Suffering And Agony Of Jesus Collection

Christ with the crown of thorns, First Half of 16th cen.. Found in the Collection of Rijksmuseum Twenthe, Enschede

The Man of Sorrows Blessing, 1480-1490. Artist: Memling, Hans (1433 / 40-1494)
The Man of Sorrows Blessing, 1480-1490. Found in the collection of the Musei di Strada Nuova, Genoa

The Man of Sorrows, c. 1500. Creator: Botticelli, Sandro (1445-1510)
The Man of Sorrows, c. 1500. Private Collection

Christ at the Column, 15th century. Creator: Costa, Lorenzo (1460-1535)
Christ at the Column, 15th century. Found in the Collection of the Galleria Borghese, Rome.

Ecce Homo, c. 1610. Creator: Caracciolo, Giovanni Battista (1578-1635)
Ecce Homo, c. 1610. Found in the collection of the Museo di Capodimonte, Naples

Pala dei Decemviri: The Man of Sorrows, 1495-1496. Creator: Perugino (ca. 1450-1523)
Pala dei Decemviri: The Man of Sorrows, 1495-1496. Found in the collection of the Musei Vaticani in Viale Vaticano, Rome

Christ in the Tomb, Third Quarter of 15th century. Creator: Perugino (ca. 1450-1523)
Christ in the Tomb, Third Quarter of 15th century. Found in the collection of the Musee du Louvre, Paris

The Flagellation of Christ, ca. 1600. Creator: Carracci, Lodovico (1555-1619)
The Flagellation of Christ, ca. 1600. Found in the collection of the Musee de la Chartreuse, Douai

The Flagellation of Christ. Creator: Titian (1488-1576)
The Flagellation of Christ. Found in the collection of the Galleria Borghese, Rome

The Arrest of Christ (Kiss of Judas) (From the cycles of The Life of Christ), 1304-1306. Found in the collection of the Cappella degli Scrovegni, Padua

The Man of Sorrows, Early16th cen. Creator: Botticelli, Sandro (1445-1510)
The Man of Sorrows, Early16th cen. Private Collection

Ecce Homo, 1503-1505. Creator: Solari (Solario), Andrea (1470-1524)
Ecce Homo, 1503-1505. Found in the Collection of the Accademia Carrara, Bergamo

Ecce Homo, 1503-1505. Creator: Solari (Solario), Andrea (1470-1524)
Ecce Homo, 1503-1505. Found in the Collection of the Accademia Carrara, Bergamo

The Flagellation of Christ, 1538. Artist: Cranach, Lucas, the Elder (1472-1553)
The Flagellation of Christ, 1538. Found in the collection of the Art History Museum, Vienne

The Flagellation of Christ, 1617. Creator: Rubens, Pieter Paul (1577-1640)
The Flagellation of Christ, 1617. Found in the Collection of Sint-Pauluskerk, Antwerpen

The Temptation of Saint Anthony. Triptych, reverse: The Capture of Christ, 1500-1501. Found in the Collection of the Museu Nacional de Arte Antiga, Lisbon

The Mocking of Christ, 1527. Creator: Gossaert, Jan (ca. 1478-1532)
The Mocking of Christ, 1527. Found in the collection of Szepmuveszeti Muzeum, Budapest

The Flagellation of Christ, ca 1465. Creator: Anonymous
The Flagellation of Christ, ca 1465. Found in the collection of Szepmuveszeti Muzeum, Budapest

The Man of Sorrows, c. 1490. Creator: Rosselli, Cosimo di Lorenzo (1439-1507)
The Man of Sorrows, c. 1490. Found in the Collection of Collection Alana, Newark

Ecce Homo, 1660-1670. Creator: Murillo, Bartolome Esteban (1617-1682)
Ecce Homo, 1660-1670. Found in the Collection of Museo del Prado, Madrid

The Flagellation of Christ, 1570s. Creator: Tintoretto, Jacopo (1518-1594)
The Flagellation of Christ, 1570s. Found in the Collection of Prague Castle

The Flagellation of Christ, c. 1640. Creator: Stomer, Matthias (ca. 1600-after 1650)
The Flagellation of Christ, c. 1640. Found in the Collection of Koelliker Collection

The Capture of Christ, Early16th cen Creator: Engebrechtsz. Cornelis (ca. 1462-1527)
The Capture of Christ, Early16th cen.. Found in the Collection of Museo Casa Rodolfo Siviero

Ecce Homo, c. 1635. Creator: Reni, Guido (1575-1642)
Ecce Homo, c. 1635. Found in the Collection of Musee du Louvre, Paris

