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Framed Print : Holmbush, 1835. Creator: Charles J Smith
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Holmbush, 1835. Creator: Charles J Smith
Holmbush, 1835. Grade II listed Georgian country house in Hellingly, East Sussex, home of Thomas Broadwood. Engraved by CJ Smith after a drawing by George Baxter. From " The History, Antiquities, and Topography of the County of Sussex, Volume the Second", by Thomas Walker Horsfield, F.S.A. [Baxter, Sussex Press, Lewes; Messrs. Nichols and Son, London, (1835)]
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Media ID 19299649
© The Print Collector/Heritage Images
Antiquities Antiquity Baxter Baxter George Baxter John Baxter Sussex Press C J Smith Charles J Charles J Smith Chas J Chas J Smith Cj Smith County Detached Drinking Fountain East Sussex Fountain Fountains George Baxter Georgian Grade Ii Grazing Horsfield Horsfield Thomas Walker John Baxter Listed Building Nichols And Nichols And Son Rev Thomas Walker Horsfield Sheep Smith Smith C J Smith Charles J Smith Chas J Smith Cj Son Nichols And Sussex Sussex Press Thomas Horsfield Thomas Walker Thomas Walker Horsfield Topography Tw Horsfield Walled Walled Garden Water Fountain Wealth Wealthy Broadwood Country House Hellingly
14"x12" (38x32cm) Modern Frame
Step into the past with our exquisite Framed Print of Holmbush, 1835 by Charles J Smith. This captivating piece, originally engraved by CJ Smith after a drawing by George Baxter, showcases the stunning Georgian country house in Hellingly, East Sussex, which was once the home of Thomas Broadwood. Add a touch of history and elegance to your space with this beautiful, Grade II listed image, perfect for those who appreciate the charm of the past.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 17.4cm (9.6" x 6.9")
Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Holmbush, 1835 - A Glimpse into Georgian Grandeur
EDITORS COMMENTS
. This print transports us back to the year 1835, capturing the timeless beauty of Holmbush. This Grade II listed Georgian country house in Hellingly, East Sussex was once the cherished home of Thomas Broadwood. The engraving was skillfully created by Charles J Smith after a drawing by George Baxter, showcasing their artistic prowess. The image showcases the grandeur of this historic building's exterior, with its detached structure exuding elegance and charm. The meticulously designed gardens surrounding Holmbush add to its allure, providing a picturesque backdrop for grazing animals that dot the landscape. Holmbush itself stands as a testament to British architecture and antiquity. Its classic Georgian features are beautifully captured in this print; from the symmetrical layout to the intricate details adorning its facade. The inclusion of a drinking fountain further adds to its historical significance. This print is part of "The History, Antiquities, and Topography of the County of Sussex". Volume Two written by Thomas Walker Horsfield. It serves as an invaluable piece within literature dedicated to preserving England's rich heritage. As we gaze upon this remarkable image from centuries past, we are reminded not only of Holmbush's architectural splendor but also our connection to history itself.
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