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Framed Print : Money, plate five from Intimacies, 1898. Creator: Félix Vallotton

Money, plate five from Intimacies, 1898. Creator: Félix Vallotton



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Money, plate five from Intimacies, 1898. Creator: Félix Vallotton

Money, plate five from Intimacies, 1898

Heritage Images features heritage image collections

Media ID 36192820

© Heritage Art/Heritage Images

Art Movement Felix Edouard Vallotton Felix Vallotton Graphics Intimacy Intimate Journal La Revue Blanche Les Nabis Literary Nabis Post Impressionism Romance Romancing Swiss Switzerland Tense Tension Vallotton Felix Woodcut In Black On Cream Wove Paper Wove Paper Artistic Movement Parody Satirical


14"x12" (38x32cm) Modern Frame

Experience the captivating allure of Félix Vallotton's timeless art with our Framed Prints featuring "Money, plate five from Intimacies" (1898). This iconic piece from Heritage Images showcases Vallotton's mastery of line and form as he explores the intricacies of human emotion and intimacy. The intricate details of the money notes and the expressive figures are brought to life in our high-quality prints, framed in a sleek and elegant design. Add this stunning artwork to your home or office to ignite conversation and inspire creativity. Embrace the rich history and beauty of this Félix Vallotton masterpiece with our Framed Prints.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 18.7cm (9.6" x 7.4")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Impressionism

> Arts > Art Movements > Post-Impressionism

> Arts > Artists > V > Felix Edouard Vallotton

> Arts > Artists > V > Felix Vallotton

> Arts > Literature > Magazines

> Arts > Modern art pieces > Impressionism > Post-impressionism

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Le Mans

> Europe > Switzerland > Posters

> Europe > Switzerland > Related Images


EDITORS COMMENTS
Félix Vallotton's 'Money,' plate five from the series 'Intimacies,' created in 1898, is a captivating black and white drawing that invites viewers to delve into the complexities of human emotions and relationships. This antique artwork is a testament to the artistic movement known as Les Nabis, which emerged from Post-Impressionism and was characterized by its use of symbolism and flattened forms. The scene depicts an intimate moment between a man and a woman, with the couple seated at a table indoors. The woman, with her back turned to the viewer, tenderly touches the man's hand, while he reaches out to place a coin into a bowl between them. The tension in the room is palpable, as the couple's gazes lock, and their expressions suggest a deeper emotional connection. The use of stark contrasts and bold lines creates a sense of drama and intensity, while the lack of color adds to the drawing's timeless quality. Vallotton's masterful use of shading and texture adds depth and dimension to the figures, making them feel real and relatable. This artwork was originally published in the French literary magazine La Revue Blanche, and is now a cherished part of the collection at the Art Institute of Chicago. It is a poignant reminder of the enduring power of art to capture and explore the nuances of human emotion and experience.

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