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The Arrest of Christ (Kiss of Judas) (From the cycles of The Life of Christ), 1304-1306. Creator: Giotto di Bondone (1266-1377)

The Arrest of Christ (Kiss of Judas) (From the cycles of The Life of Christ), 1304-1306. Creator: Giotto di Bondone (1266-1377)


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The Arrest of Christ (Kiss of Judas) (From the cycles of The Life of Christ), 1304-1306. Creator: Giotto di Bondone (1266-1377)

The Arrest of Christ (Kiss of Judas) (From the cycles of The Life of Christ), 1304-1306. Found in the collection of the Cappella degli Scrovegni, Padua

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Media ID 36224453

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Authority Belief Betrayal Caiaphas Calvary Cappella Degli Scrovegni Christ Carrying The Cross Cross Crucifixion Ecce Homo Faith Florentine School Fresco Giotto Di Bondone 1266 1377 Golgotha Golgotha Hill Jerusalem Judas Man Of Sorrows Mourning Padua Passion Passion Of The Christ Passion Procession Power Suffering And Agony Of Jesus The Road To Calvary Via Dolorosa Way Of The Cross


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> Arts > Artists > G > Giotto di Bondone Giotto di Bondone

> Arts > Artists > Giotto > Crucifixion paintings

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> Arts > Artists > Giotto

> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Padua

> Europe > Italy > Sports > Cycling

> Europe > Italy > Veneto > Padua

> Sport > Cycling


EDITORS COMMENTS
The Arrest of Christ, also known as The Kiss of Judas, is a seminal work by the renowned Italian painter Giotto di Bondone, created between 1304 and 1306. This masterpiece is part of the cycles of The Life of Christ, found in the Cappella degli Scrovegni in Padua, Italy. The scene depicts the moment of betrayal as Judas Iscariot identifies Jesus with a kiss, leading a group of soldiers to arrest Him. The composition is rich in symbolism and emotion. In the foreground, Judas, clad in a brown robe, leans in to kiss the unsuspecting Jesus, who turns his face away in shock and disbelief. The contrast between their expressions encapsulates the profound sense of betrayal and the deep sadness that permeates the scene. In the background, Caiaphas, the high priest, and other religious leaders watch the scene unfold with authority and determination. The soldiers, armed and ready, prepare to seize Jesus and take Him away. The crowd, a mixture of onlookers and mourners, reacts with a range of emotions, from shock and sorrow to indifference and curiosity. This powerful work of art, with its intricate details and masterful use of perspective, is a testament to Giotto's innovative approach to painting and his deep understanding of the human condition. The Arrest of Christ is a poignant reminder of the Passion of Christ, a story that continues to inspire faith and belief in millions of people around the world. The fresco, located in the Scrovegni Chapel, is a significant example of the Florentine School and the Gothic style, characterized by its focus on realism, emotion, and intricate detail. The Arrest of Christ is a must-see for anyone interested in the history of art, Christianity, or the human condition.

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