Player Double Bassist Four People Golden Age Of Jazz Gottlieb William P Gottlieb William Paul Guitar Guitar Player Guitarist Jazz Age Jazz Singer Jazz Vocalist Nolas Pianist Piano Piano Player Rehearsal Rehearsal Studio Rehearsing Stringed Instrument William P Gottlieb William Paul Gottlieb Film Negative Group Portrait Vocalist


14"x12" (38x32cm) Modern Frame

Step back in time with our exquisite Framed Print of Portrait of Helen Carr, Sammy Herman, Joe Bianco, and Donn Trenner, captured by the renowned photographer William Paul Gottlieb at Nola's nightclub in New York City during February 1947. This iconic image showcases the lively and vibrant atmosphere of the jazz era, featuring four talented musicians deep in conversation and enjoyment. Add a touch of history and sophistication to your space with this stunning, museum-quality print, expertly framed and ready to hang.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 18.2cm (9.6" x 7.2")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > B > Black Bass

> Animals > Mammals > Cricetidae > Golden Mouse

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > W > William White

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Film

> Arts > Music

> Arts > Street art graffiti > Portraits > Portrait photography

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
This photograph, titled 'Portrait of Helen Carr, Sammy Herman, Joe Bianco, and Donn Trenner at Nola's, New York, N.Y. ca. Feb. 1947,' is a stunning snapshot of four talented musicians in their element. Taken by renowned photographer William Paul Gottlieb during the golden age of jazz, the image transports us back to the forties, a time of cultural richness and creativity in America. The quartet consists of Helen Carr, a captivating jazz vocalist, Sammy Herman on guitar, Joe Bianco on double bass, and Donn Trenner at the piano. Their intense focus and palpable chemistry suggest that they are in the midst of a rehearsal, preparing for an upcoming performance. The setting, Nola's, a well-known jazz club in New York City, adds to the authenticity of the scene. Each musician is engrossed in their respective instruments - Carr's expressive face conveys the emotion of her singing, Herman's fingers dance gracefully over the strings of his guitar, Bianco's steady gaze never leaves his double bass, and Trenner's hands poise above the piano keys, ready to bring the music to life. The photograph is a testament to the dedication and passion these musicians had for their craft during this pivotal era in jazz history. The image, captured on film negative, showcases the raw, unfiltered beauty of the moment, with the grayscale tones adding depth and texture to the scene. The photograph is a valuable addition to any collection of jazz history and serves as a reminder of the enduring influence of the genre on American culture.

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