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Framed Print : Model of the skull of Piltdown Man (Eanothropus dawsoni), 1914. Artist: Dr Smith Woodward

Model of the skull of Piltdown Man (Eanothropus dawsoni), 1914. Artist: Dr Smith Woodward



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Model of the skull of Piltdown Man (Eanothropus dawsoni), 1914. Artist: Dr Smith Woodward

Model of the skull of Piltdown Man (Eanothropus dawsoni), 1914. Model as reconstructed by Dr Smith Woodward. Dark areas are from the original fossil, the light are the restored areas. Most of the lower jaw is restored on the far side. This supposed fossil was discovered near Lewes, Sussex, in 1912 by Charles Dawson, a local solicitor and amateur archaeologist. Postulated to be a missing link in human evolution, in 1954 it was proved to be a hoax, a human cranium skilfully connected to the jaw of an orang-utan. From Scientific American, 7 November 1914

Heritage Images features heritage image collections

Media ID 14846234

© Ann Ronan Picture Library / Heritage-Images

Anatomy Biology Bone Charles Darwin Charles Robert Cranium Darwin Evolution Fossil Hoax Human Jawbone Orang Outang Orang Utan Orangutan Paleontology Skull Woodward Ann Ronan Pictures


14"x12" (38x32cm) Modern Frame

Discover the intrigue of human evolution with our stunning Framed Print of the Piltdown Man Skull by Dr. Smith Woodward. This rare and historical artpiece, sourced from Heritage Images, showcases a meticulously reconstructed model of the Piltdown Man's skull (Eanothropus dawsoni), as originally presented in 1914. With the original fossil's dark areas contrasting against the artist's restorations in light, this Framed Print offers a captivating glimpse into the past. Bring a piece of scientific history into your home or office.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 20.4cm (9.6" x 8")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Orangutan

> Animals > Wild > Apes > Orangutan

> Arts > Artists > Related Images

> Arts > Artists > S > Charles Smith

> Arts > Artists > S > Robert Smith

> Arts > Artists > W > Charles White

> Arts > Artists > W > Robert White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > Sussex > Lewes


EDITORS COMMENTS
This print showcases the model of the skull of Piltdown Man, also known as Eoanthropus dawsoni, created by Dr Smith Woodward in 1914. The artist meticulously reconstructed this model, with dark areas representing the original fossil and light areas indicating restored sections. Notably, most of the lower jaw on one side has been recreated. Discovered near Lewes, Sussex in 1912 by Charles Dawson, an amateur archaeologist and local solicitor, this supposed fossil was initially believed to be a crucial missing link in human evolution. However, it was later exposed as an elaborate hoax in 1954 when it was revealed that a human cranium had been skillfully combined with an orangutan's jawbone. The photograph captures not only the intricate details of this fraudulent creation but also serves as a reminder of how scientific discoveries can sometimes be clouded by deception. It symbolizes both the excitement surrounding new findings and the importance of critical analysis within scientific research. Intriguingly framed against a monochrome backdrop, this image evokes curiosity about our understanding of evolution and raises questions about authenticity in archaeological studies. It stands as a testament to humanity's continuous quest for knowledge while reminding us to approach scientific claims with skepticism until thoroughly scrutinized. Overall, this print offers viewers a glimpse into a significant moment in history where science unraveled an elaborate ruse disguised within bone fragments—a stark reminder that even our most trusted beliefs can sometimes be built upon falsehoods.

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