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Framed Print : La Francoise a Londres: The French Lady in London or The Head-dress of the Year 1771
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La Francoise a Londres: The French Lady in London or The Head-dress of the Year 1771
La Francoise a Londres: The French Lady in London or The Head-dress of the Year 1771. A satire on the exaggerated hairstyles of the day. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
Heritage Images features heritage image collections
Media ID 14917470
© The Print Collector / Heritage-Images
Afraid Alarm Cats Door Doorway Emily Morse Emily Morse Symonds Enormous Exaggerated Feline Felines Frighten Frightened Frightening George Paston Grimm Huge Paston Ridiculous Scared Silly Symonds Hairdressing
14"x12" (38x32cm) Modern Frame
Step back in time with our exquisite framed print of "La Francoise a Londres: The French Lady in London or The Head-dress of the Year 1771" by Unknown, George Paston, and Grimm from Heritage Images. This captivating artwork satirically depicts the exaggerated hairstyles of the 18th century, showcasing a French lady in London. Add a touch of historical charm to your home or office with this beautifully framed piece, guaranteed to spark conversation and intrigue. The intricate details and rich colors are brought to life in this high-quality print, making it a must-have for any art enthusiast or history lover.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.2cm x 24.4cm (7.6" x 9.6")
Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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La Francoise a Londres - The French Lady in London or The Head-dress of the Year 1771
EDITORS COMMENTS
is an intriguing print that offers a satirical glimpse into the exaggerated hairstyles of the 18th century. Created by an unknown artist, but included in "Social Caricature in the Eighteenth Century" this illustration captures the essence of fashion and folly during that time. In this comical scene, we find ourselves inside a French lady's residence in London. Standing at the doorway, she appears both afraid and enormous as her hairdo reaches astonishing heights. With wide eyes and a silly expression, she seems to be startled by something outside - perhaps another outrageous hairstyle passing by on the streets of London. The interior setting showcases elegant furniture with a feline twist; cats are playfully incorporated into various elements. This whimsical touch adds to the overall satire of societal norms surrounding women's fashion choices. The print not only highlights how trends can become absurdly exaggerated but also serves as social commentary on people's fear of being left behind or judged for their appearance. It reminds us that throughout history, individuals have been willing to go to great lengths (and heights) to conform or stand out from society's expectations. With its monochrome palette and intricate details, this print invites viewers to appreciate both its artistic merit and historical significance. It serves as a reminder that even centuries ago, people found humor in their own cultural quirks while simultaneously reflecting upon them critically.
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