The Flagellation of Christ, ca 1585-1590. Creator: Tintoretto, Jacopo (1518-1594)
The Flagellation of Christ, ca 1585-1590. Found in the Collection of Art History Museum, Vienne

The Taking of Christ, 1602. Found in the Collection of National Gallery of Ireland

Christ at the Column, ca 1607. Found in the Collection of Muse e des Beaux-arts, Rouen

Christ at the Column, Between 1490 and 1499. Found in the Collection of Pinacoteca di Brera, Milan

The Flagellation of Christ, 1607. Found in the Collection of Museo di Capodimonte, Naples

Christ as the crowned Man of Sorrows, ca 1514. Found in the Collection of Art Museum Basel

Christ as the Man of Sorrows at the Column after the Flagellation, 1515. Found in the collection of Dresden State Art Collections

Christ as the Man of Sorrows flanked by Angels, c. 1540
Christ as the Man of Sorrows flanked by Angels, c.1540. Found in the collection of Dresden State Art Collections

Christ as the Man of Sorrows flanked by the Virgin and St John with Angels, after 1537. Found in the collection of Historisches Museum der Stadt Regensburg

Christ as the Man of Sorrows, after 1537. Found in the collection of Frankische Galerie, Kronach

The Arrest of Christ, 1538. Found in the collection of Art History Museum, Vienne

Market Scene with Ecce Homo, the Flagellation and the Carrying of the Cross, 1561. Found in the collection of Nationalmuseum Stockholm

Market Scene with Ecce Homo, 1565. Found in the collection of Nationalmuseum Stockholm

Head of Christ. Found in the collection of Nationalmuseum Stockholm

A Fish Market with Ecce Homo, 1570. Found in the collection of Nationalmuseum Stockholm

Ecce Homo, 1546-1547. Found in the Collection of Museu de Arte de Sao Paulo

Ecce Homo. Found in the Collection of Musei Civici, Padova

The Passion of Christ, 1470. Found in the collection of Galleria Sabauda, Torino

The Flagellation of Christ. Found in the Collection of Galleria Sabauda, Torino

Christ with the crown of thorns. Found in the Collection of Musee Tavet-Delacour, Pontoise

Christ Blessing. Found in the Collection of Musei di Strada Nuova, Genoa

Saint John the Evangelist on Patmos (Reverse side). The Passion of the Christ, c. 1505. Artist: Bosch, Hieronymus (c)
Saint John the Evangelist on Patmos (Reverse side). The Passion of the Christ, c. 1505. Found in the collection of Staatliche Museen, Berlin

The Mocking of Jesus (scene of the musicians), ca 1317. Artist: Chrostiras Michael (Mihailo) and Eftichios (Evtihij)
The Mocking of Jesus (scene of the musicians), ca 1317. Found in the collection of Church of St. George, Staro Nagoricane

The Arrest of Christ, 1798. Artist: Goya, Francisco, de (1746-1828)
The Arrest of Christ, 1798. Found in the collection of Museo del Prado, Madrid

All Professionally Made to Order for Quick Shipping

In the depths of his suffering, Jesus endures unimaginable agony. The Flagellation of Christ by Lucas Cranach the Elder depicts this torment with raw emotion, as each lash leaves its mark on his battered body. Pieter Paul Rubens captures the same scene in 1617, emphasizing the pain and anguish etched across Jesus' face. The Temptation of Saint Anthony reveals another moment of distress for Jesus. In this triptych's reverse side, The Capture of Christ shows him being seized by those who would betray him. His expression reflects both physical pain and a profound sense of betrayal. Jan Gossaert's The Mocking of Christ transports us to a scene where mockery becomes an instrument to deepen Jesus' suffering. As he is ridiculed and spat upon, we witness his silent endurance amidst overwhelming humiliation. An anonymous artist from ca 1465 presents yet another depiction: The Flagellation of Christ showcases Jesus tied to a column while mercilessly whipped. This haunting image serves as a reminder that even in anonymity, his suffering remains timeless. Cosimo di Lorenzo Rosselli's Man of Sorrows portrays Jesus bearing not only physical wounds but also carrying the weight of humanity's sins upon his shoulders, and is through this sacrifice that he offers redemption to all who believe in him. Bartolome Esteban Murillo's Ecce Homo brings forth empathy as we gaze into the eyes of Jesus crowned with thorns. We are confronted with our own complicity in his agony and challenged to reflect on our actions. Jacopo Tintoretto paints two versions: one from the 1570s and another from around 1585-1590—both capturing vividly brutal flagellations endured by Christ at different moments in time. These images serve as powerful reminders that suffering knows no bounds or limitations. Matthias Stomer contributes a unique perspective with The Flagellation of Christ circa 1640.